The text outlines and analyses the New Tendencies movement launched in Zagreb in 1961, focusing on the fourth and fifth editions of the New Tendencies, which presented in Zagreb the first researches in the field of computer art. The proposed thesis is that the fourth and fifth Tendencies can be understood as a logical continuation of the first three exhibitions rather than the consequence of a radical break in the movement, as they have been interpreted by earlier generations of art historians. The text also calls attention to the affinities between conceptual and computer art in the late 1960's.

Rights

URN

URN:NBN:SI:DOC-HLTE22HL

COBISSID

1361549

Added

23.03.2010

Metadata

Citation

APA:

Grafenauer, Petja (2007). Od monokromnega slikarstva do računalniške umetnosti. Monitor ISH, volume 9, issue 2, str. 47-59. URN:NBN:SI:DOC-HLTE22HL from http://www.dlib.si

MLA:

Grafenauer, Petja. "Od monokromnega slikarstva do računalniške umetnosti." Monitor ISH volume 9. issue 2 (2007) str. 47-59.
<http://www.dlib.si/?URN=URN:NBN:SI:DOC-HLTE22HL>

Monitor ISH
2001-
(Assembly record)

številka

Monitor ISH
2007
(Complete issue)