The text distinguishes three modes of aesthetic presentation: perceptual, imaginative, and signitive, with a particular focus on analyzing the imaginative mode of manifestation of a work of art in contrast to the other two. In the case of imaginative perception, there are three objects to be distinguished: depicting, imaginative, and depicted objects. Unlike the object of simple sensory perception, which exists within the spatiotemporal reality of the observer, the imaginative object does not appear in this reality. Instead, it exists as something quasi-real rather than genuinely real. The text argues that imaginative perception differs not only from simple sensory perception, but also from signitive perception—such as the perception of literary work of art, which renders its proper object in a non-intuitive way.

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URN

URN:NBN:SI:DOC-EW2UD2AL

COBISSID

264551939

Added

22.01.2026

Metadata

Citation

APA:

Blaustein, Leopold, Borek, Filip (2025). The imaginative work of art and its way of manifestation. Phainomena (Ljubljana), volume 34, issue 134/135, str. 365-370. URN:NBN:SI:DOC-EW2UD2AL from http://www.dlib.si

MLA:

Blaustein, Leopold, Borek, Filip. "The imaginative work of art and its way of manifestation." Phainomena (Ljubljana) volume 34. issue 134/135 (2025) str. 365-370.
<http://www.dlib.si/?URN=URN:NBN:SI:DOC-EW2UD2AL>

Phainomena
1992-
(Assembly record)