{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-YR2K8FZ5/8ed0dfe0-e260-4d1f-81f8-41bc66463f09/PDF","dcterms:extent":"222 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-YR2K8FZ5/d8cbbf5e-220e-4b4d-b07f-d3b931d99050/TEXT","dcterms:extent":"45 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-YR2K8FZ5","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2020","dc:creator":"Monteverdi, Anna Maria","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:8"},{"@xml:lang":"sl","#text":"str. 16-37"}],"dc:identifier":["ISSN:1855-4539","COBISSID_HOST:49934339","URN:URN:NBN:SI:doc-YR2K8FZ5"],"dc:language":"en","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"},{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"}],"dc:subject":[{"@xml:lang":"sl","#text":"Dumb Type"},{"@xml:lang":"sl","#text":"Giorgio Barberio Corsetti"},{"@xml:lang":"sl","#text":"gledališče podob"},{"@xml:lang":"sl","#text":"Motus"},{"@xml:lang":"sl","#text":"Robert Lepage"},{"@xml:lang":"sl","#text":"The Builders Association"},{"@xml:lang":"en","#text":"Theatre of images"},{"@xml:lang":"en","#text":"video mapping"},{"@xml:lang":"en","#text":"video theatre"},{"@xml:lang":"sl","#text":"videogledališče"},{"@xml:lang":"sl","#text":"videomapiranje"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"The new formats of the multimedia theatre|"},"dc:description":[{"@xml:lang":"sl","#text":"In this article, the author aims to provide a brief overview of the relationship between theatre and media, starting from the period of the \"Theatre of Images\" to the present day, with a particular focus on video theatre in Italy during the 1980s, that is, the rise of the alleged \"second wave\" of the experimental theatre and its protagonists (Barberio Corsetti/ Studio Azzurro, Mario Martone). She explores the implementation of projected moving images in theatre from the film-theatre of Josef Svoboda to the recent experiments with video mapping and techno-immersion on stage. In the continuation, she examines the role of technology and communication via computers, in reference to their influence in society and their effects on social interactions. Through important political examples given by The Builders Association, she notes what is interesting in their works: the extraordinary capacity to dramatise some concepts that until now have been dealt with in essays on the sociology of media, that is, the New Public Space, the Panoptic, the New Connective Subjectivity, the Culture of \"Real Virtuality\". Key concepts, such as dislocation and deterritorialisation, presence and ubiquity, take, in fact, the shape of a powerful \"mediaturgy\". The ancient style scene, inhabited by backdrop videos projected on a mechanical stage with mobile platforms, is characteristic of the theatre of Robert Lepage, director, actor and filmmaker from Canada, to whom she dedicates a paragraph as the undisputed protagonist of the multimedia theatre. His concept of a flexible, mechanised performance space is similar to Gordon Craig's idea of using neutral, mobile, non-representational screens as a staging device"},{"@xml:lang":"sl","#text":"Razprava podaja kratek pregled in analizo razmerja med gledališčem in avdiovizualnimi mediji, ki se je začelo z gledališčem podob in je aktualno še danes. Posebej se osredotoča na video v italijanskem gledališču osemdesetih let z vzponom t. i. drugega vala eksperimentalnih gledališč, ki so ga zaznamovali Barberio Corsetti/Studio Azzurro in Mario Martone. Raziskuje uporabo živih slik od filmskega gledališča Josefa Svobode do nedavnih eksperimentov z videomapiranjem in tehnološko potopitvijo na odru. Nadalje analizira vpliv tehnologije in s tehnologijo podprte komunikacije na družbene odnose s pomočjo političnih primerov skupine The Builders Association. Pri teh je zanimivo, da uspejo postaviti na oder nekatera vprašanja, ki so bila do sedaj predstavljena le v okviru raziskav sociologije medijev, tu mislimo na pojme, kot so novi javni prostor, panoptika, nova povezujoča subjektiviteta, kultura resnične virtualnosti. Ključni koncepti, kakršni so dislokacija in deteritorializacija, prisotnost in razpršenost, namreč v sebi nosijo močno medijsko dramaturgijo. Tradicionalna scena, pri kateri se video projicira z zadnje stene na mehanični oder z različnimi mobilnimi igralnimi ploskvami, je značilna za gledališče Roberta Lepagea, kanadskega režiserja, igralca in filmarja, enega osrednjih akterjev večmedijskega gledališča. Njegov koncept fleksibilne, mehanizirane uprizoritve pa se navdihuje pri Gordonu Craigu in njegovi ideji o uporabi nevtralnih mobilnih zaslonov kot odrskega elementa"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-YR2K8FZ5","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-YR2K8FZ5"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-YR2K8FZ5/8ed0dfe0-e260-4d1f-81f8-41bc66463f09/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-YR2K8FZ5/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-YR2K8FZ5"}}}}