The existence of polyphonic forms within the liturgical music of the Roman Catholic and Orthodox Churches appears to be closely related to the domain of ecumenical dialogue. The appearance of polyphonic music in the liturgy, during the nineteenth and twentieth centuries, aimed to preserve the unique identity of both the nations and the Church within the given cultural context. The authors use a comparative analysis of the material gathered from both theological and musicological field. Using the example of church polyphony, the authors argue that ecumenical dialogue is also correlated with the issue of music in the liturgy and, consequently, with everyday life.

Rights

URN

URN:NBN:SI:DOC-RJJ9QQYP

COBISSID

211687171

DOI

10.34291/Edinost/79/01/Matic

Added

18.10.2024

Metadata

Citation

APA:

Matić, Zlatko, Stevanović, Sanja (2024). Church polyphony in the light of ecumenical dialogue. Edinost in dialog, volume 79, issue 1, str. 69-82. URN:NBN:SI:DOC-RJJ9QQYP from http://www.dlib.si

MLA:

Matić, Zlatko, Stevanović, Sanja. "Church polyphony in the light of ecumenical dialogue." Edinost in dialog volume 79. issue 1 (2024) str. 69-82.
<http://www.dlib.si/?URN=URN:NBN:SI:DOC-RJJ9QQYP>

Edinost in dialog
2013-
(Assembly record)

Church polyphony in the light of ecumenical dialogueCerkvena polifonija v luči ekumenskega dialoga

Church polyphony in the light of ecumenical dialogue
Cerkvena polifonija v luči ekumenskega dialoga