<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ZKQTFPEA/28d50e9d-dabd-46e6-8ed8-194a3d8edff1/PDF"><dcterms:extent>157 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ZKQTFPEA/5453908b-46e3-4ecb-85f7-cea83034f79c/TEXT"><dcterms:extent>44 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1994-2024"><edm:begin xml:lang="en">1994</edm:begin><edm:end xml:lang="en">2024</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-ZKQTFPEA"><edm:isNextInSequence rdf:resource="https://www.dlib.si/details/URN:NBN:SI:doc-NFHYYW6D" /><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TQH6JN7K" /><dcterms:issued>2006</dcterms:issued><dc:creator>James, Beverly Ann</dc:creator><dc:format xml:lang="sl">letnik:13</dc:format><dc:format xml:lang="sl">številka:3</dc:format><dc:format xml:lang="sl">str. 17-28</dc:format><dc:identifier>ISSN:1318-3222</dc:identifier><dc:identifier>COBISSID:25543005</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-ZKQTFPEA</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Evropski inštitut za komuniciranje in kulturo</dc:publisher><dcterms:isPartOf xml:lang="sl">Javnost (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">20.st.</dc:subject><dc:subject xml:lang="sl">civilizacija</dc:subject><dc:subject xml:lang="en">civilization</dc:subject><dc:subject xml:lang="en">Das Kapital</dc:subject><dc:subject xml:lang="sl">Herbert, Marcuse, 1898-1979</dc:subject><dc:subject xml:lang="sl">industrijska družba</dc:subject><dc:subject xml:lang="sl">kapital</dc:subject><dc:subject xml:lang="sl">potrošništvo</dc:subject><dc:subject xml:lang="sl">socialna filozofija</dc:subject><dc:subject xml:lang="sl">sociološke teorije</dc:subject><dc:subject xml:lang="sl">vrednote</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q89640" /><dcterms:temporal rdf:resource="1994-2024" /><dc:title xml:lang="sl">Teaching Marcuse|</dc:title><dc:description xml:lang="sl">Herbert Marcuse's 1964 classic, One-Dimensional Man, was required reading for that generation of scholars who came of age intellectually in the era epitomised by 1968. The most widely read of Marcuse's sixteen major books, One-Dimensional Man led the New York Times to identify Marcuse as "the foremost literary symbol of the New Left." Over the decades, however, with the dumbing down of American higher education and the commodification of learning, Marcuse fell out of favour. This article argues that One-DimensionalMan is highly relevant to the current generation of students and provides them with theoretical concepts for understanding contemporary problems. The trends Marcuse described in the 1960s have accelerated, so that his basic arguments are more relevant than ever for courses in news, advertising, and contemporary culture. Marcuse relies heavily on examples to advance his arguments, and this article demonstrates for his illustrations can easily be brought up to date. Following the author's background notes on Marcuse and basic Marxist concepts, the article identifies five suggestive themes that can be drawn from the text to consider contemporary problems: true versus false needs, lack of class consciousness, alliance between government and business, militarism, and authoritarian language</dc:description><dc:description xml:lang="sl">Marcusejevo klasično delo Enodimenzionalni človek (1964) je bila obvezna literatura generacije študentov, ki jih je intelektualno zaznamovalo leto 1968. Zaradi njegovega najbolj branega dela je New York Times označil Marcuseja za "najodličnejši literarni simbol nove levice". V kasnejših desetletjih sta zaton ameriškega univerzitetnega študiaj in s poblagovljenje izobraževanja Marcusejevo priljubljenost močno zmanjšala. Članek ugotavlja, daje Enodimenzionalni človek zelo relevanten za sodobno generacijo študentov, ker daje teoretske pojme pomembne za razumevanje sodobnih problemov. Trendi, ki jih je Marcuse opisoval v šestdesetih letih, so se pospešeno nadaljevali, tako da so njegovi ključni argumenti bolj relevantni kot kdajkoli, ko gre za študij novinarstva, oglaševanja in kulture. Marcuse navaja številne primer v prid svojim argumentom in članek kaže, da je njegove ilustracije zlahka mogoče posodobiti. Članek predlaga pet osnovnih tem, ki so posebej relevatne za sodobne razmere: prave in neprave potrebe, odsotnost razredne zavesti, zavezništvo politične oblasti in kapitala, militarizem ter avtoritarni jezik</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-ZKQTFPEA"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-ZKQTFPEA" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-ZKQTFPEA/28d50e9d-dabd-46e6-8ed8-194a3d8edff1/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Evropski inštitut za komuniciranje in kulturo - EURICOM</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-ZKQTFPEA/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-ZKQTFPEA" /></ore:Aggregation></rdf:RDF>