» LINGUISTICA x/i LJUBLJANA 1970 LINGÜISTICA x/i LJUBLJANA 1970 Uredniški odbor — Comité de rédaction: BOJAN ČOP, ANTON GRAD, MILAN GROŠELJ, MITJA SKUBIC, STANKO ŠKERLJ — Rokopisi naj se pošiljajo na naslov: prof. Stanko škerlj, Filozofska fakulteta, oddelek za romanistiko, Aškerčeva 12, Ljubljana — Prière d'adresser les manuscrits à M. Stanko Škerlj, Filozofska fakulteta, Oddelek za romanistiko, Aškerčeva 12, Ljubljana — Natisnila Univerzitetna tiskarna v Ljubljani v 450 izvodih LINGÜI STIC A LETO X. 1970 CDU 803-559.13 B. Vodusek THE REPETITION OF PHONEMIC CHARACTERISTICS IN RADICAL MORPHEMES IN SETS OF SYNONYMS FROM INDO-EUROPEAN LANGUAGES* CONCLUSION II. 21. Through its continuations our treatise has now acquired a size unusual for the present periodical and so the editors wish it to be brought to a conclusion. In what follows, therefore, we shall no longer be able to guide our reader on the research path step by step — as we have done so far in the wish to facilitate a strict control of our procedure. In the conclusion we have to restrict ourselves to a presentation of the main features of the so far achieved picture of our insights concerning the ultimate problems posed by the material collected and the statistically discovered laws. The analyses carried out for this purpose, either within the narrower scope of our material or within a broader framework, will be presented mainly in their final results. Since the time available has not allowed us to start some additional analyses or to carry through some analyses already begun, the picture of our insights will be less clear also in places where it might have been made clearer. This is what we should like to call to the reader's attention; on the other hand it is true that a final, possibly exhaustive elucidation of bulky statistical material can hardly be realized in a periodical publication, which has already kindly allowed us a sizable space for the presentation of the material, the counting of it, tabulary illustrations and calculations. 22. The existing relation between meaning and sound with individual phonemic characteristics. It has been claimed (under 6) that the non-accidental relation between sound and meaning as seen in the statistically relevant numerical superiority of a particular phonemic characteristic may be based only on the auditory-articulatory features of that characteristic. In Table No IX we have outlined the possible parallelisms in the perception of real phenomena and the auditory and articulatory (i. e., tactile and propriocep- * See First Part, Lingüistica VI, 1964; Second and Third Part, Lingüistica VII, 1 and 2, 1965; Fourth and Fifth Part, Lingüistica VIII, 1 and 2, 1966—1S68; Sixth and Seventh Part, Lingüistica 1 and 2, 1969. 3 Lingüistica Xjl tive) perceptions originating at the production of phonemes and phonemic groups. Accordingly, one might assume that single instances of the significant phonemic characteristics might be adequately explained through a consistent comparison of those specific auditory and/or tactile and/or proprioceptive perceptions which are probably caused by the kind of phenomena denoted by that phonemic characteristic with the specific perceptions as originated by the phonemic characteristic itself. In fact several such comparisons have been outlined in the introductions to the individual conceptually determined synonymic sets. Now, when we are attempting a systematic recapitulation and complementation of the comparisons it has to be pointed out that the thesis about the dependence of a significance of a particular phonemic characteristic upon thè auditory-articulatory features of this characteristic nevertheless cannot be maintained in all cases. The direct dependence of the significance upon this factor can be postulated only under the hypothesis that the assumed imitations came into existence in the period when the phonemes occurring in them already had the shape which is known from the Indo-European comparative grammar. On the contrary, if the assumed imitations came into existence, before the phonemes occurring in them had their etymologically determined shape, then the significance of these phonemes or rather phonemic groups obviously depends on the auditory-articulatory features of their phonemic predecessors which could have been very similar or even notably different. Now, since the established morpho-semantic correlations in our statistical material contain several instances where the significance of the phonemic characteristics cannot be directly, or at least not wholly, accounted for by their auditory-articulatory features we are by this fact led to accept the explanation of the preceding shape of sound for these instances. In addition to the attempt to reconstruct, as everywhere else, the imitation process itself — through establishing perceptions of the same order and comparing them on the linguistic level and on the level of the imitated extra-linguistic phenomena — we must in these cases reconstruct also the particular preceding shape of the significant phonemic characteristic which will permit concrete insight into the intrinsic relation between sound and meaning. 23. The quantitative data about the individual phonemes and their structural relationship. The basis for the reconstruction of the imitative processes is to be found in the networks represented by the synonymic sets with recurring phonemic characteristics and by the denotative chains with recurring identical radical morphemes for the denotation of particular sets of essentially identically perceived phenomena. Each imitative type, however, is to be treated not in isolation but is to be viewed in the system of all the imitations in their totality and controlled as to what place it occupies in it. Several times we pointed out that the mutual relations of the significant phonemic characteristics, within the framework of each concept group as well as in the broader framework of all seven concept groups, reveal a quite definite structure, 4 Božo Vodušek a structure existing in parallelisms and oppositions (Table No XII). This structure is deduced from the quantitative analyses of the phonemic distributions in the individual concept groups; the phonemic distribution of the Representative Sample served here as a basis for comparison. 24. There is also a further analytical approach which can additionally explicate the mutual relations in the most important field of phonemic characteristics, i. e., in the field of combinations of two consonants. A phonemic distribution of this kind, as given in the Representative Sample and presented at the outset of our examination in Table No 1, may be analysed for itself with regard to the frequency of combinations and to their optimal arrangement. Thé arrangement in Table No 1 was just one of the possible arrangements and it was done without any previous internal analysis. The new arrangement in the Table No 1 a (see the appendix) shows clearer the structure of the relationships of the two-consonant combinations in the Representative Sample. The essential feature of the new arrangement comes from the fact that on the left side above the diagonal from the bottom upwards there are all those consonant pairs which have relatively higher frequencies than pairs with the same kind of consonants in the reverse order. In this arrangement the central place is occupied by the consonant pairs containing a guttural; on the left in the lower corner the combinations of nasals arid liquids are grouped; on the right in the upper corner we get the combinations of sibilants, dentals, and labials; whereas in the upper left-side corner and in the lower right-side corner there are mixed combinations of all these phonemic clàssses. The new arrangement leads us to another no less surprising result. If we arrange according to such a scheme the corresponding phonemic distributions of the seven concept groups (Tables Nos 38 a, 39 a, etc.), it turns out that this permits a new manner of establishing the significant differences. Taking together the phonemic classes R, L, and L into one higher class to, taking together the phonemic classes S, T, and P into one higher class c, and preserving the numerically strongest phonemic class K as its own class a gives us nine simplified consonant combinations: ab, ba, ac, ca, cb, be, aa, bb, cc. A Chi-square calculation on the basis of these nine simplified types reveals for all the seven concept groups significant differences from the Representative Sample. If now these differences are measured in detail by means of calculating the standard deviations, the particular characteristics of these differences from the Representative Sample become for the individual concept groups much more clearly noticeable than before. This applies especially to the negative significances: with the concept groups SMOOTH and NARROW the sum of the phonemic grouping aa, ac, ca, cc, is negatively significant whereas the remaining phonemic grouping, containing b combinations, shows a positively significant sum. With the concept groups SMELL, TOUCH, and BLOW a negative significance has been found for the phonemic grouping aa, ab, foa, bb, whereas the phonemic grouping in which there are c combinations displays a positive significance. With the concept groups SHARP 5 Lingüistica Xjl and ROUGH a negatively significant sum comes from the phonemic grouping bb, be, cb, cc, whereas the opposite phonemic grouping, containing a combinations, has a positively significant sum. With the exception of the group ROUGH, which requires a special explaining, we may claim that those phonemic groupings which do not contain a consonant positively significant in the particular concept group are everywhere significantly below the normal level. (Tables Nos XVII, XVIII, and XIX). In this way, distinguishing only three consonant elements, we obtain new parallelisms and oppositions for all the seven concept groups in addition to those presented in Table No XII; and the calculations of the significant differences on the basis of this arrangement offer the most convincing proof in favour of the thesis about the intrinsic connection between sound and meaning precisely because in the collection of the statistical material they could not have been foreseen let alone designed with this end in view. On the other hand, the picture obtained from the structure of the Representative Sample as regards the two-consonant phonemic characteristics in detail (Table 1 a) is strongly informative:" a half of all the phonemic combinations is represented by the aa, ab, ba, ac and ca combinations with gutturals; one quarter by the cb combinations with sibilants, dentals, and labials in the first place, and with liquids and nasals in the second; and the last quarter by all the remaining combinations. If taking into consideration the diagonal from the bottom upwards, there is on the left side above the diagonal (concentrated here are those consonant pairs that have a frequency relatively higher than that of the reverse consonant pairs) more than three quarters of the consonant pairs, whereas the reverse consonant pairs make up only a weak quarter. And while the changes of the relative frequencies of the various combinations with a, b and c produce the established significant differences in the seven concept groups, the ratio 3 to 1 between the two parts on both sides of the diagonal remains essentially the same in the Representative Sample and in all the concept groups: the greatest variations of the ratio show slightly more than one r. m. s. deviation. This datum is all the more interesting because the consonant pairs on the left side above the diagonal roughly correspond to the possible two-consonant beginnings of the Indo-European radical morphemes; on the contrary, the consonant pairs on the right side below the diagonal for the greatest part cannot occur in these radical morphemes without an inserted vowel. 25. Although the seven concept groups discussed in our treatise represent probably the largest conceptually directly connected groups of synonymic sets from Buck's dictionary, referring to the sensorily perceptible phenomena and possessing outstanding phonemic characteristics, it is clear that the established morpho-semantic correlations cannot be the only ones in our population. We are led to believe that with further concept groups one may expect new significant phonemic characteristics or that we may come across the already established phonemic characteristics in a different or even in the same morpho-semantic correlation. In fact it is possible that a particular new 6 Božo Vodušek concept group might be — by a certain superior criterion — integrated with one of the hitherto established groups. In order to determine the adequacy of our choice of the seven general concept groups we have taken the sum of their consonant distributions with the deduction of the consonants from the recurring synonymic sets and the distribution obtained in this way has been compared with the distribution of the Representative Sample. It turned out that the consonant distribution of the integrated concept groups with the radical morphemes containing two consonants does not significantly differ from the corresponding consonant distribution of the Representative Sample. But it also turned out that there is a significant difference with the radical morphemes containing one consonant, as well as if we take the radical morphemes containing two consonants and those containing one together. Table No XIX shows in which places there appear considerable differences and in which places only slight ones: this gives us an idea which consonants or rather consonant groups are not sufficiently contained in the integrated concept groups, and with which consonants these groups are saturated. That is to say, where further significant characteristics may be expected and where not. For the present an analogous analysis of the vowels has to be postponed; yet as regards the significant consonant characteristics Table No XIX represents a fairly reliable criterion as to their definitiveness. 26. Imitations with R. The morpho-semantic correlation between the phoneme R and the denotations of the extra-linguistic phenomena in the synonymic sets of the concept group ROUGH is essentially characterized by the fact that R is a vibratory-periodical sound [27], 162, or in other words an interrupted sound [28], 21. Still, this objective physical, or rather physiological, fact is not decisive; what is more decisive is the fact that the Indo-European phoneme R was "perceived as a vibratory-periodical, or rather, as an interrupted phoneme. Such a perception is to be found with every genuine R. From a phonetic point of wiew which disregards perception, all the voiced oral and nasal vowels, semi-vowels, nasal consonants, and glides are vibratory sounds as well as R [27], 163; [19], 72. With R the number of individual strokes per second is only around 25, and so the periodic quality of the acoustic effects and movement can still be perceived; with a higher number of strokes per second, however, the individual strokes can, at least auditorily, no longer be distinguished [30], 86. As regards the possibility of perceiving the vibration, R differs from the remaining vibratory sounds as well as from those having no vibration, and a semantic analysis of the synonymic sets under ROUGH shows that it is this property of the Indo-European R which makes it possible to relate it to the phenomena denoted in these synonymic sets. It appears that all the words in the Indo-European languages listed under ROUGH and containing in their roots R are originally related to phenomena which have as one of their dominant features temporary sequence or spatial discontinuity or both. The general pattern of the imitation process is here, just as with all other imitations: phenomenon — perception : perception — phoneme. And the concrete pattern in its fundamental form is: phenomenon 7 Linguistica X/l — perception of stimuli one rapidly following the other in time, or perception of closely located, simultaneously or in rapid sequence perceptible stimuli in space :• perception of quick, periodic beats in the organs of speech and the ears — phoneme R. 27. If we first take the occurrences of R in the onomatopoeias for »crying« (synonymic set 18.13), R obviously imitates a vibrating noise accompanying the phonation at a, maximum adduction of the vocal chords, sphincteric constriction and vibration of the supraglottic elements and participation of the strong extra-laryngeal muscles; the voice produced in such an instance is crude and hoarse [30], 45. The roots with R — vowel and with KR — vowel in 18.13 have many parallels not occuring there. In several of those roots we find the specific meaning of »hoarseness«, where owing to the swollen vocal chords. the vibration of sound can distinctly be heard. Opposed to crying and hoarseness is singing, the most marked example of pure voice; the names for singing are grouped together in the synonymic set 18.12 under SHARP. There we see — with the exception of the late, secondary, New Greek term — no synonym containing the R phoneme. The consonants occurring in the old, probably primary terms, accompanying the characteristic gutturals are either N or L: the voiced nasal and lateral fricatives convey the sensation of a continuous ringing and echoing of the vocal sound. Also in the index of meaning of the Indo-European roots in WP* we find under the entry »sing« only one further radical morpheme with N. The opposition in denoting a vibrating, hoarse sound with R and in denoting a continuous, ringing sound with N or L surprisingly corresponds with the statistical findings for the concept group ROUGH, where the positive significant R on the one side is paralleled on the other side by the negative significant N, and also the frequency of the L phoneme is more than two r. m. s. deviations lower than expected. Since the synonymic sets under ROUGH are for the most part related to the non-acoustic phenomena, and since the phonemic opposition is equal, there is in fact an underlying parallel perception of the discussed sounds in the auditory and the non-auditory spheres. 28. The leading synonymic sets in the concept group ROUGH, i.e., 15.76 rough, 11.14 seize, grasp, take hold of, and 12.74 crooked were chosen with a view of the general nature of the phenomena they denominate: rough and crooked are two broad qualitative phenomena, and seize or grasp represent one of the most characteristic activities of the human hand. These synonymic sets show an occurrence of the phonemic characteristic R relatively higher than found in the synonymic set 18.13 for crying: with crying there are 4 radical morphemes having a R characteristic of the 13 radical morphemes taking part in the synonymic set, with rough 9 in 14, with seize and grasp 7 in 22, and with crooked 5 in 12. * WP = Alois Walde and Julius Pokorny, Vergleichendes Wörterbuch der indogermanischen Sprachen, Berlin und Leipzig, 1930. 8 Božo Vodušek The established, numerical superiority can be based on nothing else but on the tactile-proprioceptive imitation. The perception of the actively sensed coarseness when feeling the surface of an object has already been described. This is a »discontinuous tactile and proprioceptive feeling of a surface where small prominencies alternate with small indentations at minimum distances«. But we may also passively sense the coarseness through somebody else's touch; this occurs with the phenomenon of grasping when we feel the touch of the individual, slightly separated, fingers and nails on our skin when somebody else has vigorously seized us. And beside this passive perception of grasping we get another, active one: this is the preception of crooking the hand and fingers when we seize something. This second perception is obviously the basis for a particular meaning of the word grasp — if we say 'grasp at something' we are not concerned with grasping as an accomplished fact hut only witli an attempt of that: hence with stretching the arm and crooking the hand. And this crooking and contraction of the hand is one of the most marked examples of crooking and contraction experienced by man on his body. The phenomenon of grasping as an activity and the generic qualitative phenomenon 'crooked' certainly contain the same objective, physical element of crookedness; in view of the outlined general reasons we may assume that also their imitations with the phonemic characteristic R go back'to the same subjective, proprioceptive perception of successive stimuli, arising from the muscles and joints when the muscles of the crooked hand or of another part of the human body are drawn together. Such, then, is the reconstruction of the imitation process for the leading synonymic sets in our concept group; this process, allowing for individual variations, is postulated also for the remaining synonymic sets in our group, referring to various physical activities of man, to tools, and to other objects. Where in these synonymic sets we are concerned with imitations with an R characteristic, we could probably, from one instance to another, demonstrate that in all likelihood this is a case of the same or similar perception of the imitated phenomena as delineated above. Such an exhaustive explanation, however, cannot be included, and also in the majority of cases it is not strictly necessary for an understanding of the individual imitations. Let us only mention a few synonymic sets where the similarity to the already discussed ones is striking. The rake is clearly a prolonged grasping hand, and all the seven Indo-European radical morphemes, established in the independent synonyms for this tool, exhibit the phonemic characteristic R. With harrow, which represents a similar variant of the tool constructed after the pattern of the human hand with separated fingers, we find among the 14 names taken into account in this synonymic set 8 names with R in the radical morpheme, etc. A special explanation is called for by the synonymic sets break which has 6 R characteristics of the 13 taken into account, and tear which has 8 R characteristics of 16 — but we shall return to these two sets later. A further significant activity of the human hand which we must point out is described in the synonymic set rub; the 4 radical morphemes of the 7, which appear in our statistical calculation, clearly with their phonemic 9 Lingüistica Xjl characteristic - R symbolize the quick, successive touching of fingers and palm balls when rubbing the hand over skin. 29. Although in all these sets the numerical superiority of the phonemic characteristic R is non-accidental, as it has been shown by the statistical analysis, and although the suggested explanation seams the only one acceptable, we are still faced with the question: if there are so many expressions constructed systematically, what is the origin of the other expressions which in the given synonymic set do not have a significant R characteristic? Let us explain the way how we consider this question, which, if put in an ana-loguous way, may be applied also to other concept groups and is hence of a general nature, on the example of the synonymic set rub. This set was not classified only into the concept group ROUGH but also into the concept group NARROW. The reason for this double classification was the fact that all the radical morphemes which do not have the phonemic characteristic R have a uniform phonemic characteristic N. We have been justified in assuming that probably this as well is non-accidental and that this non-accidental character is related to a different basic perception of the phenomenon of rubbing. It actually turned out that radical morphemes with the characteristic N from the synonymic set rub recur in several synonymic sets of the concept group NARROW and that the structures of these roots agree with the typical structures as shown by the radical morphemes with the N characteristic. The basic perception of the phenomenon of rubbing is then in these cases pressing, squeezing. It follows that with reference to our statistical material it would be wrong to presuppose, in principle, just one possible perception of a particular denoted phenomenon and just one possible imitation of it; there may be more perceptions, naturally also more than two, and for this reason the picture- offered by other synonymic sets is no longer so simply contrasted as with the set rub. As a special case let us mention the alternation of the positive and negative perception. In the synonimic set 15.76 rough there are among the 5 considered roots which do not contain the R characteristic as many as 3 such roots which denote smoothness, and two of these have the L, characteristic, a characteristic typical of smoothness. The meaning of rough is created through a negative prefix (not included, according to our rule, in the statistics of the radical morphemes): roughness is perceived as non-smoothness. The simultaneous presence of several ways of perceptions and imitations of the same phenomenon is an important reason why the synonymic sets usually consist of radical morphemes with different phonemic characteristics. Another reason lies in the sound demotivation of the imitative radical morphemes, i. e., in the fact (that these morphemes are associated with other phenomena in a way that is not based on the original sensory perceptions connected with the imitations. This process, which is essential for the transition from the imitative representation of the reality to the encoded one, is doubtlessly reflected also in the earliest strata of our statistical material; but since it cannot be used in our explanation of the imitations we shall not dwell on it. 10 Boso Vodusefc 30. To put what has been said so far into a proper perspective, we must point out that what has been established under 25 generally for our statistical material applies also to the concept group ROUGH. The synonymic sets occurring in this concept group do not represent the whole of the synonymic sets which exhibit a numerical superiority of the R phonemic characteristic; they do not represent all such sets found in Buck, and still less the sets not included in his dictionary. This is readily shown on an examination of Buck's sets and still more readily on an examination of Pokorny's etymological dictionary and of other standard etymological dictionaries. The semantic range of the radical morphemes under ROUGH is already considerably wider than the set of meanings represented in this concept group, and the morpho--semantic area of R becomes still wider when we take a look at the radical morphemes that have remained outside the concept group. By means of R man imitates not only the willful contraction of his limbs but also the wrinkling of the skin and particularly the spontaneous spasm or cramp; further the trembling and shivering and the related disgust, cold, and fear; as a result of the spasm or trembling the stiffness of limbs and their rigidity, and related to the rigidity the stretching and straightness; further the general movements of the limbs to and fro, and the movements of the whole body or of objects to and fro, like mixing, roaming, swarming, rotation, beside the already met boring, and related to the rotation the roundness; repeteated quick movements of the legs as found in rushing and running, quick successive opening and closing of the eyes and the related trembling of light and twilight; and finally boiling, spraying and trickling in addition to the already met retching; crushing in addition to the already met breaking and tearing, scratching and cutting in addition to rubbing and a great series of discontinuous or rough acoustic phenomena. Our enumeration does not pretend to be exhaustive; still, it seems that all the imitations mentioned are based on the same pattern of perception which has been established for the imitations under ROUGH, and so individual, not mentioned, imitations cannot be expected to change essentially the borders of the described morpho-semantic area of R. This is demonstrated also by our comparison of the integrated consonant distribution of all the seven concept groups with the basic consonant distribution of the Representative Sample: the phoneme R has in the integrated consonant distribution an approximately equal, or even higher, relative frequency as in the normal consonant distribution; the phonemic distribution of further synonymic sets exhibiting a numerical superiority of the R phonemic characteristic may therefore be expected to be on the whole parallel to the phonemic distribution of ROUGH. 31. Before concluding -the present discussion of the R imitations let us try to offer some explanation why the phonemic distribution of the consonant pairs in the concept group ROUGH, presented in Tables Nos XVII and XVIII does not follow the general rule which otherwise applies to all other concept groups: namely, that the phonemic groupings in which there is no consonant that is with the particular group positively significant are 11 Lingüistica X¡ 1 significantly below the expected average. This is obviously to be accounted for by the circumstance that the consonant pairs under ca and aa, particu-lary the pairs SK and KK have a too high relative frequency, as it can be seen in the Tables 3 a and 8 a. Neither of these frequences is significant, but they shift the whole distribution into the frequency scheme of the concept group SHARP, instead of its agreeing with the frequency scheme of the concept groups SMOOTH and NARROW. The consonant pair SK is significant precisely for the group SHARP, and in the introduction to this concept group (Lingüistica IX/1, 36) it was established that the phenomena of roughness and sharpness not seldom overlap; this, then, is to be seen in a somewhat higher frequency of the pair SK under ROUGH. It seems that the inter-relatedness of the two phenomena is reflected also in the simultaneous negative significance of N and T both under ROUGH and under SHARP. The comparatively frequent pairs KK in our concept group have another special reason of their own. The nature of the basic perception of the phenomena as it is hidden in the relevant phonemic characteristic occurring here can be deduced with a considerable degree of reliability from the synonymic set 12.75 hook. Beside the 4 radical morphemes with the R characteristic and the basic meaning of contracting, crooking, or a crooked object there stands a radical morpheme with double K (keg-, kek-) with the same basic meaning. If we take the double K in the root to be a reduplication, the perception patterns of the R characteristic and of the characteristic with the repeated K are in exact agreement. The main function of reduplication is in fact the expression of temporal sequence and discontinuity or of plurality in space [31], 286 f. There is also the question whether in the next radical morpheme in the set 12.75, which contains K as the sole consonant, K recurs in the extension of the root accidentally or not. The semantic range of this radical morpheme (keu-2) is rather wide, and its basic perception and imitation pattern so far have not been determined, there being on this point a gap in our material. Nevertheless the semantic range of the radical morpheme in question when extended with K comes very close to the semantic range of the radical morpheme keg-, kek- and of the remaining roots with double KK of the concept group ROUGH, which are frequently overlapping in their meanings. The finding about the basic perception pattern which links the phonemic characteristic of K with the phenomena imitated by it is in this way confirmed from another angle. Concording data concerning the described imitative value of R are to be found in H. Wisseman for artificial onomatopoeias in German [18], in M. Grammont for a considerably extensive material from the Indo-European languages [19], and particularly in P. Gui-raud for many French and Provençal words that are usixally not considered to be imitative [32] in his study of the morpho-semantic field of the root T. K. 32. Imitations with N. The phoneme R may be freely produced in a number of places in the organs of speech, from the pharynx to the lips, yet always in essentially the same way and its perception is uniform. On the contrary, the production of nasals, although limited to just a few places of articulation, 12 Božo Vodušek can take place in various ways, and their perception differs as to the place of articulation and as to the way in which it is done. Since in the present study w.e grouped together all the varieties of nasals, we are interested chiefly in those circumstances of their articulation which are present with all of them and which are characteristic of the nasals as a phonemic class. The first property they share is that they are nasal fricatives, usually voiced taut possibly also unvoiced. Their next property is that they are at the same time stops as regards the oral cavity: the air stream is directed through the nasal cavity while the oral cavity is more or less firmly closed by the velum. [33], 50. With this closure, weak or firm, the pulmonary air exerts no pressure as it is the case with the stops proper, because the passage trough the nasal cavity is free. The third common property of nasals usually unmentioned or at least not stressed., is that under certain conditions they may also tae stops as regards the nasal cavity and that under such conditions they are realized with strong nasal explosion. This occurs when they are articulated with energetical expiration anywhere in the word, but also in normal articulation immediately after oral stops, especially after gutturals. The difference from the production of stops proper lies in that with the nasal explosion the closure is released inwards, merely by means of muscular energy, against the driving pressure of the pulmonary air. [34], 119 120. The significant N characteristics, occurring in a part of our statistical material — in which the denotations of the auditory perceptible phenomena represent a very slight minority — unambiguously suggest that we have to do with imitations based on tactile-proprioceptive perceptions; various phenomena, perceived in their properties as parallel to the different' articulatory properties of nasals described above, are imitated by the same general nasal characteristic or yet more closely rendered by specific nasal characteristics containing phonemic combinations with N. 33. The main assemblage of the N characteristics is to be found in the concept group NARROW where we get a parallel occurrence of the general significant characteristic N and the specific significant characteristic KN. Among the three leading sets in this group the synonymic set 12.14 thick (in density) contains 6 radical morphemes with the N characteristic of the total 13 roots taken into account; the specific characteristic KN is shown by three roots, two roots have TN, and one has PN, All these radical morphemes containing throughout a stop before a nasal refer to phenomena of pressing and' of compressed compact objects, or to phenomena of tension or swelling and of tense or tumid objects. If we take this as a matter of the original sequence of a stop and a nasal with a later central vocalisation, the perception of the oral-nasal blocking in the onset and in the maintained closure of KN, TN, or PN is in agreement with the perception of the constriction and tightness in the pharynx when the body is under strain with the breath being hold back. The predominant, occurence of the KN phonemic characteristic for the imitation of the phenomena of pressing and tension in the set 12.64 and in other parallel sets under NARROW is a consequence of the fact that, given an 13 Lingüistica Xjl equally strong articulation, the pressure of the muscles and the pressure of the air stream are stronger in the articulation of the phonemic group KN than in the articulation of the phonemic group TN or PN. Owing to the close neighbourhood of the back of the tongue and the velum the articulation of the phonemic group KN — as is shown by the semantic analysis of radical morphemes —: is perceived as a whole, whereas with TN and PN the attention is paid on the one side to the nasal closure, and on the other side to the closure with the stretched, tense tongue, or with the tightened lips and inflated cheeks. In the concept group BLOW we find generally acknowledged imitations with the specific phonemic characteristic PN which denote the phenomenon of inflated cheeks and similar objects. We find further a imitative root (pneu-etc.) even with a direct sequence of the two consonants. The root clearly refers to physiological phenomena containing a nasal explosion (coughing, or supressed laughter in Germanic languages, panting, hard breathing in Greek), and on the other hand to suppressed breathing (Grk. pneuma in the sense »a sentence declaimed in one breath«*) and to choking in the throat or strangling (Br. nec'h »anxiety« from the IE pnek-s- in the synonymic set 16.33 and Grk. pnigo »choke, throttle, strangle«, WP 2.85). 34. The next synonymic set where we must stop — this set giving the name for the concept group — is 12.62, narrow. Of the 12 radical morphemes considered there are 5 with the general N characteristic; of these one again has the specific characteristic KN, another one the reverse characteristic NK, and two have SN. Reconstructing the probable imitations we proceed best from the already known. The tactile-proprioceptive perception accompanying the energetic oral-nasal closure may be interpreted as an active pressing or tightening, or as a passive state of being pressed together or pressed tightly. These two phenomena and the coresponding notions are complementary. Therefore every radical morpheme denoting pressing has a potential meaning of narrowness. In our instance the basic meaning of the root with the KN characteristic (ken-2) is stated to be »scratch, rub«, yet there exists a homonymous root (ken-1) meaning »pressing, something pressed together«, and the dificulty for a fitting morpho-semantic interpretation of the synonym with the radical KN is only apparent; in fact, it is questionable whether the divison into two morphemes is justified, as under 29 we see that the meanings of pressing and rubbing interchange. The radical morpheme with the reverse NK characteristic ang'h represents a typical example of the simultaneous appearence of the meanings of pressing and narrowness; the meanings» bind« and »bond« are but variants of the meaning »press«, and in this case the basic meaning of the constriction in the throat is directly exhibited in Latin. The perception of the articulation of the immediately connected phonemic group NK is basically identical to that of KN irrespective of the reverse order, and the imitation pattern is the same. The specific characteristic SN is significant in SMELL in the morpho-semantic correlation with the phenomenon of smelling and tasting. An imitation * Liddel, H. G. and Scott, R., Greek-English Lexicon, 9th edition, s. v. 14 Božo Vodušek of pressing or narrowness with the same characteristic in the synonymic set 12,62 may at first glance appear to toe a strange one. Perhaps we can assume that SN represents in this case a closure in the pharynx blocking the air passage to the nasal cavity in the same way as KN, TN or PN, whereas in correlation with tasting under SMELL it represents a release of this closure through an energetic lowering of the velum and at the same time a beginning or performed closure towards the oral cavity. Such a perception of the nasal in the phonemic group SN is indicated by the meaning of »stroke« which appears in a great series of the radical morphemes exhibiting this characteristic, e. g., smei-, snadh-, sneit-, under SHARP. This meaning of »stroke« can be taken also to be one of the parallel meanings in the two radical morphemes with the SN characteristic in our synonymic sets. Under mel-1, smel-, from which almost certainly the lengthened forms melo-, smelo- come, we find the meanings »pound., smash, hammer, smite«, usually in forms without S, and in the Scandinavian languages particularly in SN forms. In view of the numerous semantic parallels also the meaning of »swift« beside »narrow« in snebh-ri- goes back most probably to the original adverbial meaning »at one blow«, i. e., »at once«. The role of S in all the enumerated morpho-semantic correlations of the phonemic characteristics SN, is, however, not as clear as the role of the nasal; it seems that at least in part we must resort to the explanation based on the preceding form of S as generally postulated under 22 and practically outlined ■in the introduction to the concept group of SMELL. We shall again return to this problem, which is probably connected with the puzzle of the so-called shifting Indo-European S in the discussion of the S imitations. For the present let it suffice to establish that the last radical morpheme in the set 12.62 with the N characteristic is a morpheme with a shifting S ([s]ne-, [s]nei-) and that the meaning of »narrow« — just as well as the meanings »bind« and »bond« — there appear in spite of the absence of S. 35. The last leading synonymic set under NARROW is 5.54 knead. It is in the title of this group because it clearly refers to man's manual activities and because the occurrence of the nasal characteristics in the set more obviously than elsewhere points to a parallelism or even to a synergism between the movements of the organs of speech and the hand. Of the 12 radical morphemes taken into account in our statistical calculation there are 6 with a general N characteristic, of these two with the specific KN characteristic, another two with the specific NK characteristic, while one morpheme has a specific characteristic not met so far — NN. The structure of the roots with KN is here identical with that in the sets 12.64 and 12.62; with one of them (gen-) it is clear that the underlying meaning is pressing, something pressed; while with the other (g'en-1), according to the traditional interpretation, it is said to be »beget«. In the light of our insights the basic »masculine« meaning has to be replaced by the »feminine« pre--Indo-European basic meaning »give birth to« which comes up .-in this root at least as frequently, and the basic perception of delivery as pressing be- 15 Lingüistica Xjl comes obvious. And the fact that the root g'en-1 in our instance denotes manual pressing and that the manual pressing is identified with the general phenomenon of work (NIr. fuinim »1 knead«: Oír. gniu »1 do« in the synonymic set 9.11) has an exact parallel in another radical morpheme of our set with the NK characteristic (mag'-). In Greek this morpheme refers to »knead«, while in West-Germanic languages, including English, it gave a normal term for accomplished work: make. A similar parallel development of meaning is exhibited by another two roots in our set, a root with just a mere N characteristic (mei-k'-, mei-g'-) and a root with a double NN characteristic (men3k-): beside the meaning of »knead« there appears in both roots the meaning of »mix«. Therefore we may postulate for the first of the two roots the basic meaning to be »pressing«, just as well as for the second: the meaning »mix« is the final meaning and not the initial one. All the enumerated examples of the N characteristics in the discussed set 5.54 show an evident morpho-semantic correlation; this correlation is so clear that even the last, late synonym with the NK original characteristic in the root (Bret, merat), which came to mean »knead« by borrowing and by an unusual shift of meaning, can sooner be taken as an instance of secondary imitation .—. explained under 19 in the present conclusion — than as a purely accidental product. As regards the perceptions of the specific nasal characteristics occurring here it must be pointed out that there is a predominance of the perception pattern of the energetic lowering of the velum with the indicated or performed closure against the oral tract; this perception pattern being similar to the one reconstructed with the SN characteristic for tasting. Thus the present NK characteristic must be interpreted. It differs from the one in the set 12.62 narrow where we spoke about the perception of a raised velum and a closure against the nasal tract. The difference is to be seen in the different structure of the radical morphemes: mag'-: ang'h-. The parallel NN characteristic probably reflects the twofold perception pattern of the preceding lowering and the following raising of the velum. It is additionally found also in the sets 4.207, 5.11, and 5.12, which all refer to feeding, and it appears therefore that it is precisely in the imitation of the movements of chewing — or more exactly in the imitation of the participation of the velum in the swallowing of the chewed food — where we may find its ultimate source. The identical structure of the roots with KN in our set and in the sets 12.62 and 12.64 is a confirmation for the validity of the assumption stated there that the ultimate source of KN imitations has to be seen in the imitations of the bodily effort or strain, optimally indicated by the KN characteristic of the raised velum and a closure against the nasal tract. Accordingly, the sense of manual pressing in our synonymic set is derived from nasal imitations of various origin. 36. We have not discussed here a large series of other morpho-semantic correlations in which the N characteristic occurs outside the group NARROW. One of them is the correlation between the N characteristic and a light, 597 Bozo Vodusek undisturbed movement through openings and tube-like passages (slipping through), or a light, unforced movement across a surface (sliding); this meaning of the N characteristic is derived from the tactile perception of a light, undisturbed movement of the air through the immobile nasal cavity which does not and cannot in any way impede its movement. On the same perception of the movement of the air through the nose is based the N characteristic for smelling, which together with the already discussed N characteristic for tasting (referring to the perception of the lowered velum) appears in the concept-group SMELL. The parallel auditory perception of the nasals and their correlation with a continuous, echoing voice was met in terms for singing under 27. The N characteristic for smelling probably accounts for a numerical superiority of the nasals in a whole series of roots for thinking, mind, and related abstract notions; such a surprising numerical superiority can be found at a cursory glance at the 17,b chapter in Buck's dictionary, under the title MIND, THOUGHT. A further correlation exists between the N characteristic and looseness or slackness, which is based on the perception of the loose velum with a weak closure against the oral tract; this meaning of the nasals is erroneously regarded as their principal, if not unique 'natural' meaning [19], 408, but its statistical significance could be demonstrated on the nasal infixes of the .Indo-European roots rather than on the roots themselves. The combined perception of the loose velum and of its vibration, obviously accounts for the N characteristic or rather the specific Nil characteristic in the radical morphemes for snoring. (Snoring is also frequently imitated with the specific KR characteristic, and here the K characteristic refers to the perception of the pharynx.) The N characteristic can denote further a pronounced muscular release of the velum in moments of physical pleasure and this leads again to new morpho-semantic correlations. E. g., in this connection the nasals occur in the radical morphemes for laughter; on the contrary the presence of nasals in roots for grinning and mocking, as well as in the roots for snarling and growling, is based in part on the auditory perception of these phenomena and in part on the perception of the stretched velum combined with the perception of the widened nostrils in a mimic grimace. We find also the N characteristic in the imitations of a third phenomenon opposed to both preceding ones, i. e., in the imitations of the mimic expression of rejection and »snobbery«; in this case the reason for the use of nasals is in the perception of the narrowed nostrils and the contracted raised velum. As we can see the number of tactile and proprioceptive perceptions related to the extra-linguistic phenomena in the area from the velum to the nostrils is very great: all this is imitated by the N characteristic which is in individual cases defined with specific N combinations. Just as at the general survey of the highly varied morpho-semantic correlations of the R characteristic, here as well we cannot pretend to be exhaustive. We have merely indicated a wide sphere of the 'natural' meanings of the nasal characteristic; this area extends far beyond the area of its significant correlations and should be investigated statistically. — Lingüistica 17 Lingüistica Xjl In this study we did not take into account the particular perception characteristics of the individual nasals: e. g., the phoneme M — owing to its additional perception of closed or closing mouth — is often correlated the phenomenon of closing. The synergism between the closing of mouth and eyes or rather lips and eyelids probably accounts for the M characteristic in the denotation of the closing of the eyes and the related phenomena of indistinct light, twilight, or darkness. This M characteristic is found alternatively or together with the already mentioned R characteristic for the same phenomena. The synergism as the basic reason in the imitations with M appears also in the preferential combination with the vowel I characteristic which — starting from the perception of the lengthened, stretched lips, raised tongue, and stretched velum [34], 102 — just as well refers to the phenomenon of pressing. The M characteristic in combination with the vowel characteristic U is found in the same sense in the generally acknowledged imitative radical morpheme mu*-. In a parallel way we may compare also KN in Lat. coniveo from IE kneig'h-, Grk. skniphos, skniphaios from IE ken-, sken-, and Grk. knephas, which all relate to pressing the eyes together and to darkness. The »expressive« N characteristic and the I or J characteristic are treated by V. Machek [35], 10—60. The role of narrowness or width in the pharyngo-velar sphere of the organs of speech and the role of nasality in the »sublinguistic phonic expression« is studied by F. Trojan [36], and [37]; but he erroneously claims that the sublinguistic and at the same time the prelinguistic phonic expression has no connection with the construction of linguistic systems; the root material of the Indo-European languages points to the contrary. 37. In our reconstruction of the R and N imitations we were irrespectively of the limited space somewhat longer — in the wish to show at least by means of two different examples as clearly as possible the method used in the explanation of the various statistical results; at the same time we wished to draw attention to the numerous supposed morpho-semantic correlations which although not yet statistically examined show a considerable degree of probability if we view them as parallels or oppositions to the significantly demonstrated correlations. With the following reconstructions we shall have to tackle the most difficult problems of the Indo-European imitative system. A great deal of time and space at our disposal" will be occupied as much by the exposition of general linguistic facts and the description of the imitated real phenomena as by the necessary comparisons and the corresponding logical conclusions. So we shall make broader comments on the less transparent but most important instances of imitation only, omitting a near explanation of the repeated or slightly varied imitations which might be with regard to the former easily understandable. 38. Imitations with central oral consonants. In the perception of the speakers belonging to the Indo-European community the sound R differed from the remaining sounds in the manner of its articulation, which was interrupted; while the sounds of the N type were in the perception of 18 Boso Vodusek the speakers defined above all by the restriction to a particular articula-tory area, i. e., to the velum and the nasal tract. Locally well defined in the consciousness and in the subconsciousness of the speakers were also the sounds of the type K and the sounds of the type P: the former because it relates to the throat in the broadest sense of the term, from the larynx to the back part of the tongue and the velum; and the second because it relates to the lips and cheeks. This follows clearly from a morpho-semantic analysis of the traditionally acknowledged Indo-European onomapotoeias and of the radical morphemes with significant phonemic characteristics in our statistical material. For the sounds that are in their final form represented by the Indo-European phonemes S, L, and T it is less evident whether and how they were perceived by the speakers. Here we have to reckon with the biggest changes from the pre-Indo-European to the Indo-European period. Under 34 it was already stressed that at least some of the phonemic characteristics of S have to be traced back to the preceding pre-Indo-European form of that phoneme if we want the significant morpho-semantic correlations should be understandable. The same applies also to some phonemic characteristics with L. The interpretation of the imitations with the T characteristic may seem easier, as in the semantic analysis of the corresponding radical morphemes these imitations seem to be naturally founded through the perceptions located at the front part of the tongue and at the palate, including the alveoli and the teeth. Yet the sounds of the T type — from the point of view of their articulation and of the role they played in the genesis of speech — are so closely associated with the sounds of the type S and L that we can attempt their explanation only after reconstructing the imitation processes hidden behind the S and L characteristics. 39. The articulatory interconnection of dental, lateral and sibilant sounds consists in the fact that all of these are articulated predominantly in the central part of the organs of speech, i. e., in the oral cavity in the precise sense of the term, and that they are produced with strong movements of the front and middle part of the tongue. They are opposed to the gutturals and labials on the one hand and to the nasals (excepted the dental nasals) on the other. The gutturals and the guttural nasals are — beside the opening of the lips — produced in the back of the organs of speech, in a continuous tract reaching from the larynx to the nostrils; the tongue is involved only with its back part or is not participating at all. The labials and the labial nasals are — the velum and possibly the nasal tract participating — produced in the frontmost part of the organs of speech with the compression of the lips; the tongue is here consistently uninvolved [15], 419. In this way with all the enumerated sounds, the gutturals, labials and guttural and labial nasals, the central part of the organs of speech is not involved in the articulation. 40. From the observation of speech development in childhood we know that the predominant majority of the consonant sounds independently produced by the child in the first months of its life are laryngeal and velar 19 Lingüistica Xjl sounds, that is in our terminology gutturals [38], 415, 416; [39], 374. We might add that along with these occurs the pharyngeal R [R], 13, 177. If »deaf infants go through the first of babbling just as normal infants do, and it requires no experience of language for its onset not for its maintainance during the first stage« [41], 524, we may take that this is obviously a case of old sound inheritance. These sounds, produced in the back of the organs of speech later disappear, and when the baby starts learning the language, imitating the sounds of the adults, the labials produced in the opposite front part are the first to appear [39], esp. 356 iff.; [42], 77, 151. So we may say that the sounds produced in the central part of the organs of speech are the last from the phylogenetical and ontogenetical view. This is confirmed also by the observation of the anthropoids. The consonant system of the chimpanzee's »speech« consists only of gutturals, the pharyngeal R, and the nasals; when captured by man the chimpanzee among other things learns to imitate the human labial sounds but it cannot imitate the sounds requiring strong movement of the front or of the central part of the tongue, either perhaps because of an inappropriate anatomic structure of the tongue and of the oral cavity [43], 391—397; [44], 654—658, or because of a different nervous system [45], II, 40. 41. On the other hand it is known that the linguistic function of the organs of speech is a secondary function or »parafunction« derived from the primary, elementary functions of these organs. This is emphasised already by E. Sapir [46], 8, and M. Grammont [19], 22. Similar findings have been made by the more recent authors; they stress particularly that from the motor point of view beside the respiration, vital and phonic—which is especially the basis for the production of vowels — the main source of the linguistic function is the use of the same muscular effectors as with nutrition (chewing and swallowing), and that particularly as regards the articulation of consonants [27], 133. A closer analysis of the movements during feeding and during speech has been carried out, and a limited number of primary pha-ryngo-buccal stereotypes have been established, which in both cases are almost identical [15], 418, 419. From this it would follow that for instance the labials owe their articulation foremost to the opening and closing of mouth when seizing food, and the gutturals their form to swallowing; along the same line of argument the chewing of food in the mouth may account for the shaping of the articulatory movements of the consonants produced in the central part of the speech organs. And since it is difficult to imagine that the process of the shaping of the articulatory movements on the whole and the mental process of the symbolic representation of the reality through these movements should have been developing independently, we may expect that the terms for feeding in various languages of the world will show traces of parallelism between their semantic contents and the specific articulatory movements originated by the movements of feeding. The root material of the Indo-European languages reveals such traces: the phonemes of the type P denoting the seizing of food (pap(p)a-, kap-, ghabh-) and phonemes of the 20 Bozo Vodusek K denoting swallowing (gel-, gwel-, gwer-, slrg-, (s)leug-). The phonemic cha-rasteristic NN found in the meaning for chewing, i. e., rather in the meaning of the passing of the chewed food into the larynx in contact with the velum (menth-), was already discussed under 35; there are several other radical morphemes, referring to feeding, with a single N characteristic (meit(h)- and pen-, mad-, (s)na-, nes-). Yet the velum participates only at the end of the chewing, and so, we could expect that in the radical morphemes denoting chewing we shall find mostly the sounds produced in the central part of the speech organs which are represented by the phonemes of the type T, L, S in our statistical population. Such a hypothesis being true may lead us to a more sure reconstruction of the imitation processes underlying the significant phonemic characteristics T, L, S. 42. In the synonymic sets 5.11 eat, 5.12 food, and 4.207 jaw (Lingüistica VI, 18 and VIII/1,10) we find in fact beside the nasal characteristics also dental, lateral, and sibilant characteristics in the same or in other morphemes, as this can be seen from the instances already quoted; but from the average number and from the not uniform structure of the roots with such characteristics we cannot infer a reliable reconstruction of the imitation pattern: chewing — the perception of chewing: the perception of the phonemes T, L, and S or of their predecessors — these phonemes. Above all it seems that these terms for eating, food, jaw and related phenomena contain imitations of all phases of feeding, i. e., imitations of grasping food, chewing, and swa-lowing it. Besides, the formulation: chewing — sounds produced in the central part of the speech organs is obviously too narrow. The probable source and the imitation object of the central oral consonants is not merely chewing but also the parallel physiological processes of tasting, sucking, sipping, and drinking. The role which tasting (with chewing) has in the formation of the, speech sounds, has been treated by several authors; an interesting experiment has been made in this connection [47], 64—66; a possible role in the ontogenesis of the infant's speech is assigned to sucking, particularly in connection with the labials [39], 374. But to our knowledge no examination has been made of the motor and sensory patterns of sucking, sipping, and drinking in the phylogenesis of the human speech, and also the imitations of these phenomena have been examined in passing only. In the present study we have tried to make up for this last deficiency, and in the concept group SMELL, TASTE, SUCK we have included beside the terms denoting smelling and tasting all the synonymic sets from Buck,s dictionary which refer to sucking, sipping, and drinking. In this concept group we get a more clear picture of the correlation between the central phase of feeding and the central oral consonant as in the case of the synonymic sets of eating, food, and jaw included in the concept group NARROW. 43. To allow the necessary comparisons we give a short outline of the related physiological functions, first of chewing. When through the open mouth food comes into the oral cavity and the mouth closes, the tongue is stretched out to get hold of it: the lateral edges of the tongue are raised and 21 Lingüistica X/'l in the middle the so-called palato-lingual channel is formed. In this channel a mouthful of food is shaped, which is precedingly crumbled by the teeth and the closing lower jaw; the tongue presses on it with its front part, upwards and from both sides towards the palate, and pushes it backwards; finally the mouth being closed, the back part of the tongue is raised and throws the mouthful into the pharynx. In doing this the chewing muscles which elevate the lower jaw get contracted, and with them also the muscles of the floor of the mouth. Some raise the tongue bone and in this way the whole tongue, while others pull it back and at the same time narrow the passage into the pharynx (isthmus faucium), which is formed of the velum and the bi-partite pharyngo-palatal arch. When the mouthful touches the passage, the passage opens like an iris and allows the mouthful to pass, upon which it is closed again [48], 273—274. The purpose of tasting is to secret saliva which is indispensable for chewing and digesting. The specific sensation of taste is produced through the action on the taste buds of the substances solved in the saliva. The taste buds for the pleasant (positive) sensations of sweet and salty are located on the tip of the tongue and on the front parts of the lateral edges; the taste buds for the ambivalent sensation of sour are on the middle part of the lateral edges; while the taste buds for the unpleasant (negative) sensation of bitter are — most likely not without reason in the area where the reflex mechanism for vomiting is situated — on the base of the tongue so that in this way the rejection of unpleasant or unsuitable food is made possible [48], 279. In order to achieve in feeding a maximum salivation and an optimal taste perception it is necessary that the solved substance comes into touch with as many sense cells for pleasant taste sensations as possible; accordingly, with tasting the chewing movements of the front part of the tongue upwards toward the palate are accompanied by strong movements of the tongue downwards to the floor of the mouth and by a simultaneous bending of the tongue edge downwards so that the solved pleasant substance can flow over them. At the normal drinking of adults the same movements are involved as at chewing. It differs slightly from it that the front part of the tongue at its pressure upwards does not move to the right in to the left, since here it is not necessary to shape a mouthful. A greater difference is found at sipping, accompanying mostly the initial phase of drinking. With the opening of the mouth there is a simultaneous inspiration of air through the oral tract in order to convey the liquid into the palato-lingual channel; to this aim the lips are protruding and the tongue produces a sucking movement down and backwards. The sucking — as an inherited biological function of infants — consists just of these movements of tongue and lips, but at the same time also the lower jaw is considerably retracted — on the average 15 to 20 mm — in milking the teat of the mother's breast or a similar object and, as the entrance into the oral cavity is obstructed, lips and jaws remain open even in the final phase of swallowing. Consequently, the back part of the tongue cannot be tensed to thrust the liquid into the pharynx and the swallowing is 22 Bozo Vodusek carried out merely by the combined pressure of the muscles of the floor of the mouth and of the muscles of cheeks and lower lip [49], 391—394, 569—577. 44. We return now to the question of the morphosemantic correlation between the central oral consonants and these phenomena. Under 42 we mentioned an experiment made by F. Trojan in which the speech sounds and the sounds produced in chewing and smacking were compared. Since the ultimate goal of the experiment was to verify the hypothesis about chewing aloud as the origin of speech ten subjects were asked to chew a bite of sandwich with open lips and in chewing to smack and grunt as they pleased. The acoustic effects produced in this way were recorded on a magnetic tape. It turned out that the sound »raw material« was composed of three main components: 1. labial and dental, mostly palatalized, click sounds; 2. sounds resembling a, mostly nasalized, but sometimes resembling o; and. 3. the nasals m and n. If we compare the result of this experiment with the significant characteristics SN and SL-NL-TL in the concept group SMELL, TASTE, SUCK, and with the significant N characteristic in the synonymic sets 5.11 eat, 5.12 food, and 4.207 jaw in the concept group NARROW, we see that the imitations with the N elements faithfully represent the nasal manifestation of the phenomenon imitated. In chewing nasal sounds are really produced — by breathing through the nose by repeated mouth closure and by closing and opening of the oral cavity in the direction of the pharynx through the velum. With chewing aloud resonant nasals, with ordinary chewing non-resonant nasals are produced. On the other hand the main acoustic manifestation of chewing and tasting is represented by the smacking, clicking sounds. Their production corresponds precisely to the sucking opening of the lips and the described essential movement of the front part of the tongue: with chewing upward towards the palate, and with tasting downward towards the floor of the mouth. A faithful imitation of these sounds and movements can apparently be found only in the click sounds existing for instance in some African languages, notably in the languages of the Bushmen. It seems therefore that there are only two possibilities for the explanation of the phonemic types S, T, and L in the Indo-European imitative radical morphemes concerning chewing and tasting: either these phonemes are a highly imperfect imitation of these activities or they are successors to sounds resembling clicking formed in the pre-Indo-European period. It may be pointed out once more, however, that the experiment discussed deals only with chewing and tasting; a similar experiment for drinking, sipping, and sucking is unknown, while the significant S, T, and L elements in the concept group SMELL, TASTE, SUCK which are to be explained, occur also in the radical morphemes with these latter meanings. In the reconstruction of the imitation processes, attested in the Indo-European languages by the significant central oral consonants, it is imperative to take into account also the special movements and sensory perceptions inherent in the phenomena of the passing of liquids through the oral tract. 23 Lingüistica Xjl 45. The essential difference between the perception of solid food in the mouth — although already substantially salivated and well chewed pulpy food — and the perception of the liquid food or any liquid in the mouth lies in the fact that in spite of the palato-lingual channel the liquids overflow its borders and come to the floor of the mouth whereas with solid food this does not occur. Here we may ask ourselves for the reason why the grammarians of Antiquity called the sounds L and R liquids and — taking L only — why with the explanations of linguistic imitation and of the origin of language we meet constantly the idea that the sound L is associated with the meaning of liquid. The outstanding French phonetician M. Grammont finds the denomination as »liquida« for all the various kinds of L fully appropriate: »at a certain point the tongue closes the middle line of the - oral tract, the breath escapes on both sides of the tongue, and its glides through like a liquid which is flowing«. Considering in a special chapter of his book the impressive value of individual sounds, proceeding from their auditory impression, he says about L: »the sound L which as we have seen represents the sound of gliding and even more generally the liquidity in so far as it is accompanied by sound is just as appropriate for the representation of a not audible gliding and even of the state of liquidity.« And once more: »the combination of F with L combines the breath with the liquidity, and this gives the impression of fluidity« [19], 71, 408, 411. If we take into consideration that the speech sounds are perceived not only in an auditory but also in a tactile and/or proprioceptive way (Table IX), is it not most reasonable to assume that the above described impressive values of the sound L represent a consequence of its lateral fricative articulation which essentially distinguishes this sound from all other sounds appearing in the Indo-European languages? And is it not a further natural assumption that there is an objectively founded parallelism with the speaker between the perception of the lateral fricative articulation of the sound L and the perception of the liquid in the oral cavity, overflowing the edges of the tongue and reaching to the floor of the mouth? That the tactile-proprioceptive sensations created in the articulation of L are located on the lateral edges of the tongue — not merely at the edge line itself but also below it on the lower sicle of the edges and at the floor of the mouth — can easily be proved by self-observation. For this purpose, it is advisable first to produce a non-resonant L so that the participation of the vocal cords in the voiced production does not distract the attention from the essential consonant articulatory features of L. The experiment may be best made even with an inspirated non-resonant L, since with such production of this sound the air moves in the same direction as liquids when sucked, sipped, or drunk. This is not strctly necessary since the essential articulatory features which we are here concerned with are the same with the expirated, resonant L. Whatever specific articulation of L we now decide upon, be it dental, alveolar, celebral, dental-velarized or interdental [34], 106, 107, or an articulation with the front of the tongue pressed against the lower teeth, in each case it is clearly distinguishable that the air passes al6ng the edges of the tongue and along the lower side of the edges, just as with 24 Boso Vodusek liquids flowing over the edges of the tongue and across the floor of the oral cavity. 46. The imitative mechanism which is based on the parallel perception of the physiological processes of drinking, sipping, and sucking seems to be in this way accounted for. But the gliding of liquids through the oral cavity is expressed in the Indo-European radical morphemes not only by means of the L characteristic but also by means of the S characteristic. It can be assumed that this characteristic in opposition to the L characteristic imitates-the gliding of the liquid along the palato-lingual channel itself, and particularly the auditorily very perceptible simultaneous gliding of the air and liquid along this channel when the air is inspired during sipping. Thus the Indo-European etymological science itself explains, e. g., the origin of the radical morpheme seu- with the nominal meanings of sap and moisture and the verbal meanings of rain, trickle, curdle, suck: »SU originally seems to have reproduced the sound with, which one sips a liquid« (WP 2.468). In the concept group SMELL, TASTE, SUCK the occurrence of this root shows a numerical superiority, and even more numerous are the roots with an initial SW where mostly the same or similar meanings come up. The difference between this imitative value of S and the outlined imitative value of L is obvious in the fact that it is the passing of air alone through the oral tract, which can be imitated by S — in meanings in which the idea of a liquid is excluded, as, e. g., in the synonymic set 15.84 dry — whereas there are no instances where L would reproduce the passing of air or breath only. The fact that the S imitations may refer to a liquid and to air forms the main basis for the significance of the general S characteristic in the concept group SMELL, TASTE, SUCK. In this way the imitations of drinking, sipping and sucking may be explained on the basis of their fricative features; on the contrary in the imitations of chewing and tasting discussed under 44 we had to assume preceding clicking forms of the S and L characteristics. 47. To establish the consistence of these two opposite explanations we start form the phonemic forms of the radical morphemes in the synonymic set 5.16 suck. Beside the normal Indo-European root seu- we find there in three languages or groups of languages root forms all containing the U characteristic, which replace the sibilant S with the affricate C; but other synonyms with C, e.g., Boh. cucati are omitted in Buck. In the course of this study (Lingüistica IX/1,19) we have already supposed that an affricate consonant instead of a sibilant one probably represents a more archaic form of the same imitation. The question whether this is a preserved pre-Indo-European form or a reconstructed one does not concern us at this moment; it may be added that some notable Indo-European scholars in this case permit the possibility of a variation between S and the affricates C or Cr even for the Indo-European period [10], 31, 214. Here we want to stress * C and G = ts respectively ch in the English transcription. 25 Lingüistica Xjl that sucking is more adequately imitated by an affricate than by a sibilant not as much on account of a greater similarity of the auditory impression as because the articulation of an affricate reproduces more closely the tactile and proprioceptive sensations of sucking. At each of the subsequently following sucking movements the front part of the tongue moves upwards from its initial position at the floor of the mouth and creates the palato--lingual channel; but immediately after that it moves down and backwards (see 43) while the liquid sucked in glides along the palato-lingual channel and flows over its edges. If we transpose these movements in the articu-latory movements of the speech sounds, the movement upwards and down corresponds to the articulation of the dental, the sucking-in of the liquid through the palato-lingual channel to the articulation of the sibilant, and the overflowing of the liquid over the down bent edges of the tongue to the articulation of the lateral consonant. If a possibly faithful imitation is attempted, we might expect the sequence T — S — L, and in fact the Lithuanian and the Letton synonym ciulpti and ciulpt show exactly that sequence. The combination of the two movements, the dental and the sibilant one, gives here the affricate sound. Beside this imitation there exist others largely without a lateral vocal element: Skt. cus*ati, Sp. chupar, Boh. cucati; but the affricates appear here just as well as there. Accordingly, essential for a more adequate imi-tition of sucking, i. e., more adequate than the one by means of fricatives, is the dental phonemic element which renders the movement of the front part of the tongue upwards and at least indicates the reverse movement of the tongue downwards at the point when the tongue returns to its initial position. That such movements of the tongue during sucking are distinctly perceived is demonstrated by further imitations in the set 5.16 with mere dentals; dhe(i)- and titta-, as well as by a parallel radical morpheme g'eid- with a dental sound appearing again. The role of the downward movements in the perception of sucking is still more obvious if we mention the occurences of nasal characteristics in the radical morphemes ma- and meu-, which agree with the imitations of chewing already discussed under 35, 41, and 44 and which render above all the movements of the velum downwards. Just as the phenomena of sucking, sipping, and drinking can, on the one hand, be rendered merely by fricative sounds, so, on the other hand, they may be imitated by mere dental and nasal plosives; and, at the same time, an active tendency to combine the two characteristics can be observed. 48. The use of affricates and generally the use of T elements in the imitations resides in the wish to emphasize the palatableness of sucking, sipping, or drinking — i. e., not only the passing of the liquid through the oral tract but also a possibly intensive tasting of that liquid; the feeling of the palatableness equalizes in the consciousness these phenomena with the phenomenon of tasting. In fact, we find in the imitations of tasting a variation of the S characteristic with the C or C characteristic, as well as the occurrence of bare T characteristics. In the synonymic set 15.31 taste 26 Božo Vodušek (vb. subj.) we get for instance 3 radical morphemes with S (smeg(h)-, sap-, and g'eus-), 4 radical morphemes with X (dek'-, teg-, ten-, and bheudh-), and 1 radical morpheme with NL (mels-). Of the nine roots taken into account the only root (ere-s-) that contains none of the sounds enumerated has a S characteristic in the extension; and of those not included in our statistical population there are two roots with the initial SW: swek- and swad-. Almost the same distribution is to be found in the remaining sets 15.32 to 15.34 which directly refer to tasting and taste. Since the C and C variants are not directly evident from the enumerated sets, a few words must be dedicated to them. In the concept group NARROW we get in the set 4.207 the radical morpheme smek-; but since, in addition to the meaning »jaw«, we find in this root the meanings »lip« and »palate«, it will — after the extensive discussion of the imitations of chewing and tasting — not appear strange if we regard this root but as a variant form of the root smeg(h)- with the same basic meaning »to taste«. This is suggested by the Slavic expressive variant of this root cmok- or lengthened cmak-, which appears in the meanings »eat noisily, champ«, »smack one,s lips«, and »kiss«; thus we get in Slovene cmokati and cmakati (Plet.* 1.85, 86), while in Ukrainian we have cmakaty and in the palatalized form cjamkaty [50], 187. These meanings precisely correspond to the identical meaning in the Lithuanian and Germanic root smeg(h)-, which is found in the synonymic sets 15.31 taste, 16.29 kiss, etc.; the same meanings were conveyed or continue to be conveyed by the English term »smack«. Russian has C in the place of C: cmokat' »smack one's lips«, »give smacking kisses«, and dialectically again the palatalized cmjakat' »smack one's lips«, »champ« (Vas. 3.344, 345). The etymological connection between the Slavic and the Germanic and Lithuanian terms is almost beyond doubt, as, in the Slavic languages, in addition to the expressive root form cmok-there is also a normal root form smok-, e. g., in Slov. smok »sap, pap, etc.«, smocen »sappy« (Plet* 2.519, 520); in Russ. smoktat' »to suck in«; and in Pol. smoktac, smokn^c »smack, eat or drink noisily« (Vas. 2.674). ChSl. smoky »fig« probably also belongs here, and there is no reason to assume a borrowing from a Germanic or any other language (Buck 5.75). Time and place do not permit a closer analysis of a further expressive variant with C or C for S. These are Slavic root forms cap-, cap- or cab-, cab- as parallels to the normal Indo-European root sap-, sab-. In these variants, direct meanings of tasting or sucking are rather rare, thus for instance in Ukr. cjapati »to nurse, to suckle« [50] 185 — but we get a broad range of meanings of overflowing moisture or splashing, transferred from the mouth to other organs of the human body, which exactly correspond to the meanings of German words containing the radical morpheme sap-, sab- (FaT 941). 49. There is one more group of synonymic • sets in the concept group SMELL, TASTE, SUCK which calls for special attention. These are 15.35 sweet, 15.36 salt (as quality), and 5.81 salt (as substance). In the set 15.35 we come * Plet. = M. Pleteršnik, Slovensko-nemški slovar, Ljubljana, 1894. 27 Lingüistica Xjl not only across two roots with SW (swek- and swad-) which combine the S characteristic with the labial characteristic W, but also in three of the remaining four roots across the L characteristic (sal-, mel-it, and dl*ku-, and in one across the nasal-dental characteristic NT (medhu-). In the sets 15.36 and 5.81 we have in each case two L characteristivs (sal- and leu-) and one S-U characteristic su-ro- respectively eus-; outside this sphere there remain only two R characteristics (gwher- and dhreu-). Although, owing to the small number of the occurring roots, it is not possible to calculate separately for this group of sets the significance of the numerical superiority of S and L in addition to that of W and U, their accummulation can hardly be due to a mere coincidence. Of the total 15 roots in all three sets there are 11 roots with either an L or an S characteristic; and still more important is the fact that these two phonemes are articulated at precisely those places where the taste buds for tasting sweet and salty are located. That »saliva« is the basic meaning of the root sal- and not »grey« (WP 2.453) is demonstrated by the many synonyms for saliva containing the root forms (s)lei-, (s)leu-, (s)leb-, sap-, sei-, and (s)p(h)yeu-, and the unknown root from the Grk. sialon in all likelihood also begins with S or T. If, on the other hand, we look at the phonemic distribution in the sets 15.37 bitter and 15.38 acid,. sour, among the total 20 roots there are as many as 9 which contain the K characteristic in .the root itself and 2 in the extension (reu-g-); and this number raises from 13 to 20 if for the Ir. serb »bitter« and NIr. searbh »bitter, sour« we accept Pedersen's etymology ksa- instead of Pokorny's swer-. Just as with S and L for sweet and salty, here again we come across an agreement between the perception of phonemes and the perception of the phenomena denoted: the phonemes of the type K (as well as of the uvular R) are articulated at the same place where the taste buds for the taste of bitter are located and in the vicinity of the area containing the taste buds for the taste of sour (43). But for a final reconstruction of the imitation processes which form the basis for the occurrence of central oral consonants in the terms for tasting and sucking or for palatable sipping and drinking, the most important fact is that in the corresponding roots we again come across T elements. Particularly significant is the root dl*ku- which appears in. the Greek and Latin synonyms for sweet. Under 47 and 48 we have established the combination of the elements TS, this time we find the combination of the elements TL. The role of T in this combination is identical to that of the affricates: T renders the movement of the front part of the tongue upwards and indicates the reverse movement of the tongue downwards. But what is the role of the lateral? This role for itself is identical with that found in the Baltic synonyms ciulpti, ciulpt for sucking: to denote the touch of the liquid, i. e., of saliva in our case, on the lateral edges of the tongue. But there is a considerable difference in the structure of the radical morpheme. This difference is twofold. First, there is no S here. Since S is articulated in the palato-lingual channel, imitating the transition of liquid or air, and since, on the contrary, L is articulated outside the palato-lingual channel on the edges and under the edges of the tongue, imitating only the transition of 28 Božo Vodušek the liquid, the representation of the liquid is more distinct in the production of the phonemic combination TL than in the production of the phonemic combination TS. Secondly, here L directly follows T and the special imitative value of the combination TL in contrast to T-S-L lies in this very circumstance. When discussing the N characteristics under 33 we could already see that the imitation process with the complex characteristic KN could only be understood if we assume that originally the two elements K and N directly followed one the other. Xn the interpretation of the affricate characteristics we came across the same circumstance: the imitative value of the affricates depends oh that in one articulatory movement the T element is followed by the S one. And this now recurrs in the direct sequence TL. 50. Just as in the sets 5.16 suck and 15.31 to 15.34 taste it is also in the set 15.35 sweet that we find the characteristic T without L — this time in the radical morpheme medhu-. Thus, if we go on tracing the established parallelism between TL and TS, we may establish that the T characteristic in medhu- stands in opposition to the complex characteristic TL in dl*ku-precisely in the same way as under 5.16 the T characteristic in dhe(i)- is opposed to the complex characteristic TS in Skt. cu- and as under 15.31 tenor tem- in Bret, tanva to the Suss, cmjakat' (see 48). And just as, in the set 5.16, we get additionally the simultaneous occurence of the characteristics TS and S in the roots cu- and seu-, so in the set 15.35 we get the simultaneous occurence of the characteristics TL and L in the radical morphemes dl*ku-and mel-it. The whole of the varying phonemic characteristics may be presented in the following way: under 5.16 and 15.31 TS: T: S, and under 15.35 TL : T : L. This has brought us very close to the final solution of the problem what imitation processes and what sounds are hidden behind the significant characteristics S, L, and T in our statistical material. If, for the imitations with affricates of the type TS, we might perhaps question the Indo-European or even pre-Indo-European origin, we cannot do this for the imitations with TL; the same direct phonemic combination appear for instance in the radical morpheme dhlas- »compress, squeeze«. The primary nature of the variation TL: T: L points to just the same primary nature of the parallel variation TS: T: S. The two variations have a common feature: the imitations with direct phonemic combinations TL and TS are more perfect than the imitations with mere T or mere L or S which render only partial movements of tasting and sucking and reproduce only one part of the tactile-proprioceptive perceptions called forth by the denoted phonema. This common feature of a greater perfection points, it appears, to an early origin of the imitations with complex characteristics since it is improbable that, in a later phase of the development of the language, the imitation should be more exact than in an earlier one. On the basis of the observation of historical development of sounds it is also much easier to assume a transition of direct phonemic combinations TL and TS into T, L, and S, than a reverse process. But for such a development of sounds — except for the transition of a secondary 29 Lingüistica Xjl affricate before a dental into S [31], 179 — there is no known instance in the Indo-European phonetics. This difficulty is overcome if we take the assumption that TS, T, and S are derived from dental and palatal and TL and L from lateral clicks or click-like sounds. In this case the development of the pre-Indo-European sounds can be reconstructed, the connection between the movements of nutrition and the movements imitating them becomes evident, and — what has not been mentioned so far but is of a most decisive importance — this explains the major part of the various meanings of the roots with central oral consonants the source of which would otherwise remain enigmatic. 51. In his study »The Evolution of Click Sounds in Some African Languages« R. Stopa demonstrates on copious material how a series of African languages have developed front and central oral consonants, formerly missing in these languages, from the so-called click-blocks, i e., from clusters of preceding clicks and following — ejective or injective or also expiratory — gutturals. Thus, for instance, the ejective t' has developed from the cluster of a dental click and ejective guttural plosives and affricates*, and the expiratory t from the cluster of a dental click and expiratory guttural plosives. The ejective s' and ts' have developed from the cluster of a dental click and the laryngeal affricate 'h, and the expiratory s and ts from the cluster of a dental click and the laryngal fricative h. Additionally, the expiratory ts has developed from the cluster of a dental click and the glottal catch, or from a dental click and plosive or affricate gutturals. Analogous phonemic combination of the palatal click have given ts', ts, and s. The development of the lateral click is especially interesting. It has led: in combination with the guttural ejective affricate to a lateral ejective affricate ** (n)tl'; in combination with the voiced g to a lateral voiced affricate (n)dl; in combination with the laryngeal voiceless h .to a lateral voiceless fricative hi; in combination with the velar nasal (in the pronunciation of the English ng) to a lateral voiced 1. The introductory n which comes up here is to be explained by the fact that the articulation of clicks is supported by an active closure of the velum towards the oral tract, and, therefore, in front of the clicks and their transformations there may also occur the production of a nasal [51] esp. 33—39, 12—13. In languages using clicks the role of the nasals is on the whole very great as, in the earliest stages of these languages, they represent the only consonant class beside the clicks and the various gutturals. All other kinds of sounds are in »statu nascendi«, have a very low frequency, and are mere allophones without a phonemic value of their own. These are the findings of R. Stopa in his second large study which we have already quoted [43] 437. We might add that the nasals occur also immediately after clicks and are, as regards these two different possibilities of position equal * ' behind the sound is here a sign of the ejective production of the sound i. e., of closed vocal chords and raised larynx in the production of the sound — and not as otherwise in the present study a sign of the palatal quality. ** The designation affricate for tl and dl is by R. Stopa. 30 Božo Vodušek with the vowels; while, on the contrary, gutturals can only follow clicks but not precede them. 52. It is not our purpose to transfer the conclusions arrived at in the study of African languages mechanically to the Indo-European languages. Irrespective of the fact that it is not known to us whether all the African scholars agree with the above exposition, merely with respect to the open question of the monogenesis or polygenesis of the languages of the world it is impossible to claim a genealogical connection between language phenomena in two topographically so widely separated areas. If we stopped a bit longer at the description of the development of African sounds this was done in order to point out the genuine possibility for the development of oral consonants from clicks or click-like sounds and — in spite of the distance between the languages — the surprising similarities in the final results. These similarities are evident from Table XV which was composed on the basis of the phonemic distribution of the concept group SMELL, TASTE, SUCK. Beside the significant phonemic characteristics in this group: S, SN, SL, NL, and TL, the Table brings other characteristics with the central oral consonants, and all these characteristics are illustrated with corresponding radical morphemes. The roots seu-, cu-, dhe(i)-, ma- are found under 5.16 suck; the roots smeg(h)-, nes- under 16.29 kiss; the roots dn*g'hu-, mel- under 4.26 tongue; the root (s)leig'h- under 4.59 lick; the root mels- under 15.31 taste; the root megh- under 9.98 try; the roots mel-it-, medhu-, dl*ku- under 15.35 sweet; the root leu- under 15.36 salty; the root melg'- under 5.86 milk; the root lat- -under 5.93 beer; the root las- under 16.62 desire; and the roots (s)na-, smel- under 15.21 smell. Many of these roots occur in several of the enumerated sets as well as in other synonymic sets, and the presented examples may therefore be considered representative. Of the roots included, the Slavic »expressive« root cmok- belongs to 16.29, the root lendh- because of the NIr. lionn »ale« to 5.53, and the root lem- because of the Lith. lemoti »long for« to 16.62. Although for »saliva« and for »leech« there are no synonymic sets in Buck's dictionary, the root sleu- in Icel. sludda »spit, mucus«, and the root demel- in Gr. dembleis (pi.) »leeches« naturally belong to our morpho--semantic area. To enable comparison with these radical morphemes Table XV first brings the linguistic transpositions of dental and alveolar clicks which speakers of modern Indo-European languages still use today in addition to their normal speech. Further, the Table gives some words for clicking and smacking noises. The terms smekk, cmok, mlask, schnalz, losk, lusk, tlesk, dlesk directly refer to (smacking one's lips and) clicking with the tongue, this being the basic meaning of all these terms. The English words lash and slash refer to sharp, whipping sounds. The real nature of these sounds is shown in whippoorwill, the name for an American bird allied to goatsucker (Caprimulgus); the sucking sound of this bird is identified with a whipping sound. The German dialect word schnuckes is one of the many synonyms for a. loud kiss, just as the English smack and the Slovene cmok. The Nor- TABLE XV* PHONEMIC CHARACTERISTICS NASALS NS N NK NLS NL ' NLK NT SIBILANTS S SN SNK SNL SL SLK AFFRICATES TS TSNK DENTALS TNK TNL LNT TLK T LIQUIDS LS NL-T LN L LK LT NASALS nes- SIBILANTS seu- AFFRICATES ču-DENTALS LIQUIDS las- SOME EXAMPLES OF RADICAL MORPHEMES mel- mâ- mégh-snâ- smeg(h) cmok-dn*g'hü- mels-smel« demel-mel-it- lendh-lem- sleu- leu- melg'-sleig'h- dl*ku-leig'h medhu- dhë(i)-lat- s «5 S SUBSTITUTIONS AND WORDS FOR CLICKING SOUNDS NTS!1 TS ¡2 TUTS!3 SMEKK4 MLASK7 CMOK5 SMELL8 SCHNUCKES6 SCHNALZ9 LASH1" LOSK11 LUSK12 SLASH13 TOH!16 DLESK14 TTT!17 TLESK15 TUT!18 Božo Vodušek wegian term smell has a fairly broad semantic range; it means »a smack, a slap, a bang, a crack, a flick«. Its origin is indicated by the fact that Old English has two related words: smiell — »a smack, a slap«, and smiellan — »to flick« whereas in Middle English and New English there are verbs and nouns from the root smel- in the meaning of smelling. As smelling and tasting are often rendered by the same words, an old meaning »smack one's lips and click with the tongue« emerges also in this case. 53. First to be underlined is the fact that the substitutions of the clicks and the terms for clicking sounds in the Indo-European languages contain, beside the optional nasal characteristics, the same phonemes and phonemic combinations which in African languages originated from clicks or rather combinations of clicks. The substitutions and the terms have been taken from the nearest, most accessible Germanic and Slavic languages, but they could be complemented by a broader material, especially by the corresponding Lithuanian interjections as found in the well known Leskien's study [54]. It is hardly to be believed that the .established agreement should be accidental. The second thing to be underlined is the fact that the phonemic structure of the substitutions for clicks and terms for clicking sounds is in exact agreement with the phonemic structure of the representative radical morphemes of the concept group SMELL, TASTE, SUCK. For this new agreement it is even more difficult to claim that it could be accidental. Everything is interconnected: the similarity of clicks to the movements and sounds of chewing, tasting, sucking, sipping, and drinking and their direct origin from these movements [51], 55; [43], 458, 466; [55], 241; the transition of clicks and their combinations into central oral phonemes in the accompaniment of nasals; the simultaneous occurrence of these phonemes in the substitutions and in the terms for clicking sounds, and also in the so-called »normal« Indo-European roots for chewing, tasting, sucking, sipping, and drinking. As regards the appearance of dental clicks in the chewing and tasting of solid food we may again direct attention to the experiment mentioned under 42; and the occurrence of lateral clicks beside the dental ones when tasting, sucking or sipping a liquid can be verified by the reader himself. Thus we can finally complement the imitative and genetic pattern, given under 50, and formulate it as follows: dental (or alveolar) and palatal clicks — TS: : T: S on the one side, and lateral clicks — TL: L on the other. * The radical morphemes in broad letters appear in the concept group SMELL, TASTE, SUCK. Of the six interjections which transcribe dental or alveolar clicks Nos 2, 3, 18 are English, No 1 is Russian, No 16 Italian, and No 17 French. Tut! and tuts! are reported by the Oxford English Dictionary, ts! is used by Th. Dreiser in his novel »An American Tragedy«, while the French ttt! is quoted by J. Vendryes [52], 13, and the Russian nts! by V. K. Nikolaiev and N. F. Jakovliev [53], 22. Among the words for clicking sounds there are — besides the two English verbal forms: lash and slash — substantives only which can be mostly used as interjections also. The Nos 4,8 are Norwegian, the Nos 6,9 German, and the Nos 5, 7, 11, 12, 14, 15 Slovenian. All of them are discused in the standard and etymological dictionaries; the German dialectal schnuekes is quoted by Kluge-Mitzka under the entry: Kuss. 3 — Linguistica 33 Lingüistica Xjl 54. Though we would like to avoid broad polemics with the opposing viewpoints called in question by our interpretation of the imitation processes hidden under the significant value of T, S, and L characteristics, we must at this stage point out more decidedly than so far the fundamental mistake in the usual conception of the onomatopoeias. The reason for this is that for almost all the terms from No 4 to No 15 in Table XV etymological dictionaries say that these are mere isolated onomato-poetic words in individual Indo-European languages and that they have no genetic relation with the Indo-European »normal« roots given above. If this were true, one of the essential links in the chain of our arguments would drop off, and the way from clicks to Indo-European roots would appear much less convincing. The fact is that so far scholars studying the etymology have misconceived the essence of the linguistic imitation in the roots declared by themselves as imitative ones, and have misunderstood their relation to the so-called normal. roots precisely because they are convinced that the only possible linguistic imitation is the acoustic imitation and in the particular assumed instances they have not objectively verified it. Under 14 we have already emphasized that it would be imperative — before a particular word is declared to be an imitative one — to examine objectively the similarity between the word and the phenomenon denoted by it, taking into account its determinedness by the system of the language to which it belongs [56], 152. If the word is declared as an acoustically imitative one, it would be imperative beforehand to prove its acoustic conformity. Unless the accoustic similarity has been objectively established it is not possible to claim that the word under consideration is acoustically imitative irrespective of the subjective impression. In this way one might demonstrate a certain acoustic similarity between a term containing an affricate, like the Slovene cmok, and a dental click accompanied by a nasal; it would be harder, though, to prove such a similarity for other terms in our table which contain beside nasals only T, S, and L. But it would be especially hard to prove — and here we are at the core of the problem — an acoustic similarity between the terms from No 4 to No 15 in Table XV and the phenomena of various blows denoted, by them. The acoustic spectra of the noises created by those blows would be probably sensibly different from the acoustic spectra of the corresponding terms and, on the basis of this alone the claim for acoustic imitation would have to be dismissed in these cases. It is obvious that, so far, such a verification has not been done, and until it has been done our rejection of subjective etymological assumptions remains justified. This practice, by the way, is based not only on subjective impressions which are certainly given — having their cause in the interdependence of sensations — but at least as much on wrong premises. In addition to the generally known attitude that in the language there is no intrinsic connection between sound and meaning, there exists also an old attitude (but specially elaborated by the neogrammarians in the last quarter of the previous century) that if, by way of exception, we get an instance of linguistic imitation, this is an acoustic imitation [25], 177, 182*. We cannot but look for a motive for 34 Božo Vodušek the consistent adoption of such a view. Since, in reality, the number of auditorily perceived phenomena is relatively small in comparison to the total number of the existing phenomena, it is in this way possible to withdraw the basic mass of the linguistic morphemes from the suspicion of the imitative origin — which would degrade the sense of human dignity obviously afflicted by the theory of evolution. But if such a subconscious argumentation of these attitude was understandable a hundred years ago, holding on to * it today is in opposition to the generally accepted theory of evolution. Saussure's comparison of the language to an artificial coding system in which the signs are merely externally related to the content certainly represented a fresh impulse for the linguistics in the encounter with the technical examination of communication. Nevertheless a complete identification of language with an artificial coding system is wrong at its present stage already; and it is all the more wrong for the language as such and particularly for its beginnings. We feel certain that the results of the structuralist studies can be very well combined with the results of the studies concerning the intrinsic connection between sound and meaning if we admit that both, the element of the external, i. e., the younger, connection as well as the element of the intrinsic, i.e., the older, connection between sound and meaning continue to be present in the human speech even today. In the present study our attention has been concentrated on the older, intrinsic connection between the linguistic sign and its content, on the physiological explanation of such a connection and on its genesis. This cannot come in the first place from the listener, it, on the contrary, comes from the speaker — not merely from man's auditory perceptions but from his total perceptive faculties and his total sensual and emotional inner world. A whole series of arguments and. sources has been mentioned here to demonstrate' the great role played in man's experience of the reality by the tactile and proprioceptive senses, which are twofold perceptions [22], 29, and directly relate man' s inner and external world. Let us additionally quote the opinion of the well known writer and philosopher J. P. Sartre as stated in one of his philosophical-scientific works. When he speaks about the closest connection of the kinaesthetic and tactile perceptions with the visual and auditory ones, he says: »We think that the 'visual' and the 'auditive' human types are only people who are not capable of good self-observation and who have not recognized the right word for the visual or auditive image which is movement.« And at another point he says: »Thus a few years ago, when we tried to imagine a swing moving here and there, we had a distinct feeling that we were softly moving our eyeballs. Then we tried to imagine the moving swing once again and this time to keep our eyeballs immobile. We forced our look to be fixed at the number of a page in a book. This time the following happened: either our eyes started moving despite our wish, or it was not possible in any way for us to imagine the swing moving [57], 112, 108. * Also where a parallel articulatory imitation is admitted as, e. g., with the roots pu-, kap- etc. this imitation is considered to be subordinated to the acoustic one. 35 Lingüistica Xjl What has been established about the mutual relation between the visual and tactile-proprioceptive perceptions and images — namely that, especially when referring to the phenomena of movement, they are indissolubly connected — applies just as well to the mutual relation between the auditory and tactile-proprioceptive perceptions and images. The auditory perceptions of one's own chewing, tasting, sucking etc., as well as of the clicks and other phonemes symbolizing this, depend on the perceptions of the movements and touches that occur — and the same dependence exists on the level of images. On the basis of exact experiments with doves the Italian physiologist P. Tullio has arrived to the conclusion that any acoustic impulse — no matter where it comes from, hence not necessarily from the producer of this stimulus — stimulates at the same time the auditory sense organs in the labyrinth of the inner ear and the organs for spatial orientation in the vestibule which make an exact analysis of the sound as to its direction, height, and intensity; all these qualities call forth reflex movements of adequate duration, amplitude "and intensity in various parts of the body. The same is true of the optic and tactile stimuli which in the same way give rise to corresponding motor responses in the body. Tullio claims that speech sounds and human speech result from such reflex movements [48], 258; [22], 70. No matter how much this physiological thesis may appear simple and attractive we are not qualified to pronounce a final judgement on it, and also we need not go as far. The possibility that the imitations are either conscious from J. P. Sartre's stand-point, or reflex, from P. Tullio's stand-point, does not affect the final result. For the explanation of the imitation processes dealt with it is sufficient to proceed from the speaker (15) and assume a direct transfer of the tactile and proprioceptive perceptions into the brain centres. P. Tullio's view has been quoted to show that , there exists a supposition of an even closer mutual connection between the tactile-proprioceptive and auditory perceptions than it is necessary to give a satisfactory interpretation of our statistical significancies. 56. Probably nowhere in our statistical material the predominance of the motion element over the acoustic one is as obvious as in the significant characteristics containing X, S, and L. The decisive priority which clicks have in the imitation of the movements of nutrition lies in this that their articulation is in principle turned downwards and inwards [43], 346, 348—50; [55], 242, and in this way precisely corresponds to the most typical movements in chewing, tasting, sucking, etc., which go downwards and backwards; in the same two directions move also food and liquids through the oral tract. The tongue and the lower jaw move downwards and backwards, and downwards and backwards moves at the same time the velum. At the imitations by affricates the backwards direction is left out and replaced by the forward one; it is only the downward direction that is indicated. Only if affricates are articulated with inspiration, the backward direction is preserved; in this case it is also the auditory impression which is considerably closer to the auditory impression of clicks and natural noises during feeding. If in the 36 Bozo Vodusek imitation an affricate is replaced by T, the movement downwards remains indicated, and auditorily the imitation is better again when T is articulated with inspiration. The imitations with S and L contain merely the tactile sensation of the air moving along the palato-lingual channel or along the edges of the tongue at the floor of the mouth; here, too, with inspiratory articulation the auditory articulation is more adequate and the tactile sensation which records the passing of the air inwards is similar to the proprioceptive sensation of the sucking movement inwards. We can see how important for the faithfulness of the imitation are the articulatory directions in the organs of speech. It seems to be certain that the mental conditions for the articulatory imitation of chewing, tasting, sucking etc. in the same directions preceded the conditions for imitations with inverted articulatory directions. But also when the imitated and the imitating movements agree in their directions the completeness of agreement is decisive. Thus with the inspiratory imitation the direction downwards is indicated only, while with the clicking imitation this direction is clearly pointed out, and therefore the clicking imitation is a more faithful one and in all likelihood genetically prior to the inspiratory articulation. That in the distant pre-Indo-European period there existed a phonemic prototype of the Indo-European T, S, and L, which in its articulation and in its natural meaning contained a shift downwards and backwards, follows most clearly from a comparative semantic analysis of the terms for clicking sounds in Indo-European languages and of the analysis of »normal« Indo-European roots — those in Table XV and the corresponding homonymous and ho-meophonic roots. Homonymous are radical morphemes which have precisely identical phonemic characteristics and morphemic structure, and homeo-phonic are radical morphemes which have characteristics of the same phonemic type and a similar morphemic structure. With the terms for clicking sounds and with the »normal« Indo-European roots having the same phonemic characteristics we find in a mutual promiscuity oral meanings and the meanings »strike«, »fall« and »press down« — very often in a characteristic connection with moisture — which have their source in the movement and feeling: downwards; on the other hand the meanings »draw«, »sweep«, »wipe«, »slide«, »slip« which have their source in the movement and feeling: backwards or towards oneself; also the meanings »get slack«, »slide down« which have their source in both movements: downwards and backwards; and finally the meanings »dangle«, »hang«, »swing«, »totter«, »rock«, »move to and fro« which have their source in the repeated movement backwards. The fact that we find the same typical meanings in the so-called acoustic onomatopoeias in individual languages — which should represent more or less independent imitations — and in the »normal«, supposedly non-imitative Indo-European roots raises, in view of the identical phonemic characteristics, a justified suspicion of their actual isolatedness. We do not mean that all the terms for clicking sounds in Table XV are etymologically related just to the Indo-European roots in the same vertical line; the table was not arranged with that aim. But is appears highly probable that these 37 Lingüistica Xjl terms are consistently related to homonymous or homeophonic Indo-European roots. This essential conclusion which follows from the comparative semantic analysis is joined by another which is decisive for the genetic evaluation of the one and the other category discussed. The promiscuity of the meanings of the terms for clicking sounds and of the »normal« Indo-European roots has a correspondence in the promiscuity of the simultaneous occurences of the phonemic characteristics T, S, and L for the same meanings. Thus we find the phonemic characteristic T, for instance, which does not contain the articulatory movement backwards, also for the meaning »draw«, and the phonemic characteristics S and L, which do not contain the articulatory movement downwards, also for the meaning »strike«. Such occurences of the meanings can be explained only through an original phonemic prototype containing both articulatory movements downwards and backwards. 57. It is quite impossible, within the scope of our explanation which has already reached beyond the anticipated size, to make a detailed semantic and etymogogical analysis of the terms and roots from Table XV. This has been done only to the extent that was necessary for an understanding of the morpho-semantic correlations occuring in our statistical material. A linguistically educated reader will for himself be able to control the correctness of our statements in etymological and other dictionaries. An exhaustive treatment of all Indo-European vocabulary belonging here has to be preserved for some other time, since we must proceed now to supply an explanation still missing for some of the statistically established signifi-cancies. First of all, we can now find a correct explanation of the imitation pattern for the phonemic characteristic SN which we came across in the concept group NARROW (34); the explanation according to which SN — beside the movement of the velum downwards when tasting — can also denote the closure against the nasal tract in the meaning of »narrowness«, cannot be maintained. In this case again the imitative value of SN relies on the perception of a closure against the oral tract, that is of a closure which takes place when sucking. With sucking the velum comes to stick to the back part of the tongue, and at the same time with strong sucking the pharyngeal muscles pressing the pharynx together are participating: this is why in the pharynx we get a feeling of narrowness, and this is the basis for the corresponding meaning of the phonemic characteristic SN. In this phonemic characteristic S is the successor to the dental click and has no auditory but merely a proprioceptive value, since with real sucking — in opposition to sipping — there is no fricative S noise to be heard. This is also the origin of S in the meaning »strike, smite« which appears in the same complex characteristic SN. The oral meaning of »taste« of the characteristic SN which gives significance in the concept group SMELL, TASTE, SUCK is — as it has been stressed under 34 — virtually identical with the meaning of »strike« and is based on the perception of a simultaneous movement of the tongue and of the velum downwards. And since, with feeding, tasting 38 Bozo Vodusek is consistently bound up with smelling, the SN characteristic finally stands also for smelling, only that in this case the N element of the characteristic renders above all the passing of the inspired air through the nasal tract. An unimpeded inspiration of the air through the nose (36) is possibly also a tactile-proprioceptive basis for the meaning »smooth«, to be found under 15.77 smooth with the SN characteristic as well as with the mere N characteristic. Yet the latter meaning appearing in the radical morphemes sem-, mei-, nei-, yem- more likely relies on the perception of a smooth passing of the food through the pharyngo-palatal arch (isthmus faucium) which was under 35 supposed as the imitative basis for the NN phonemic characteristic. The above radical morphemes, where the meaning »smooth« is given, may toe added by other roots with the same characteristics: sme- in Icel. smeikr (P 966), mel-, smel- in OE smolt, Du. dial, smout, etc. (P 716—718, Pat 1084), and by unidentified roots in Icel. snoggr, Dan. dial. sn