{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-ZUVEJ5D6/50ed4ed7-6a29-498a-b62e-c842c1bfd48f/PDF","dcterms:extent":"2176 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-ZUVEJ5D6/9edc22d1-4fe8-4598-b484-124fdb6a3ae5/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-ZUVEJ5D6","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2025","dc:creator":"Milohnić, Aldo","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:13"},{"@xml:lang":"sl","#text":"str. 192-221"}],"dc:identifier":["DOI:10.51937/Amfiteater-2025-1/192-221","ISSN:1855-4539","COBISSID_HOST:240529667","URN:URN:NBN:SI:doc-ZUVEJ5D6"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"= University of Ljubljana Press"},"dc:subject":[{"@xml:lang":"en","#text":"avant-garde theatre"},{"@xml:lang":"sl","#text":"avantgardno gledališče"},{"@xml:lang":"sl","#text":"Enrico Prampolini"},{"@xml:lang":"en","#text":"Futurism"},{"@xml:lang":"en","#text":"Futurist Pantomime Theatre"},{"@xml:lang":"sl","#text":"futurizem"},{"@xml:lang":"sl","#text":"Gledališče futuristične pantomime"},{"@xml:lang":"sl","#text":"Lidija Wisiak"},{"@xml:lang":"sl","#text":"Václav Vlček"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Gledališče futuristične pantomime in Prampolinijevo sodelovanje s plesnim parom Vlčel-Wisak|"},"dc:description":[{"@xml:lang":"sl","#text":"In the introductory part of the article, the author highlights some elements of the performing arts that are often connected in Futurist manifestos and performances and interact as building blocks of their discursive-visual events: the deconstruction of dramatic character, the mechanisation of the performer, and the staging space. The author pays special attention to Enrico Prampolini, one of the most penetrating visual artists of Italian Futurism, who often created set designs in the theatre, occasionally also directed and, in the 1920s and 1930s, collaborated with numerous prominent representatives of the avant-garde movements of the time throughout Europe. The core of the author’s research interest in this article is the Futurist Pantomime Theatre (Théâtre de la Pantomime Futuriste), which, despite all the difficulties and compromises, was an exceptional achievement in the creative oeuvre of Enrico Prampolini and his collaborators. Among them were the pioneers of Slovenian dance art, Václav Vlček and Lidija Wisiak, who performed in the leading roles at the Futurist Pantomime Theatre in Paris in 1927 and the following year in some Italian cities. This brief but important collaboration between the Czech–Slovenian artistic tandem and two other ballet soloists from Ljubljana (Erna Mohar and Vali Smerkolj) with Enrico Prampolini has been almost completely ignored in Slovenian theatre historiography. Therefore, the author has attempted to shed light on the achievements of this collaboration between Italian, Slovenian and other theatre artists in the period of the historical avant-garde"},{"@xml:lang":"sl","#text":"V uvodnem delu prispevka avtor izpostavi nekatere elemente scenskih umetnosti, ki so v futurističnih manifestih in performansih pogosto povezani in součinkujejo kot gradniki diskurzivno-vizualnih dogodkov: dekonstrukcijo dramskega lika, mehanizacijo performerja in uprizoritveni prostor. Avtor nameni posebno pozornost Enricu Prampoliniju, enemu izmed najprodornejših vizualnih umetnikov italijanskega futurizma, ki se je ukvarjal s scenografskim delom v gledališču, občasno tudi režiral ter v dvajsetih in tridesetih letih 20. stoletja sodeloval s številnimi prominentnimi predstavniki takratnih avantgardnih gibanj po vsej Evropi. Jedro avtorjevega raziskovalnega zanimanja v tem prispevku je Gledališče futuristične pantomime, ki je bilo, kljub vsem težavam in kompromisom, izjemen dosežek v ustvarjalnem opusu Enrica Prampolinija in njegovih sodelavcev in sodelavk. Med njimi sta bila tudi začetnika slovenske plesne umetnosti Václav Vlček in Lidija Wisiak, ki sta nastopila v izpostavljenih vlogah v Gledališču futuristične pantomime leta 1927 v Parizu in naslednje leto v nekaterih italijanskih mestih. To sicer kratko, pa vendar pomembno sodelovanje češko-slovenskega umetniškega tandema in še dveh baletnih solistk iz Ljubljane (Erna Mohar in Vali Smerkolj) z Enricom Prampolinijem je bilo v slovenski gledališki historiografiji skoraj povsem prezrto, zato je avtor poskusil s svojo raziskavo osvetliti in orisati dosežke tega sodelovanja med italijanskimi, slovenskimi in drugimi gledališkimi umetniki v obdobju zgodovinskih avantgard"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-ZUVEJ5D6","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-ZUVEJ5D6"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-ZUVEJ5D6/50ed4ed7-6a29-498a-b62e-c842c1bfd48f/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-ZUVEJ5D6/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-ZUVEJ5D6"}}}}