<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-YQP8KUHN</identifier><date>2014</date><creator>Ženko, Ernest</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YQP8KUHN_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YQP8KUHN_001.txt</relation><format format_type="issue">2</format><format format_type="volume">35</format><format format_type="type">article</format><format format_type="extent">str. 219-237, 337-338</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">37935661</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YQP8KUHN</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="slv">"Persona"</subject><subject language_type_id="slv">Bergman, Ingmar, 1918-2007</subject><subject language_type_id="eng">film</subject><subject language_type_id="slv">filmska teorija</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="eng">modernism</subject><subject language_type_id="slv">modernizem</subject><subject language_type_id="eng">philosophy of art</subject><subject language_type_id="eng">theory of film</subject><title>Ingmar Bergman's Persona as a modernist example of media determinism</title></Record>