Despite his reputed indifference to music, Freud sometimes refers knowledgeably to it. This paper suggests that the Freudian unconscious is partly modeled on the music of late Romanticism in association with representations of feminine desire. Freud's Dora case and Richard Strauss's opera Salome converge on a fin-de-siecle concept of a musical unconscious.

Rights

URN

URN:NBN:SI:DOC-H4TA5LAM

COBISSID

41621346

Added

01.12.2014

Metadata

Citation

APA:

Kramer, Lawrence (2009). One coughs, the other dances. Muzikološki zbornik, volume 45, issue 2, str. 33-44. URN:NBN:SI:DOC-H4TA5LAM from http://www.dlib.si

MLA:

Kramer, Lawrence. "One coughs, the other dances." Muzikološki zbornik volume 45. issue 2 (2009) str. 33-44.
<http://www.dlib.si/?URN=URN:NBN:SI:DOC-H4TA5LAM>

Muzikološki zbornik
1965-
(Assembly record)

številka

Muzikološki zbornik
2009
(Complete issue)

One coughs, the other dances : Freud, Strauss, and the perversity of modern lifeEna kašlja, druga pleše : Freud, Strauss in sprevrženost sodobnega življenja

One coughs, the other dances : Freud, Strauss, and the perversity of modern life
Ena kašlja, druga pleše : Freud, Strauss in sprevrženost sodobnega življenja