<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-ZJIIKRBG</identifier><date>2010</date><creator>Frago, Marta</creator><creator>La Porte, Teresa</creator><creator>Phalen, Patricia</creator><relation>documents/doc/Z/URN_NBN_SI_doc-ZJIIKRBG_001.pdf</relation><relation>documents/doc/Z/URN_NBN_SI_doc-ZJIIKRBG_001.txt</relation><format format_type="volume">17</format><format format_type="issue">3</format><format format_type="type">article</format><format format_type="extent">str. 57-70</format><identifier identifier_type="ISSN">1318-3222</identifier><identifier identifier_type="COBISSID">29851741</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ZJIIKRBG</identifier><language>eng</language><publisher>Evropski inštitut za komuniciranje in kulturo</publisher><source>Javnost (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">filmi</subject><subject language_type_id="slv">teroristični napadi</subject><subject language_type_id="slv">terorizem</subject><subject language_type_id="eng">United States of America</subject><subject language_type_id="slv">ZDA</subject><title>independent voice or official interpretation?</title><title>The narrative reconstruction of 9/11 in Hollywood films</title></Record>