The present study discusses a chant theory treatise preserved in the Carthusian compilation manuscript (CZ-Pu I F 17) and based on the Franciscan Hermann Mott's Musices Choralis Medulla (1670). It sheds new light on the background of the Carthusian arrangement and its connection to the Franciscan original by comparing both versions and trying to discover why the Franciscan treatise was chosen as an exemplar, who the author of the Carthusian treatise was, when and where the Carthusian version was written and used, and finally, through a study of its context and the information given in its manuscript source, how it could be transmitted and what it meant for the Carthusian order.

Rights

URN

URN:NBN:SI:DOC-WGBN8MIG

COBISSID

44858627

DOI

10.4312/mz.56.2.153-181

Added

12.10.2021

Metadata

Citation

APA:

Šter, Katarina (2020). A chant treatise in the service of two monastic traditions of the modern era. Muzikološki zbornik, volume 56, issue 2, str. 153-181. URN:NBN:SI:DOC-WGBN8MIG from http://www.dlib.si

MLA:

Šter, Katarina. "A chant treatise in the service of two monastic traditions of the modern era." Muzikološki zbornik volume 56. issue 2 (2020) str. 153-181.
<http://www.dlib.si/?URN=URN:NBN:SI:DOC-WGBN8MIG>

Muzikološki zbornik
1965-
(Assembly record)