<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ZCTYX4Z1/109687c1-b867-4b85-8b81-5e2580963e76/PDF"><dcterms:extent>1152 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ZCTYX4Z1/e708182a-4063-4d8b-8cc0-be51608f8bf7/TEXT"><dcterms:extent>55 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-ZCTYX4Z1"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-ETPSIC7M" /><dcterms:issued>2013</dcterms:issued><dc:creator>Adam, Alja</dc:creator><dc:format xml:lang="sl">številka:3/4</dc:format><dc:format xml:lang="sl">letnik:50</dc:format><dc:format xml:lang="sl">str. 482-502, 684</dc:format><dc:identifier>ISSN:0040-3598</dc:identifier><dc:identifier>URN:0040-3598</dc:identifier><dc:identifier>COBISSID:32131933</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Fakulteta za sociologijo, politične vede in novinarstvo v Ljubljani</dc:publisher><dcterms:isPartOf xml:lang="sl">Teorija in praksa</dcterms:isPartOf><dc:subject xml:lang="en">Creative ability</dc:subject><dc:subject xml:lang="en">Gender inequality</dc:subject><dc:subject xml:lang="en">Innovations</dc:subject><dc:subject xml:lang="sl">Inovacije</dc:subject><dc:subject xml:lang="sl">inovatorstvo</dc:subject><dc:subject xml:lang="sl">položaj žensk</dc:subject><dc:subject xml:lang="en">Slovenia</dc:subject><dc:subject xml:lang="sl">Slovenija</dc:subject><dc:subject xml:lang="sl">Spolna neenakost</dc:subject><dc:subject xml:lang="sl">Ustvarjalnost</dc:subject><dc:subject xml:lang="en">woman</dc:subject><dc:subject xml:lang="sl">ženske</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">Koncept kreativnosti, neenakost spolov in položaj inovatork v Sloveniji|</dc:title><dc:description xml:lang="sl">The article deals with an analysis of the concept of creativity in relation to the gender perspective, and focuses on the relationship between creativity and innovation by drawing attention to the women who work in Slovenia as independent innovators. In the first part of the text, I introduce the theory of the anthropologist Liepa, which establishes a parallel between creativity and inventorship, and I illuminate the concept of "improvisational creativity" presented by Hallam and Ingold. In the second part of the text, I introduce an analysis of the interviews made with the innovators and point out why the definition of creativity, which is connected to the relationship between innovation/technology, is unsuitable for conceptualising the position of women. The article addresses the concept of "improvisation" as an epistemological model through which we can reinterpret gender roles and relations in a positive and creative way</dc:description><dc:description xml:lang="sl">V članku se ukvarjam z analizo pojma kreativnost v navezavi na spolno perspektivo, pri tem pa upoštevam relacijo med ustvarjalnostjo in inovacijo ter usmerjam pozornost k ženskam, ki v Sloveniji delujejo kot samostojne inovatorke. Predstavim teorijo antropologa Liepa, ki vzpostavlja vzporednico med kreativnostjo in izumiteljstvom, ter osvetlim koncept "improvizacijske kreativnosti", o katerem govorita Hallam in Ingold. V drugem delu predstavim analizo intervjujev, ki sem jih opravila z inovatorkami, in utemeljim, zakaj definicija kreativnosti, ki se veže na relacijo inovacija/tehnologija, ni primerna za koncipiranje ženskega položaja. Spregovorim o pojmu "improvizacije" kot o epistemološkem modelu, skozi katerega je mogoče na pozitiven, odprt in ustvarjalen način na novo interpretirati spolne vloge in odnos med spoloma</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-ZCTYX4Z1"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-ZCTYX4Z1" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-ZCTYX4Z1/109687c1-b867-4b85-8b81-5e2580963e76/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Fakulteta za družbene vede</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-ZCTYX4Z1/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-ZCTYX4Z1" /></ore:Aggregation></rdf:RDF>