Slavko Osterc's studies with Alois Hába and subsequent attendance at ISCM festivals triggered his interest in twelve-tone technique. In his first attempts before the Second World War (around 1936) and at the beginning of the 1960s the technique was employed very cautiously, not following the strict logic and system of the method. The first fully developed twelve-tone compositions were written by Primož Ramovš and Alojz Srebotnjak in 1961, but these two very distinctive exponents of twelve-tone technique later abandoned the method: the 1970s were the time of post-serialism and postmodernism.

Rights

URN

URN:NBN:SI:DOC-95MJ3S53

COBISSID

44309293

Added

26.08.2020

Metadata

Citation

APA:

Pompe, Gregor (2018). Slovenian twelve-tone music. De musica disserenda, volume 14, issue 2, str. 89-112. URN:NBN:SI:DOC-95MJ3S53 from http://www.dlib.si

MLA:

Pompe, Gregor. "Slovenian twelve-tone music." De musica disserenda volume 14. issue 2 (2018) str. 89-112.
<http://www.dlib.si/?URN=URN:NBN:SI:DOC-95MJ3S53>

De musica disserenda
2005-
(Assembly record)