The aim of the article is to reflect on the process of disseminating ethnographic research via the language of comics, drawing on the author’s experience as a (co-)author of La linea dell’orizzonte. An ethnographic novel on migration between Bangladesh, Italy, and London. The mentioned experience helped to identify certain advantages of conveying ethnography through comic books: effective communication of the research process; a precise depiction of the spatial and environmental context in which the social phenomenon examined occurs; a suitable rendering of the emotional atmosphere; and a deep exploration of the researcher’s reflexive processes. Accordingly, in this article these opportunities and limitations are investigated along with other possibilities and constraints encountered by the author in the process of composing an ‘ethnographic novel’.

Rights

URN

URN:NBN:SI:doc-CBJ58MJY

COBISSID

276931843

DOI

10.51936/tip.63.1.113

Added

11.05.2026

Metadata

Citation

APA:

Della Puppa, Francesco (2026). La linea dell’orizzonte, a first ethno-graphic experience. Teorija in praksa, volume 63, issue 1, str. 113-120. URN:NBN:SI:doc-CBJ58MJY from http://www.dlib.si

MLA:

Della Puppa, Francesco. "La linea dell’orizzonte, a first ethno-graphic experience." Teorija in praksa volume 63. issue 1 (2026) str. 113-120.
<http://www.dlib.si/?URN=URN:NBN:SI:doc-CBJ58MJY>

Teorija in praksa
1964-
(Assembly record)