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with an introduction by
Trevor Shaw
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Title page of this Oliver manuscript. He visited in 1837, not 1838
JOHN OLIVER'S POSTOJNSKA JAMA OF 1856
with an introduction by Trevor Shaw
JOHN OLIVER'S POSTOJNSkaJAMA OF 1856
with an introduction by Trevor Shaw
© 2013, Založba ZRC, ZRC SAZU.
The book contains a facsimile of the manuscript by John Oliver: A Description of the Caverns of Adelsberg in Carniolia, South Austria (1838).
Design and graphic art by Scans by
Brane Vidmar
Marko Zaplatil, Igor Lapajne
Published by Založba ZRC / ZRC Publishing, Ljubljana and Inštitut za raziskovanje krasa ZRC SAZU /
Karst Research Institute at ZRC SAZU, Postojna Represented by Oto Luthar and Tadej Slabe Editor-in-Chief Aleš Pogačnik
CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana
551.442(497.4Postojna)
JOHN Oliver's Postojnska jama of 1856 [Elektronski vir] / with an introduction by Trevor Shaw. - El. knjiga. - Ljubljana : Založba ZRC, ZRC SAZU =ZRC Publishing ; Postojna : Inštitut za raziskovanje krasa ZRC SAZU : Karst Research Institute at ZRC SAZU, 2013
Način dostopa (URL): http://zalozba.zrc-sazu.si/p/nTS. - Vsebuje tudi: A description of the Caverns of Adelsberg in Carniolia, South Austria
ISBN 978-961-254-472-0 (pdf)
1. Shaw, Trevor R. 2. Oliver, John, 1804-1883: A description of the Caverns of Adelsberg in Carniolia, South
Austria
268219392
© 2013, Založba ZRC, ZRC SAZU. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.
INTRODUCTION
by Trevor Shaw
Postojnska jama is the subject of the very large manuscript volume by John Oliver, reproduced here in facsimile. It was written, or at least completed, in 1856 and he himself had visited the cave in 1837 (not 1838) and again in 1852. He says little about his own experiences though, for more than half of the book consists of his translation into English of Schaffenrath's 1834 guidebook, Beschreibung der beruhmten Grotte bei Adelsberg in Krain. Oliver adds many footnotes to the main text and also refers there to longer notes written in a separate appendix which includes extracts from later writings about the cave. The appendix also contains some of his own personal comments and observations.
This introduction considers the identity and life ofJohn Oliver and briefly describes the manuscript itself. Then Schaffenrath's original guide is examined in some detail and Oliver's own additions are noted.
First the volume itself is described - its physical aspects: size, binding, format and layout. Then comes what little is known about the history of the volume, its previous owners, etc. John Oliver himself is then identified, for there were two possible John Olivers to consider, and his life is described. Before continuing to his own visits, the cave is introduced - quite briefly as it is the subject of the book itself. The dates of his visits are deduced, as is the time that he actually wrote and completed the text. As Oliver gives almost no information about his own visits, it seems advisable to provide extracts from some other visitors' accounts of about the same period. Their descriptions of the arrangements at the cave, the guides and the lighting help to give an idea of what Oliver himself experienced.
As the main reason for this facsimile being published is to make available Alois Schaffenrath's important guidebook of 1834, he himself is then introduced. It was he, as a civil engineer, who arranged all the paths and the bridges in the cave after the 1818 discovery of most of the passages known today. He was also the artist who in 1821 made water-colours of scenes in the cave which were the source of the engravings published in 1830 and 1832 that Oliver incorporated in this volume. The 1834 Schaffenrath guidebook was subsequently revised and updated and his writing could still be recognized in the anonymous guidebooks of the 1870s, long after his death. The content of the 1834 original
is discussed and some of the most interesting facts in it are reprinted in a later section of this introduction.
Oliver's own contribution to the book, in addition to his labour of translating it, is then considered. It is all there in the facsimile of course, but this introduction aims to draw out some of the more interesting items of his input. One subject of special interest is his relationship with Professor Adolf Schmidl, whom he seemed heartily to dislike, though whether they ever met is not known. Two other most important of his contributions are original pictures. One is a Rieger painting, otherwise unknown; and the other is a drawing of the amphibious animal Proteus, endemic in this region. One of the two Proteus shown in the drawing is of dark colour, a rarity which had usually been regarded (if at all) as a historical oddity until some specimens were found in 1986.
This introduction thus falls naturally into two parts: on Oliver's own visits, about which we know very little; and on Schaffenrath's book, now made widely available for the first time.
The manuscript volume reproduced here has been mentioned several times in recent years. It was the subject of a conference lecture in 1979 which was printed in 19811 when much less was known about it than now. It has since been made better known in some recent books about early visitors to the cave2" 3.
The names that Oliver uses for parts of the cave, The Curtain for example, are his translation from the German ones used by Schaffenrath and some of them are unfamiliar today4. The problem is compounded by the fact that many of these names, those used for places now passed at speed by the tourist train, were named and pointed out by the guides in 1834 but are little used today. To make clear which places he is referring to, the Glossary at the end of this introduction lists alphabetically the English names used by Oliver, each followed by Schaffenrath's German original and then the Slovene name (which is not always a translation of the German). Where there is no Slovene name currently in use, former ones are taken from early Slovene language guides, such as Costa's of 18635. Oliver himself often repeats Schaffenrath's equivalent German names, but he never gives the Slovene ones.
THE BOOK ITSELF
The manuscript itself is large, the oblong covers being 400 mm tall and 564 mm long.
The present covers are exact replicas (made in 1983) of the originals, with cloth boards halfbound in green leather and the original green leather label on the front lettered in gold "DESCRIPTION OF THE ADELSBERG CAVERNS".
The volume is not a collection of manuscript leaves subsequently bound together but a book containing cream leaves of wove paper (no watermark) with feint blue horizontal ruling and with border and column rules in red. These main text leaves measure 388 mm by 542 mm. That the book already existed before the manuscript was written is confirmed by the facts that stains from the original oil paint used to highlight water in many of the engravings have offset into the following leaves and also that there are five fully ruled blank leaves after the text ends.
As can be seen, the manuscript on these large pages is in a clear copperplate script arranged in two columns. The "Appendix", bound in near the end of the main text, is a small notebook (200 mm by 170 mm) of 59 pages. It is written in Oliver's normal cursive handwriting. The title page of the manuscript (repeated as a frontispiece before this introduction) is in a curious mixture of roman, italic and gothic lettering.
The main copperplate text on the large pages is mainly Oliver's translation of Schaffenrath's guidebook. His footnotes, containing extracts from Hohenwart's illustrated book of 1830-1832 on Postojnska jama6 and Murray's Handbook ... of 18507 for the region, as well as from other books, are in the same script and were evidently written at the same time. Oliver's description of his own visit to the cave of Vilenica in 1837 also forms part of the main copperplate text.
The "Appendix" contains the remainder of Oliver's own remarks and observations. Each section of it is linked to some point in the main text, as "Note c", etc. The first page of the appendix states that it is based on Schmidl's book8 but it does contain more besides.
The ink page numbers of the main text are original. The fainter pencilled leaf numbers are recent and run continuously through the whole volume.
The text is lavishly illustrated by 27 published images, one original oil painting, one original water-colour, a map, two plans and one facsimile of names. The two original images are described in separate sections later in this introduction.
From Schaffenrath's 1834 guidebook, both illustrations have been cut out and mounted - his lithograph of the Vorhang (Curtain) and Oliver's translated version of the 1834 cave plan by Fercher. Schaffenrath's water-colours of 1821 are the bases for the 16
Fig. 1 Both sides of a loose sheet of paper (196 x 160 mm) on which Oliver listed the illustrations to be added to his manuscript and their page numbers
engraved images in Hohenwart's 1830-32 book6, all of which have been inserted here, cut to size and mounted on the large pages of the manuscript volume. Some have been surrounded by black ink ruled lines. The cave plan from Hohenwart's book has not been used but the plate showing early inscriptions on the cave walls is included. Ten lithograph plates from the atlas volume of Schmidl's main book8 have been included, three of them left on their original leaves and the rest cut out and mounted. Schmidl's plan of Planinska jama is included but not his other plans and not his lithographs of the Predjama cave.
A separate list of these images in the sequence in which they were used in the volume was written by Oliver as he planned their insertion. This list was found loose in the book and is reproduced here as Fig. 1.
In many of the Schaffenrath images and in some of Schmidl's, water surfaces have been accentuated by oil paint which was once of a blue colour. Oxidation of the oil has caused the colour to turn brown9 and some of the oil has offset on to the facing page. The surface of the paint is quite glossy and shines in oblique light.
THE BOOK'S PREVIOUS LIFE
Almost nothing is known about the first decades of the book's existence. John Oliver died in 1883 and his will named his son William as his executor. William had power to give "such property of a household nature" away, to sell it or to keep it. What action he took we do not know.
The book itself bears no indication of early ownership and there is no evidence of it being sold at auction in London after 190210.
The first clue to ownership that we have is the presence of the initials "J.W.P." (Fig. 2) on the margin of the unnumbered page opposite p. 7, on which Rieger's painting is mounted. Not only are these the initial letters of the names James William Puttrell (18631939) but comparison with known examples of his signature indicates that they are his initials as he wrote them. The leaf bearing the painting is an integral part of the book and cannot have been inserted after its completion so it is evident that Puttrell must have been the owner of the book at one time.
Puttrell (Figs. 3 and 4) was a well-known rock climber, mainly in England and Wales, and a cave explorer principally in the English county of Derbyshire11. He made a series of radio talks between 1926 and 1931 about his exploits and one of these12, broadcast on 10 July 1928, described a tour he made in Austria and Jugoslavia in the spring and early summer of that year when he was 59. In the course of this he went to Bled, Ljubljana, Rakek and Škocjan and visited the caves Postojnska jama13 and Divaška jama. His name does not appear in the Postojna visitors' book. Puttrell had been interested in caves for many years before that but it was this visit that made him familiar with the "Adelsberger Grotte".
There is no reason to suppose that Puttrell bought the Oliver book in Slovenia, for it had almost certainly remained in England where it was created.
Another English cave explorer, Eli Simpson (1884-1962) (Fig. 5), is known to have possessed the book from before 1948 until his death. Simpson and Puttrell knew each other from their common interest in caves and were good friends from the early 1900s15. It is probable, therefore that Simpson acquired the book when Puttrell died on
Fig. 2 J.W. Puttrell's initials on the mount of the Rieger painting
Fig. 3 Puttrell outside a newly discovered upper entrance to Peak Cavern on 1 March 1902. Photo by Bamforth.
14 August 1939, or even before as Puttrell's interest was predominantly in English caves. Simpson had been one of the founders of the British Speleological Association in 1936 and was its "recorder" and archivist. When I knew him from 1948 onwards, he lived in the Association's headquarters in Duke Street, Settle in Yorkshire. The Association's library was housed in the same building but its books were marked accordingly and the Oliver book belonged to Simpson himself.
Fig. 5 Eli Simpson14
Fig. 4 Puttrell, aged 70, on 7 June 1939. Reproduced from Sheffield Central Library 914.251 SQ. with permission
JOHN OLIVER HIMSELF
When Simpson died on 1 February 1962 he left his own books to his friend Christene Margaret Rawdin (1913-1999), the Association's secretary. She sold them soon afterwards to Hollett, the antiquarian bookseller in Sedbergh15, and it next appeared in 1976 when the Bristol bookseller A.R. (Tony) Heath bought it from Booth's bookshop in Hay-on-Wye and sold it to me on 9 September for £350 (GBP). As the covers were in bad state I had it rebound to match the original for £100 on 15 December 1983.
In September 2012 the whole volume was digitized in Ljubljana by Marko Zaplatil of ZRC and I presented it to the library of the Karst Research Institute in Postojna on 27 September.
Fig. 6 A letter of 6 December 1857, in John Oliver's own handwriting (Lambeth Palace Library, Tait Papers, vol 107. f.271)
The John Oliver who produced this volume was the Rev. John Oliver (1804-1883) of London. No documentary confirmation of this has been found, but the grounds for considering the two men to be one and the same are:
a)
b)
c)
d)
e)
the similarity of the handwriting in the London letter of 6 December 1857 (Fig. 6), the Appendix of 1856 in the present volume, the list of illustrations (Fig. 1) and the 1837 entries in the visitors' books of Postojnska jama (Fig. 8) and Vilenica (Fig. 9). both men used copperplate script on occasions
both were in London in 1856 when the preface to the appendix was dated there The Rev. John Oliver was free to travel in the years 1837 and 1852 and was of suitable age
their common interest in financial management.
Born in 1804, it was not until 1839 that Oliver entered Queens' College, Cambridge, so he would have been about 33 at the time of the 1837 visit to Postojna. He graduated at Cambridge in 1848 (M.A. 1847) and was vicar of Warmington near Oundle in Northamptonshire from 1844 to 187316 17. In 1854 he became secretary at King's College Hospital, London, whose minute books were written in copperplate script, and was Chaplain there also from 1855 until 1862. Concurrently with these appointments he was on 29 August 1856 made the Warden of the London Diocesan Penitentiary at Highgate18 in north London where he remained until his death. It was reported that "the financial resources of the Institution, not less than its internal management, owe much to Mr Oliver's cool judgement"19. The annual reports showed that he concerned himselfwith raising money for the penitentiary by letting part of the land and by the work of the inmates as well as by subscriptions and donations. The relevance of this interest will be seen when his remarks on the management of the cave are discussed.
Oliver died on 10 July 1883, leaving his widow Ann and three sons by a previous marriage. No portrait has been traced.
THE CAVES HE VISITED
John Oliver visited both Postojnska jama (Adelsberger Grotte) and Vilenica (Corgnale) in 1837 and, so far as is known, only Postojnska jama in 1852. These visits are recorded in next section. As he himself gives no real description of either cave and the Schaffenrath book he translates is concerned only with Postojnska jama, it is advisable to give a brief overview here of both caves.
Postojnska jama
The Postojnska jama cave system consists of Postojnska jama itself (into which the surface river Pivka enters); Otoška jama and Črna jama (through which it flows); and Planinska jama (from which it emerges). All these caves have separate entrances and were visited separately.
The total explored length ofthe main Postojnska jama cave is now 9647 m, of which 2700 m forms the present-day tourist route. In the 19th century visitors were usually taken about 1150 m to the Curtain, 1890 m to Calvary or 2150 m to Tartarus (Fig. 7). The earliest dated entry in the visitors' book was made on 2 September 1819. Until 1818 only 360 m of the cave was known, from the entrance as far as the
Fig. 7 A simplified plan of Postojnska jama pubished in 186120. Places commonly visited were Rov Podpisov (in Alte Grotte), Veliki dom (Dom), Kongresna dvorana (Tanzsaal), Zavesa (Vorhang), Kalvarija (Calvarienberg) and Tartarus
	Datum	1 0 Iti £ It	(Be&urtSort	Cfjnraffer	aBoEjnort i
Nro.	Data	Nome	W a t i v 0	Conditions	D 0 11 i c i 1 i 0
	Date	N 0 m	N a t if ■	Rang	D 0 m i c i l e
/	^/tzM	^^ t			
					
Fig. 8 John Oliver's entry in the Postojnska jama visitors' book on 4 June 1837 (not 1838)
Fig. 9 John Oliver's 1837 entry in the Vilenica visitors' book. This faded entry is also printed in
the text
underground river in Veliki dom and the small passages of the old cave (Rov Podpisov, etc.) in which names dating back to 132320A have been written on the walls. Other names were later written at certain favourite points in the post-1818 cave - many in what is now called the Speleobiological Station not far from the entrance and others in the main passage near the Curtain and on Kalvarija.
For many years arrangements for visiting the cave were made not at the entrance but in the town of Postojna 1 km away. Thus in 1829 the key was obtained from a "respectable shopkeeper"21, who evidently ran a tobacco shop and kept the visitors' book22. In 1843 visitors were directed by the innkeeper to "a shop across the road ... [where] we may pay the entrance fees and get the guide'"23. From about 1850 to 1854 all arrangements were made at the inn Zur Ungarischen Krone24, where the proprietor was also the cave cashier at that period25. The system in 1834 (and probably also when Oliver visited in 1837) is described
in the Schaffenrath guidebook translated here and it is also reprinted in a later section of this introduction.
The cave was managed for the state by a special Grotten-Commission which maintained the cave, paid the guides and set the fees. These were very complex, there being separate charges for entry to the cave, for each guide and light-bearer (the number of which depended on the size of the party) and for the lighting (which could be selected from rather dim to a "great illumination".
Already by 1819 the length of the cave available to show to visitors was about 2 km, quite a distance before the cave railway was built for anyone who was unenthusiastic or unwell. As the Murray Handbooks said from 184026 to 185827 :
The guides will not usually take visitors quite to the end, unless expressly desired.
When above half-way they stopped, and said, people rarely went further; but they
ought to go on.
Thus a visitor in 182928 was asked by the guides, when they had reached the Curtain, if he "intended to proceed farther, for in that case one of them must return for more oil, as the lamps would not serve to any very considerable distance." Strickland, too, found in 1835 that "our guides tried to make us return. Being, however, resolved to proceed until we could get no further, we insisted on going on".
It seems that this guide pressure ceased in the 1850s, for the last visitor to record turning back near the Curtain was in 1855, Schmidl's 1853 guidebook29 states that "To go as far as the Curtain takes 2^2 to 3 hours but to reach Calvary 4 hours are necessary ... The guides have to be told how long the visitor will be in the cave so that they can provide enough lights. A full miner's lamp lasts for no more than 5 or 6 hours", Murray's 1855 Handbook30 allows 2 hours to the Curtain and 3 to Calvary.
Candles, oil lamps, flaming torches, and burning straw, are all reported to have been used in the cave at that time.
Torches or flambeaux, made of pine or hazel wood split at one end and prepared for lighting with resin or wax, gave a good light and also a good deal of smoke. Spencer31 in 1836 refers to "pine torches" and Tobin32 at Križna jama in 1828 had "large pieces of fir-wood for torches". Evidently the warning printed in Murrary's Handbook from its first edition in 183733 was necessary:
Visitors are expected to abstain from breaking the stalactites, or blackening with
their lights.
Oil lamps were certainly in use in the 1820s. Bronn in 182434 remarked what a disaster it would be if the oil for the guides' lamps ran out when in the cave. In 1829 the fee included the costs of "oil for lamps", one of which was carried by each guide35 and a visitor of that year said "our lamps [were] not . powerful enough" 36.
It is probable that such lamps remained in use until the mid 1850s, when the cave archives start to show significant purchases of candles, or even later. In 1853 Schmidl's guidebook37 still said that "only miners' lamps are permitted as the smoke from torches blackens the stalactites . If you wish to have a brighter light than that carried by the guides, candles must be placed at certain points".
The use ofburning straw to light up Veliki dom as late as 183638 implies that the normal lighting was still dim at that time.
Vilenica
The cave of Vilenica is nearly 2 km north-west of Lokev, inland from Trieste. Three factors influenced its popularity with both visitors and artists:
•	Until the greatly extended Postojnska jama was opened to the public in 1819, Vilenica was by far the most beautiful and impressive cave in the region.
•	It was only 11 km from the port of Trieste where travellers waiting for their ships would seek places of interest to visit.
•	Until 1780, when the main road from Wien took a more distant way into Trieste, the cave was only ^/2 km from the old route through Lokev and Basovizza. Thus it was only some 500 m further from the main road than was Postojnska jama.
The visitors' book proves the popularity of the cave in the 19th century, and also shows just how many of the visitors came from Trieste. The organized way in which the cave was shown by the middle of the 19th century is demonstrated in Murray's Handbooks from 186739: "The innkeeper Mukow has the key and the Grotto Book. Fee, 15 kr. each person; 1 hr. sufficient".
OLIVER'S VISITS TO THOSE CAVES
John Oliver first visited Postojnska jama and Vilenica in 1837, not in 1838 as stated on the title page of his book. Already about 33 years old when he came to Slovenia, it was only after that that he went to Cambridge University and became a priest.
Nothing is known of his travels except that he was in Trieste in the summer of 1837 and again in 1852. It was from there that he came to Postojnska jama on 4 June 1837 (Fig. 8). The visitors' book records him as a native of England and staying at Trieste. He was accompanied by William Routh, also from Trieste. They were two of the 927 visitors who saw the cave in that year40.
Vilenica was the other cave he saw in 1837. His undated entry in the visitors' book there (Fig. 9), written between entries of 22 July and 2 August, is in very faint brown ink. As the original is not clear, it is printed here also. Two words are illegible.
J. Oliver of London Visited the Grotto & forgot to bring some [????] N. Cobb, New York which they advise all travellers to do [????] before [???] Cobb, Nyork going below. The Grotto is very curious & interesting but is
not to be Compared with that of Adelsberg.
What they forgot to bring, perhaps additional clothes, is not known.
In addition to this comment, he provides a fuller description of the visit as a manuscript addition at the end of his Schaffenrath translation.
His second visit, in 1852, was only five years before the opening of the railway from Trieste to Wien through Postojna (Fig. 10) which was to make going there so much easier. He was at Postojna in Septamber42, when the yearly total of visitors to the cave had risen to 1623, but no entry appears in the visitors' book. That visit is however recorded by him on p. [30] of the manuscript Appendix to his translation. He describes the kleine Vorhang in Pisani rov and says "The existence of this Curtain was, I believe, unknown, until it was discovered by me in Sept. 1852, just before leaving this Cavern which I had been inspecting". This Curtain will be mentioned again when discussing Oliver's relations with Schmidl.
As Oliver nowhere describes his overall time spent in Slovenia, he makes no mention of any difficulties he may have experienced as a traveller. One potential problem - planning his visit in the first place - was very nearly avoided by the first edition of Murray's guidebook to the region43 but this did not appear until the year he was there, too late for forward planning. Baedeker did not describe the area until 1868. Oliver would have had to
depend upon accounts by previous travellers such as John Russell's A tour in Germany, and some of the southern provinces of the Austrian Empire, in the years 1820, 1821, 182244, which was so popular as to appear in four editions between 1824 and 1828.
Language would clearly have been no problem, for he was fluent in German. But the quality of the accommodation was always problematic. Fortunately for historians the standard of inns was frequently remarked upon by those who used them, and from1837 onwards Murray's Handbooks also commented upon it - a good encouragement for improvement. Typical Murray comments are :
Planina (183745)	Inn; Schwartzer Adler, good.
Postojna (183746)	Inn; Osteria Grande, - dirty and bad. It is much to be regret-
ted that there is no tolerable inn here
Postojna (184347)	Inn; Osteria Grande, not very good
Postojna (186348)	Inns : Hungarische Krone (Post); really good and reason-
able; civil people ...
Comments by the travellers themselves reflected the same improvement in Postojna when the Ungarischen Krone opened (where Hotel Kras now stands). About then it was in that inn that visitors arranged their cave visits, signed the book and set off with their guides to the cave itself:
Weston in 184649	Dined at the Osteria Grande at a passengers' spread, at
which each looked sharp after himself.
Unidentified traveller The small and very clean inn ofAdelsberg [Zur Ungarischen
in 185550	Krone]
Oliver's first visit, at least, must have been in the bad old days.
No contemporary images of the inns have been traced, but the town of Postojna appears in a photograph of October 1855 (Fig. 10) and also in a lithograph published in 1860 (Fig. 11).
Fig. 10 Postojna in October 1855, with the railway station under construction in the foreground. A photograph by Johnann Bosch41
what was a cave visit like at the time?
Further light on what Oliver would have experienced when he visited these two caves is provided by accounts written by other travellers. Some of these are long and detailed but a few extracts here should give the flavour of such occasions.
Dr. Edward Rigby (1804-1860) came to Postojnska jama in July 1829 and went only as far as the Curtain (Zavesa)52:
... first learnt something of it from Russel's Tour in Germany, and determined to myself that, if ever it was my good fortune to travel, and penetrate so far into the dominions of his Austrian Majesty as to reach the district of Carniola and Isteria I would make a point of visiting the wonderful Cavern of Adelsberg. ...
As it is necessary to comply with certain rules before permission can be obtained to visit the Grotto, it may not be amiss to mention them for the benefit of any future
Fig. 11 It was at the post town of Adelsberg (Postojna) that many people stopped to see the caves. This view, published in 1860, shows the Nanos plateau in the background and also the hill Sovič with its ruined castle. A lithograph by Giuseppe and Alberto Rieger51
travellers who may feel inclined to explore its recesses. To prevent accidents and preserve the beautiful stalactitic formations from injury, the entrance has been closed by a door, the key of which is deposited in the hands of a respectable shopkeeper in the town. Eight or ten men, who, from their intimate acquaintance with the interior of the cavern, are well qualified to act as guides, have been appointed to attend strangers; a book is kept for the purpose of inscribing their names, and a fee of two Gulden Munz, or four shillings of our money, is demanded from every visitor - this sum goes to defray the expense which the Government has been at for making flights of steps in different parts of the Grotto, and, and erecting a substantial wooden-bridge over the river that flows through it; it also includes the charge of oil for lamps, and the attendance of the guides. Having made these necessary arrangements, I left the town, accompanied by three guides, each furnished with a miner's lamp; we proceeded along the foot of the range of hills already mentioned until we came to a little stream, which, after flowing across the plain, suddenly enters the mountain through a natural archway in the rock; a large mass of stone seems, as it were, to have made a slip
downwards over the aperture, thus lessening the arch considerably, and giving it a triangular form. The path here leaves the river, and ascending a little way up the hill, leads to a small door among the rocks by which we entered the cavern. My guides now lighted their lamps, but it was some time before my eyes became sufficiently accustomed to the darkness to enable me to discern the surrounding objects ...
The Scottish geologist, James Forbes (1809-1868) was there in September 1837, very soon after Oliver's first visit. In his unpublished diary he wrote53:
In Adelsberg got 3 guides & proceeded to the grotto (^ hour) & spent exactly 2 hours in it, in which time I saw it very satisfactorily going to the Calvarienberg which is the farthest point to which the path has been carried tho' the Grotto extends somewhat further Length 1250 Klafters [=2370 m] The Calvarienberg pleased me most. The old grotto is a poor thing. Saw several Protei which are not nearly as active as I expected. They are sluggish and easily caught. On the whole the grotto exceeded my expectations altho' at first it disappointed them.
Adam Kennard (1833-1915) was at Postojnska jama in June 1853 towards the end of a tour in Egypt and Palestine54:
As my stopping at Adelsberg was solely for the sake of seeing the celebrated caverns, I was not a little pleased, on waking the next morning, to find the sun shining brilliantly. The grottoes are distant from the village about a mile; so immediately after breakfast, obtaining a guide, I set out for the mountain beneath which they extend. After waiting for a quarter of an hour at the entrance, whilst some men went in to illuminate them, I commenced exploring. Leaving daylight for awhile, I followed my guide down a long gallery cut in the rock, regretting that I had not brought an umbrella with me, on account of the heavy drops of water which fell incessantly upon my head, and at times found their way down my back..
And now for the Vilenica cave.
John James Tobin (b. 1808 or 1809) was a far from ordinary tourist when he visited it in October 1828. A medical student at the time, he was travelling as companion to Sir Humphry Davy, chemist and fisherman who died in the following year. When he could, Tobin went off to explore caves55, including Križna jama (his was the first published account of it) and Postojnska jama as well as Vilenica:
10th. I left Trieste early this morning, with a guide, to visit the grotto. ... We reached Corneale, a small and dirty village, and having here provided ourselves with a man
carrying a large lamp, and some boys with candles, proceeded over some very rough and stony fields to the grotto. The entrance was not, as I expected, in the side of a hill, but in the open fields, and surrounded by a wall. Having lighted our lamps and candles, I took off my coat, and we began the descent down some very slight wooden stairs, the steps and railing of which were, as I afterwards found to my cost, not only slippery, but quite rotten from the continual dripping. The entrance, or hall, is a fine lofty dark vault, supported in the middle by one enormous stalactite column. Beyond this the cave becomes narrower, and the numberless stalactites of all sizes present a greater variety of forms than it is possible to describe.
These different forms, the deathlike stillness of the cave, the total darkness, except in those points where the guides placed themselves so as to illuminate the most striking objects; ...
Beyond this point the cave had not been explored, as the precipices are very dangerous. Even the descent to this spot is not very safe, being often along very narrow slippery paths and rotten stairs, or rather ladders. On my return I sketched different subjects in the cave, and whilst drawing the entrance-hall, incautiously sat upon the wooden hand-rail, when I heard a sudden crack, and felt that I was failing backwards. Not being able to recover myself, I slipped from rock to rock, turning twice head over heels, but without injury ... After a draught of water that was very refreshing, though from a dirty pool in the field, and paying the man and boys who had been in the grotto with me for upwards of two hours, I returned to Trieste, where the tailor and a good dinner set every thing to rights again.
On the night of the same day he went on to Postojnska jama:
After having read to Sir Humphry till nearly ten, I set out, accompanied by three guides furnished with lamps and some pounds of candles. We walked across the fields for about a mile in darkness, the moon not having yet risen, till we came to a slight ascent which brought us to a door in the mountain. The guides here lighted their lamps, and cut the candles into bits, and unlocking the door, we entered and found ourselves in a low and dark passage. Two of the guides went on before with the candles, and I followed a few minutes after with the other, the only one of the three who spoke German.
We saw the other two guides upon a frail wooden bridge, which is thrown across this suberraneous stream, they having already lighted some of the candles, which they were engaged in fixing upon the side rail, and in a few minutes, more than thirty candles in some degree dispelled the darkness which surrounded us. .
WHEN WAS THE BOOK WRITTEN?
The date of the manuscript as a whole is not certain but is probably 1856. Certainly the appendix has a short "Prefaratory notice" dated "London 1856" on page 2, but as the appendix is not structurally part of the larger volume it is just possible that the main text, which translates a book of 1834 and describes a visit of 1837, could be much earlier. The reasons for believing that the main text also dates from between 1854 and 1856 are:
a)	lithographs from Schmidl's book of 18548 are mounted on blank leaves that form part of the main sewing of the text
b)	quotations from Murray's Handbook for travellers in Southern Germany ... are from the edition of 18507
c)	the year of Oliver's visits to Postojnska jama and Vilenica jama is given as 1838 on the title page and page 48 respectively, although the visitors' books record them as in 1837. He could easily have forgotten the precise year after fifteen years but not in a shorter period.
It is likely that Oliver's interest in the cave was revived by his second visit, in 1852, and he made up the volume during the next four years.
However it is quite possible that the actual translation of Schaffenrath's 1834 book was carried out long before it was so beautifully transcribed in the present volume. It was when this final copying was done that the illustrations, footnotes and references to the Appendix were added. The fact that the footnote on page 19 seems to have been written long after the translation was made seems to support the earlier date for the translation itself.
His interest in these civil engineering aspects shows many times in his book. Thus describing the descent to the underground Pivka in the Velika dvorana57:
ALOIS SCHAFFENRATH
Schaffenrath was born on 10 July 1784 in Ljubljana and died at Postojna on 14 September 1836. He was ofvital importance in the development of Postojnska jama after the extensive discovery of 1818. Already in 1821 he made at least 18 water-colours of the cave, ones that were to be the bases of the engravings published in 1830 and 1832 and which are included as illustrations in the present volume. He was a member of the cave management commission and from 1823 was responsible for arranging the tourist paths, bridges and handrails in the cave. For this he used employed miners from the mercury mine at Idrija. New passages such as Pisani rov were discovered under his leadership56.
Continuing further & descending by a passage of 33 Steps, the Visitor arrives at a strongly constructed wooden Dam or Pier, built to restrain the rapid flow of the River in its downward course into the bowels of the Mountain, & attached to this dam is a Bridge, also strongly constructed of Wood, both together making a length of Way equal to 149 feet [=45 m].
58.
Again
On the one Side, leading from hence, a raised Causeway furnished with Railings has been constructed by the Conservator of the Caverns to render Access both commodious & safe.
To facititate this work he had an accurate plan of the cave made in 1821 by Sim Foyker of Idrija (Fig. 12). A revised plan showing more cave passages was prepared in 1834 by
Fig. 12 A manuscript plan of Postojnska jama made by Foyker in 182159
Johann Fercher60 and it is a smaller version of this that is included in the 1834 guidebook and which Oliver has modified only by translating the place names into English. Schaffenrath's signatures of 1821 and 1834 are reproduced here as Figs 13 and 14.
Fig. 13 Schaffenrath's signature in 182161
SCHAFFENRATH'S BOOK OF 1834
Schaffenrath's little book of 1834, translated here by John Oliver, exists in two editions, "edition" here being used in its technical definition as "an impression in which the matter has undergone some change, or for which the type has been reset"63. There is no difference in the content of the two editions, but the one published in Laibach (Ljubljana)64 and the one published in Wien65 each have the type set differently throughout. Apart from the publishers' imprints on the title pages the difference is not prominent - a matter only of different ornamental rules, spacings, minor punctuation and even spelling ("Krystallguppen", Laibach; "Crystallrguppen", Wien). More obvious is the distinction between the Laibach cover of dark green thick paper (Fig. 15) and the Wien one of thin white card (Fig. 16);
Fig. 14 Schaffenrath's signature in a letter of 183462
Fig. 15 Cover and title page of the Laibach edition of Schaffenrath's 1834 guidebook
64
Fig. 16 Cover and title page of the Wien edition of Schaffenrath's 1834 guidebook'
65
Fig. 17 Cover and title page of the 1846 Italian translation of Schaffenrath's 1834 guidebook66
also the difference in text paper quality - Laibach being inferior and now yellowed, while Wien has good white paper. In Postojna, Notranjski muzej has the Wien edition and the Karst Research Institute copy is from Laibach. It is not known which edition Oliver used, but probably it was the Laibach one.
These bibliographical details, while necessary to be recorded, make no difference to the reader or user of these books. The texts, pagination and illustrations are the same in both. The book contains the 1834 plan, already mentioned, and also a small lithograph of the Curtain by Schaffenrath, which is mentioned again later.
Ten years after the author's death and twelve after its first publication, a free translation into Italian was published in Udine66 (Fig. 17).
Extracts from the 1834 book formed the basis of the somewhat smaller updated version of 186367 (Fig. 18) and its Italian counterpart of 186468 (Fig. 19). Habe's bibliography69 lists also German editions of 1864, 1865 and 1867 and an Italian one of 1865.
Despite the former popularity of these books, very few copies are now known, so the present digital version fills an important gap.
As the entire content of this book is available here in Oliver's translation, there is no point in repeating much of it here. Nevertheless some of the more interesting information it contains is noted below:
In order to meet the convenience of Visitors, & particularly of Travellers passing through Adelsberg, the Committee of Management have made such Arrangements that the Caverns are always open to inspection by Night as well as by Day, during the whole of the Year:
The time occupied in an Inspection of these Caverns either in part, or to their full extent, may be calculated as follows; which will serve to regulate the Visitor in his arrangements where he has but a limited portion of time to devote to the object of his Visit to Adelsberg.
Fig. 18 Cover and title page of the 1863 guidebook based on Schaffenrath's of 1834
67
Fig. 19 Cover and title page of the 1864 Italian translation of the 1863 guidebook68
Leaving Adelsberg & proceeding direct to the Caverns, & exploring them as far as the Curtain (Vorhang) & returning to the Town (without making any unusual Stay in the Caverns) will occupy Four Hours time.
From Adelsberg to the Caverns proceeding as far as Mount Calvary, - the examination of which, together with the Dropping Well, & penetrating as far as the Tartarus & back to the Town; - will occupy Five Hours & a half.
Lastly; - To examine & explore the Caverns of Adelsberg as far as they have hitherto been discovered, including all the Branches, Windings, Hollows, & Recesses .... Will require more than Twelve Hours time.
The Regulations established for Admission, & for Expences attending the inspection of the Caverns, are as follows: -
The Name, Address, & Country of the Visitor to be inserted in the Visitors Book kept at the Cashier's Office in the town, for that purpose; & at which Application must be made for permission to view the Caverns.
Arrangements for the Number of Torch bearers & Guides required, are to made with
the Cashier, according to the time intended to be spent in visiting the Caverns, & the
number of the party going; - the Rates vary from 20 Kreutzers each Light for 2 Hours
time, to 30 Kreutzers for 3 Hours, & 40 Kreutzers for 4 Hours time.
The Charges for Admission for each Individual is fixed at 30 Kreutzers (about one
Shilling English) but Military Officers in the Austrian Service are charged only 15
Kreutzers.
The rates for civilians evidently increased soon afterwards, for a note in the Postojsnka jama archives states that on the day of John Oliver's visit in 1837 he and his companion were charged 50 kreutzers each, while the rate for the two soldiers who were there on the same day was still 15.
The only matter of any scientific interest in Schaffenrath's text is a note on the colour change that occurred on the stalagmite formation known as the Tropfbrunnen near
Fig. 20 The 'Vorhang' (Zavesa) after being damaged. Photographed by Mariot in 1868
Velika Gora. In the 13 years from 1821 to 1834, he said, the cone had not become perceptibly bigger "but during that time however, its Colour has changed from a clear bright White to Red"70. It is nowadays accepted71 that such a colour change is usually associated with a removal of plant cover on the ground above, and Schaffenrath's remark may thus serve to date felling of timber or a forest fire on the hill.
Schaffenrath's lithograph opposite page 23 of this 1834 book is useful for showing the Curtain (Zavesa) at its full length before souvenir-hunters reduced it. Visitors in 1843 and 1845 admitted that they broke pieces off it72 and Mariot's photograph taken in 1868 (Fig. 20) shows its reduced state. Although the 1834 picture itself in the Oliver manuscript, it is reproduced here also (Fig. 21) to allow comparison with the later photograph.
JOHN OLIVER'S OWN CONTRIBUTION
While Oliver's translation of Schaffenrath's book occupies most of this volume, there is also much written by Oliver himself. This provides very little new information, however, being largely in the form of notes and comments - additional material such as might be expected from a translator.
rad. n
Fig. 21 The Zavesa in its original state. Schaffenrath's lithograph in his 1834 book, an original of which is inserted in Oliver's manuscript translation
The only wholly original matter are two pages after the end of the translation, in which he describe his own visit to Vilenica (Corneale) cave which he found very inferior to Postojnska jama.
The editorial remarks occur in two forms : footnotes to the Schaffenrath text (some of them very long) and others written separately in the Appendix and referred to in the main text as "Note n" etc. Of the Appendix he writes. "The substance of the following Notes consists of either Extracts from, or Condensations of, passages taken from Dr. Adolf Schmidl's Work recently published."8. On occasions he adds his own comments, all of which are signed "J.O." These include his belief that the Old Cavern (until recently called Stara jama) should be made more accessible, and a suggestion that the Curtain would be much better illuminated by reflector lamps than by tallow candles.
He devotes the last eight pages of the Appendix to adverse criticism of Schmidl's illustrations (discussed in our next section) and also Schaffenrath's engravings, both of which he has used to illustrate this volume. His remarks on these are vigorous and might be called arrogant and insulting, without giving adequate reasons for his opinions.
Pages 35-39 of the Appendix, derived from Schmidl, deal in some detail with the management of Postojnska jama, its funding and improved access for visitors. As remarked previously, this interest is consistent with the improvement he made in London to the management of the Highgate penitentiary where he was Warden.
OLIVER'S RELATIONS WITH SCHMIDL
Oliver's constant references to Adolf Schmidl's (Fig. 22) work and opinions and his extracts and summaries from Schmidl's great book8 of 1854 (Fig. 23) have been noted already.
Most of Schmidl's explorations and studies in Postojnska jama took place in 1850 and 1852 and he is known74 to have been in Pisani rov in September 1852, the same month as Oliver was there. So Oliver must have had the opportunity of meeting Schmidl although he makes no mention of doing so.
Certainly, though, Oliver seems to have taken a hearty dislike to him and his written remarks about him seem to go far beyond mere disagreement. He was particularly vituperative about Schmidl's own drawings for his book8
In my opinion these are very indifferent performances; in design badly conceived, & therefore, as Illustrations, very far from satisfactory. No genuine Artist, I think, would
have presented a View of the Curtain from the point the worthy Doctor has chosen to draw it.
Of Schmidl's statement that he could not procure an artist of sufficient talent, Oliver wrote: "This Excuse appears to me, simply ridiculous". Schmidl's legitimate statement of the difficulties of making images in a cave - smoke and inadequate lighting - are regarded by Oliver as mere excuses.
It is possible that he was piqued that Schmidl made no mention of him in describing the kleine Vorhang, for
The existence of this Curtain was I believe, unknown until it was discovered by me in Sept.r 1852. (pp. 29-30 of Fig. 22 Th^ the only known portrait °f Adolf the Appendix)	Schmidl, appeared with his obituary in
a Hungarian newspaper73
In his 1854 book, read by Oliver, Schmidl just says that it was "hitherto
unknown until discovered by me in September 1852"74. The actual date, however, and almost the hour, of Schimdl's seeing it was recorded as "on the evening of 15 September" in a Wien newspaper of 24 September75 and reprinted 6/2 weeks later in Ljubljana76. The exact day of Oliver's "discovery" is not known.
Nevertheless Oliver seems to have had a high opinion of Schmidl's 1854 book8 as a whole (except for its separate album of lithographs). He remarks (Appendix p.2) that "it is much to be desired that the more descriptive Portion of this Work were translated into French & English, & kept on the Spot, for accommodation of Foreigners who visit Adelsberg". Of course Oliver never saw the 1854 French version77 (Fig. 24) of Schmidl's 1853 pocket guidebook29, for it was published two years after he was there. No English language guidebook was to appear until 192778.
Fig. 23 The front cover of Schmidl's principal book on Slovene caves8
Fig. 24 Cover and title page of the 1854 French edition77 of Schmidl's little guidebook
THE RIEGER PAINTING
The oil painting (305 x 450 mm) mounted opposite p.7 of the translation is by Giuseppe Rieger, although the artist is not named.
Oliver describes his obtaining it on p. [53] of his Appendix. Remarking that artists might be found in Wien or Trieste capable of making better images than those of Schmidl which he so much disliked, he goes on:
At least, there were such at Trieste in 1838 [really 1837], when I was there; as the Water Colour drawing I have introduced among my illustrations, of the English Garden, will satisfactorily prove. This Drawing was copied by the Artist himself, at my express desire, from an Oil painting which he had recently executed, for Sale. It was in consequence of my Enquiry after Illustrations of Adelsberg, subsequent to my visit to
the Caverns, that I was informed of this Artist, & had an opportunity afforded me of judging of his skill. In point of general effect & good drawing, I consider this specimen, as an illustration, admirable; & far superior to any thing yet published of Views of Adelsberg.
The artist, although Oliver does not name him, is undoubtedly Giuseppe Rieger (1802-1883). The style is indisputably his and no other artist's resembles it except perhaps his son Alberto, but Alberto was only seven years old at that time. Furthermore Giuseppe is known to have frequently made copies of his own paintings for sale and several versions are known of many of them. No other copies of this image are known to exist, so it is of particular importance. It is of special interest too for its early date, for the originals for those published as engravings in 186051 are believed to have been made in the 1850s. Copies of some of his others were still being made by him as late as 1872 and are now in USA79.
Although Oliver described the painting as of The English Garden, that name properly applies to a part of the present Speleobiological Station, much closer to the cave entrance, and is printed there on a plan of 183480. The painting is in fact of The English Kitchen (then englische Kuche)81, now very much modified by the presence of the platform for the underground railway station at Kalvarija. Although this has changed its appearance greatly, its identity is confirmed by the large stalagmite just right of centre and by the small hole in the foreground.
PROTEUS
Fig. 25 This original Gruner drawing of Proteus in the Oliver manuscript is repeated here in the introduction to allow comparison with the published version in Fig. 26
Not surprisingly, Oliver was interested in the cave-dwelling salamander-like amphibian that is endemic in the region - Proteus anguinus. "Not surprisingly" because they were shown to and often sold to visitors by the guides.
Where his translation of Schaffenrath's account of Pisani rov reads "Among other curious objects to be met with in this Cavern, are to be seen preserved in a Cistern of water, several specimens of that nondescript fish, or reptile , called the Proteus", he adds a note of his own:
On the right hand side, are to be found several small Pools, formed by the Water-droppings from above, & from which originally a larger Bason or Revservoir was formed, & stocked with a number of Protei, brought from the Magdalena Grotto for the inspection of scientific & curious Visitors desirous of observing this singular
reptile-fish; but at the present time, however, not a single Specimen is to be found therein.
The Magdalena Grotto is now called Črna jama.
There is a picture of Proteus on p.28 of the translation (Fig. 25). It is an original drawing in ink with water-colour by Ludwig Gruner (1801-1887) of Dresden. Gruner studied also in Munchen and is known to have gone to Italy in 1825, returning to Germany in 1832, but little more is known about him82. The drawing is not dated but, as will be seen, it probably is from the late 1840s. The animals are shown crawling over mud just above the water surface.
Fig. 26 This picture of Proteus appears in the only illustrated edition (1851) of Humphry Davy's Consolations in Travel83
However already in 1846 Heinrich Freyer had reported86 that one had been found in 1836, and then at the beginning ofJuly 1845 people at Laze in Planinsko polje found several yellow-mottled dark Proteus in the Bedenj sink of the Unica river.
Much more recently Božič87 has found in the collections of Narodni muzej in Ljubljana two drawings (Inv. No. R-2133 and R-2134) of a black Proteus dated 1846 by Michael Sandler (1790-1856). The inscription on one states just that it came from Laze; the other is more precise, indicating that it was from the Unica sink at Bedenj. Both drawings were received from Wien in the spring of 1846. Sandler, best known for his botanical and animal drawings, worked in Wien.
It is likely, therefore that these drawings of 1846 were the inspiration for the dark Proteus in Gruner's drawing.
The picture is important for two reasons. An almost identical reproduction appears in a book of 185183 and, more interesting still, one of the Proteus depicted is dark in colour.
Oliver's own picture is clearly an original, presumably sold to him during his visit in September 1852. The fact that the same image appears also as an engraving (Fig. 26) in the 1851 edition of Humphry Davy's Consolations in Travel83 suggests that such things were then sold to visitors, much as postcards were to be sold later.
One of the two Proteus is a greenish black in the original water-colour and it is necessarily a dark grey in the black and white printed version. At first this seems startling, for in recent times dark specimens were unknown until, on 24 October 1986, a black one was found at a karst spring near Črnomelj in Bela Krajina84 85. Other specimens found since then confirm that it differs from the normal Proteus in other ways too.
ACKNOWLEDGEMENTS
GLOSSARY
Many people and institutions have provided information for this introduction. In addition to the sources listed in the notes I am grateful to curators at the British Library, the Keeper of Manuscripts in the Guildhall Library London, staff at the Greater London Record Office and the Lambeth Palace Library and the librarian of Queens' College Cambridge. Alenka Čuk and Franjo Drole provided information and they both critically read drafts. Marko Zaplatil digitized the entire original manuscript of John Oliver. Christine Ballinger, as always, digitized my text and helped in many other ways.
Oliver
Schaffenrath
Slovene
Adelsberg	Adelsberg	Postojna
Altar	Altar	Oltar
Archduke John's	Erzherzog Johanns Grotte	Pisani rov
Cavern		
Assembly Room	Tanzsaal	Kongresna dvorana
Blockhouse	Stockhaus	Ječa
Bust	antiken Kopf	Antična glava
Butcher's Stall	Fleischbank	Mesnica
Cannon Column	Kanonensaule	Steber top
Chandelier	Luster	Koruza
Coal Stove	Kohlofen	Oglarska kopa
Corgniale		Vilenica
Crown Prince and	Kronprinz und Konig	Ferdinandova jama
King Ferdinand's	Ferdinand's Grotten	
Caverns		
Curtain	Vorhang	Zavesa
Dancing Hall	Tanzsaal	Kongresna dvorana
Diamond Mine	Diamanten-Grube	Diamantna jama
Dolphin	Delphin	Delfin
Dropping Well	Tropfbrunnen	Curek
English Garden	enlische Garten	Angleški vrt
Entrance	Eingang	Vhod
Fish Place	Fischplatz	Ribji trg
Fountain	Springbrunnen	Vodomet
Frills	Schapodeln	Čipka
Gate leading to Mount	Pforte zum Calvarienberg	Vrata na Kalvario
Calvary		
Gothic Hall		Gotska dvorana
Great Bell	grossen Glocke	Zvon
Great Dome	grosse Dom	Veliki Dom
Hanging Curtain	Vorhang	Zavesa
Oliver	Schaffenrath	Slovene
Hen Coop	Huhnersteige	Kurnik
Hermit	Eremit	Puščavnik
Iron Trunk in Vienna	Stock im Eisen	Okovani kol
Kleinhausel Cavern	Kleinhausel	Planinska jama
larger Cypress Tree	grosse Cypresse	Velika cipresa
Line of Sponges	Schwammen	Gobe
Links of Sausages	Salami- Gehangen	Salama
Lion	Lowe	Lev
Little Bell	kleine Glocke	Mali zvon
Magdalena Grotto		Črna jama
Map	Landkarte	Zemljevid
Moonshine Point	Mondschein	Mesečina
Mount Calvary	Kalvarienberg	Kalvarija
Mummies	Mumien	Mumije
Natural bridge	Naturbrucke	Naravni most
Night Owl	Nacheule	Sova
Northern Lights	Nordlicht	Severni sij
Old Cavern	alte Grotte	Stara jama
Organ	Orgel	Orglje
Picture Column	Bild	Razvalina grad
Oliver	Schaffenrath	Slovene
Poik	Poik	Reka Pivka
Poik Cavern		Pivka jama
Red Sea	rothe Meer	Rudeče morje
Region of Tartarus	Tartarus	Tartar
Reservoir	Bassin	Bazen
Riding School	Reitschule	Jahalna šola
St. Stephan	St. Stephan	Sv. Štefan
Seat of Peter	Petri-Stuhl	Petrov stol
Sepulchre	Grab	Grob
smaller Cypress Tree	kleine Cypresse	Mala cipresa
Statue of the Blessed	Statue der Mutter Gottes mit	Podoba device Marije in
Virgin & her divine	ihrem Kinde	otroka
Infant		
Thatched Roof	Strohdach	Slamnata streha
Throne	Thron	Prestol
Tomb	Grab	Grob
Turkish Sabre	Turkensabel	Turški meč
Two united Hearts	Vereinigung zweier Herzen	Združeni srci
Unz	Unz	Reka Unica
Waterfall	Wasserfall	Slap
Wax Room	Wachskammer	Pralnica
NOTES AND REFERENCES
1.	Shaw, T.R., 1981. An Englishman's visits to the cave of Postojna in 1837 and 1852. The unpublished manuscript ofJohn Oliver. Naše jame, Ljubljana (22) for 1980, pp. 119-129.
2.	Shaw, T.R., 2000. Foreign travellers in the Slovene Karst 1537-1900. Ljubljana, Založba ZRC, 244 pp. (pp. 154-157).
3.	Shaw, T.R., 2008. Foreign travellers in the Slovene Karst 1486-1900. Ljubljana, Založba ZRC, 338 pp. (pp.169-172).
4.	Shaw, T.R., 2006. Names from the past in Postojnska jama (Postojna cave). Ljubljana, Založba ZRC, 151 pp.
5.	Costa, E.H., 1863. Postojnska jama. Ljubljana, Giontini, 48 pp.
6.	Hohenwart, F.v., 1830-1832. Wegweiser fur die Wanderer in der beruhmten Adelsberger und Kronprinz Ferdinands - Grotte bey Adelsberg in Krain. Heft 1, 1830, Wien, J.P. Sollinger. Heft 2 & 3, 1832, Laibach, I.A. Edlen v. Kleinmayr.
7.	Murray, J., 1850. A Hand-book for travellers in Southern Germany .5th edn. London, Murray, xiv, 546 pp. (pp. 396-397).
8.	Schmidl, A., 1854. Die Grotten und Hohlen von Adelsberg, Lueg, Planina und Laas. Wien, Braumuller, viii, 316. [i] pp.
9.	Information from Sarah Bull, ACR, conservator formerly of the British Museum.
10.	Book-auction records ... 1903 to date. London, Karslake. Very many vols.
11.	Craddock, J.P., 2009. Jim Puttrellpioneer climber & cave explorer. Leicester, Troubador, xviii, 321 pp.
12.	Puttrell, J.W., 1928. From Austria to the Adriatic (Planina cave, Rudolf's Grotto, &c). Unpublished typescript in private hands, 5 pp.
13.	Puttrell, J.W., 1936. The royal grotto of Postumia (Adelsberg). The Yorkshire Ramblers' Club Journal. 6 (22) pp. 308-313.
14.	Cave Science, Settle, 4 (31), 1962, opp. p. 287a.
15.	Craven, S.A., 2012: letter to the author dated 1 November. Also telephone conversation with Christopher Hollett on 8 November.
16.	Venn, J.A., 1951. Alumni Cantabrigienses, Cambridge University Press, 4 (2), p. 589.
17.	Longden, H.I., 1938-52. Northamptonshire & Rutland clergy from 1500. Northampton, 6 vols.
(4, 1941, p. 115).
18.	Bishop's Act Book, 1855-1856. London, Guildhall Library MSS 9532A/5, p 37.
19.	Lloyd, J.H., 1888. The history, topography, and antiquities of Highgate... Highgate, 519 pp.
(pp.489-490).
20.	Radics, P. v., 1861. Adelsberg und seine Grotten. Trieste, Osterreichischen Lloyd, ix, 61pp. (p.28).
20a. 1323 is the earliest verifiable date there. The year 1213 reported in 1832 by Hohenwart6 (who
copied it from Volpi's book of 1821) could not be traced 20 years later8, although it continues to be printed in modern guidebooks for the cave.
21.	[Rigby, E.], 1830. Description of the grotto at Adelsberg. The New Monthly Magazine, London, [29] (2), pp. 22-30 (p.24).
22.	Murchison, R.I., 1829. Manuscript notebook No. 3. Archives of the Geological Society of London N/N 48 (p.32).
23.	Nemčic, A., 1942 Putositnice, Zagreb, 2 vols. (2, p. 149). (first published 1845 at Zagreb, 491 pp.).
24.	Radics, op. cit. (note 20), p.11.
25.	Archives of Postojnska jama, at the Karst Research Institute, Postojna.
26.	Murray, J., 1840. A handbook for travellers in Southern Germany ... 2nd edn. London, Murray,
xiii,	2, 488 pp. (p.345).
27.	Murray, J., 1858. A handbook for travellers in Southern Germany .8th edn. London, Murray,
xiv,	574 pp. (p.408).
28.	[Rigby], 1830. op. cit. (note 21). p. 29.
29.	Schmidl, A., 1853. Wegweiser in die Adelsberger Grotte und die benachbarten Hohlen des Karst, nach neuen untersuchungen in den Jahren 1850-1852. Wien, Braumuller, xvi, 88 pp. (p.4).
30.	Murray, J., 1855. A handbook for travellers in Southern Germany .7th edn. London, Murray, xii, 573 pp. (p.407).
31.	[Spencer, E.], 1836. Sketches of Germany and the Germans ... in 1834,1835 and 1836, by an Englishman resident in Germany. London. Whittaker, 2 vols. (2, pp. 237-254 on the karst).
32.	Tobin, J.J., 1832. Journal of a tour made in the years 1828-1829, through Styria, Carniola, and Italy, whilst accompanying the late Sir Humphry Davy. London, Orr, vi, 242 pp. (p.170).
33.	Murray, J., 1837. A handbook for travellers in Southern Germany ... London, Murray, vii, 407 pp. (p. 290).
34.	Bronn, H.G., [1826, 1831]. Ergebnisse meiner naturhistorisch-oconomischen Reisen ... in Sommer 1824. Heidelberg & Leipzig, Gross, 2 vols. (1, p. 621).
35.	Schmidl, 1853. op. cit. (note 29). p. 3.
36.	[Rigby], 1830, op. cit. (note 21), p. 24.
37.	Schmidl, 1853. op. cit. (note 29). p. 3.
38.	[Spencer], 1836. op. cit (note 31), 2, p. 241.
39.	Murray, J., 1867. Handbook for travellers in Southern Germany .10th edn. London, Murray, xii, 633 pp. (p. 456).
40.	Šibenik, M., 1968. Pregled obiska Postojnske jame. Pp.37-40 in 150 let Postojnske jame 18181948. Postojna, 104 pp.
41.	Bosch, J., 1855., An album of photographs of selected places on the route of the forthcoming Ljubljana to Trieste railway. Its whereabouts is not now known but a digital copy is in Notranjski muzej.
42.	p. 30 of Oliver's appendix.
43.	Murray, 1837. op. cit. (note 33).
44.	[Russell, J.], 1824. A tour in Germany, and some of the southern provinces of the Austrian Empire, in the years 1820, 1821, 1822. Edinburgh, Constable. 2 vols. Only this first edition was anonymous. The Slovene lands are described on pp. 358-408 of vol. 2.
45.	Murray, 1837, op. cit. (note 33), p. 288.
46.	Murray, 1837, op. cit. (note 33), p. 289.
47.	Murray, J., 1843. A handbook for travellers in Southern Germany ... 3rd edn. London, Murray, xiv, 486 pp. (p.345).
48.	Murray, J., 1863. A handbook for travellers in Southern Germany ... 9th edn. London, Murray, xii, 578 pp. (p.402).
49.	Weston, F.G., 1894. Journal of a tour in Europe and the East 1844-1846. London, Seeley, 3 vols. (3, p.166).
50.	Anon., 1855. A day at the cave of Adelsberg. The Leisure Hour, London, (194), 13 Sept., pp. 583-586 (p.583).
51.	Rieger, G. und A., [1860] La Grotta di Adelsberg. Trieste, Tedeschi [ii], 12 ff. (front cover).
52.	[Rigby], 1830. op. cit. (note 21), pp. 23-24.
53.	Forbes, J.D., 1837. Autograph journal written between 7 May and 25 September on a tour through Belgium, Germany and Austria. University of St. Andrews, Scotland. MS dep. 7 -Journals, Box 15, no. I/16, pp. 216-217.
54.	Kennard, A.S., 1855. Eastern experiences collected during a writer's tour in Egypt and the Holy Land. London, Longman, etc., xii. 434 pp. (pp. 431-432).
55.	Tobin, 1832, op. cit. (note 32). Pp. 152-156, 159-160.
56.	Rakovec, I., 1960. Alois Schaffenrath. Slovenski biografski leksikon, 3 (9), pp. 211-212.
57.	p.4 of Oliver's translation from p. 11 of Schaffenrath's 1834 book.
58.	p. 17 of Oliver's translation from p. 23 of Schaffenrath's 1834 book.
59.	The original is bound with Schaffenrath, [1824]. [nine lithographs of Adelsberger Grotte]. S 13064 in the library of the Karst Research Institute, Postojna.
60.	Reproduced in colour in Shaw, 2006, op. cit. (note 4), pp. [142^143].
61.	In the visitors' book of Postojnska jama, vol. 1.
62.	Archives of Postojnska jama, at the Karst Research Institute, Postojna.
63.	Esdaile, A., 1954. A student's manual of bibliography. London, Allen & Unwin, 392 pp. (p.88).
64.	Schaffenrath, A., 1834. Beschreibung der beruhmten Grotte bei Adelsberg in Krain... Laibach, Kleinmayr, 42 pp.
65.	Schaffenrath, A., 1834. Beschreibung der beruhmten Grotte bei Adelsberg in Krain... Wien, Mechitaristen, 42 pp.
66.	Schaffenrath, A., 1846. Descrizione della famosa grotta presso Adelsberg nella Carniola ... Udine, 32 pp.
67.	Schaffenrath, A. and J. Schaber, [1863]. Beschreibung der beruhmten Adelsberg Grotte in Krain. Adelsberg. Schaber, 32 pp.
68.	Schaffenrath, A. and J. Schaber, [1864]. Descrizione della grotta rinomata di Adelsberg nella Carniola. Adelsberg, Schaeber, 29 pp.
69.	Habe, F., 1969 : Vodniška literatura Postojnske jame. Naše jame,, Ljublana, (10) for 1968. Pp. 15-32 (p. 30).
70.	p. 21 of Oliver's translation from p. 26 of Schaffenrath's 1834 book.
71.	Jakucs, L., 1977. Morphogenetics of karst regions ... Bristol, Hilger, 284 pp. (p.206).
72.	Shaw, 2008. op. cit. (note 3), pp. 180, 184.
73.	[Schmidt, G.], 1864. Schmidl Adolf. Az Orszag Tukre. 3 (28), pp. [325^326 (p. [325]).
74.	Schmidl, 1854. op. cit. (note 8), p. 101.
75.	Schmidl, A., 1852. Aus den Hohlen des Karst. Abendblatt der Wiener Zeitung. (220), 24 September, p. 879.
76.	Schmidl, A., 1852. Aus den Hohlen des Karst. Laibacher Zeitung. (258), 10 November, p. 1103.
77.	Schmidl, A., 1854. Guide du voyageur dans la Grotte d'Adelsberg et les cavernes voisines du Karst. Wien, Braumuller, pp. xv, 80.
78.	Anon., 1927. The royal government caves of Posthumia Triest, 24 pp.
79.	Shaw, 2006. op. cit. (note 4), pp. 15, 123, 125.
80.	Reproduced in Shaw, 2006. op. cit. (note 4), pp. [142^143].
81.	Named in Eunike's plan of 1858, reproduced in Shaw, 2006, op. cit. (note 4), p. 145.
82.	Nagler, G.K., 1837. Neues allgemeines Kunstler-Lexikon., Munchen, 5, p. 408.
83.	Davy, H., 1851. Consolations in travel, or, the last days of a philosopher . 5th edn. London, Murray. iv, [v]. 297 pp. This is the only illustrated edition.
84.	Istenič, L. and B. Bulog, 1986. O najdbi črne človeške ribice. Črni močeril še pod drobno-gledon. Delo, Ljubljana, 25 November.
85.	Aljančič, M., P. Habič and A. Mihevc, 1986. Črni močeril iz Bele Krajine. Naše jame, Ljubljana, (28), pp. [39]-44.
86.	Freyer, H., 1846. Ueber eine neue Art von Hypochthon (Proteus). Archiv. fur Naturgeschichte, Berlin 12 (1), pp. 289-290.
87.	Božič, D., 2010. Neznani sliki človeške ribice v Narodnem muzeju Slovenije v Ljubljani. Proteus, Ljubljana 72 (6), pp. 246-249.

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51 <
A
Summary
of the
sWeajureme/tfe Distances
of the CAVEliNS, together with the necefearrf
Ins tr uctions Abr eti tammy AldmissION
to t/tem,
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