<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-YJZNIGXP</identifier><date>2017</date><creator>Abram, Sandi</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YJZNIGXP_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YJZNIGXP_001.txt</relation><format format_type="issue">270</format><format format_type="volume">45</format><format format_type="type">article</format><format format_type="extent">str. 17-31</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">296650752</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YJZNIGXP</identifier><language>slv</language><publisher>Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">družbeni centri</subject><subject language_type_id="slv">kulturna središča</subject><subject language_type_id="slv">Ljubljana</subject><subject language_type_id="slv">Tovarna Rog</subject><subject language_type_id="slv">urbana sociologija</subject><subject language_type_id="slv">urbani prostor</subject><title>Samonikla kreativna fabrika v času neoliberalne mašine kreativnih industrij</title></Record>