<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-YQCRGIZJ</identifier><date>2008</date><creator>Zatkalik, Miloš</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YQCRGIZJ_001.htm</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YQCRGIZJ_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YQCRGIZJ_001.txt</relation><format format_type="issue">2</format><format format_type="volume">44</format><format format_type="type">article</format><format format_type="extent">str. 69-86</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">38199906</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YQCRGIZJ</identifier><language>eng</language><publisher>Filozofska fakulteta, Oddelek za muzikologijo</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">agregat</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">note</subject><title>Mar so toni izgubili orientacijo?</title><title>The aggregate or have the notes lost orientation?</title></Record>