<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-YSPVXO3K</identifier><date>2017</date><creator>Bogataj, Matej</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YSPVXO3K_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YSPVXO3K_001.txt</relation><format format_type="issue">10</format><format format_type="volume">81</format><format format_type="type">article</format><format format_type="extent">str. 1496-1503</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID_HOST">4386907</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YSPVXO3K</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="slv">Barufe</subject><subject language_type_id="slv">Goldoni, Carlo, Lucić, Predrag</subject><subject language_type_id="slv">koprodukcija</subject><subject language_type_id="slv">Möderndorfer, Vinko</subject><subject language_type_id="slv">PG Kranj</subject><subject language_type_id="slv">slovensko gledališče</subject><subject language_type_id="slv">Tri ženske</subject><subject language_type_id="slv">uprizoritve</subject><title>Delitve in (občasne) pomiritve</title></Record>