The article on "cognitive aesthetics" is based on the contemporary heterogeneous notion of aesthetics and the naturalisation of aesthetics with concepts from cognitive science. It discusses the difference between aesthetics and the philosophy of art and draws attention to the relationship between cognitive aesthetics and post-modern theories. Special attention is paid to three examples of cognitive aesthetics: "1) the relationship between cognitive and analytical aesthetics, 2) specific definitions of cognitive aesthetics and the philosophy of language, semiotics and information theory, and 3) the role of phenomenological philosophy in studies of cognitive aesthetics. In addition, the article formulates a model of general cognitive art and special uses there of, based on the example of mimesis in European historical painting, and the concept of cognitive aesthetics of music combined with an elaboration of the idea of musical expression.

Rights

URN

URN:NBN:SI:DOC-2BJCGKHW

COBISSID

3105609

Added

14.10.2016

Metadata

Citation

APA:

Šuvaković, Miško, Kores, Darinko (1999). Uvod v kognitivno estetiko: status in kontekst kognitivne estetike. Časopis za kritiko znanosti, volume 27, issue 194, str. 107-122. URN:NBN:SI:DOC-2BJCGKHW from http://www.dlib.si

MLA:

Šuvaković, Miško, Kores, Darinko. "Uvod v kognitivno estetiko: status in kontekst kognitivne estetike." Časopis za kritiko znanosti volume 27. issue 194 (1999) str. 107-122.
<http://www.dlib.si/?URN=URN:NBN:SI:DOC-2BJCGKHW>

Časopis za kritiko znanosti
1973-
(Assembly record)