{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/c5046568-74a4-48db-b116-666f28d62085/PDF","dcterms:extent":"242 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/373bcf6e-ea71-4cb2-b4f9-e3c1a4d3440a/TEXT","dcterms:extent":"36 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/4283e34a-5845-4727-b9e2-a27a36d938ea/PDF","dcterms:extent":"377 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/bdc93807-989c-4968-b93b-685ed91e6770/TEXT","dcterms:extent":"36 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-YIHYS1MM","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2024","dc:creator":"Čale Feldman, Lada","dc:contributor":"Vojevec, Jaka A.","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:12"},{"@xml:lang":"sl","#text":"str. 14-26, 28-40"}],"dc:identifier":["DOI:10.51937/Amfiteater-2024-1/14-40","ISSN:1855-4539","COBISSID_HOST:200254211","URN:URN:NBN:SI:doc-YIHYS1MM"],"dc:language":["en","sl"],"dc:publisher":{"@xml:lang":"sl","#text":"= University of Ljubljana Press"},"dc:subject":[{"@xml:lang":"en","#text":"acting"},{"@xml:lang":"sl","#text":"Alceste a bicyclette"},{"@xml:lang":"sl","#text":"gledališče v filmu"},{"@xml:lang":"sl","#text":"igralstvo"},{"@xml:lang":"sl","#text":"Le Misanthrope"},{"@xml:lang":"sl","#text":"Moliere, Jean Baptiste Poquelin"},{"@xml:lang":"sl","#text":"slv"},{"@xml:lang":"en","#text":"theatre-within-film"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Alceste a bicyclette in Molierova melanholična komedija - pomladitev ali pokop| Alceste a bicyclette and Moliere's melanholic comedy| a rejuvenation or a turn off?|"},"dc:description":[{"@xml:lang":"sl","#text":"The paper discusses Philippe le Guay’s film Alceste a bicyclette (2013) through the lenses of the historical controversy generated by the pressure to choose between the two main characters of Moliere’s Le Misanthrope – Alceste and Philinte – as incarnations of two radically different temperaments and moral attitudes. Besides its obvious intertextual links to the famous 17th-century piece, as well as its outstanding appreciation of the art of acting – and of the role of ageing in the acting profession – the film is, however, intriguing insofar as it not only produces but also explicitly thematises a clash between the supposed out-datedness of the classical comedy and the fact that placed in the new context, the genre nevertheless manages to reinstate its initial subversive impact"},{"@xml:lang":"sl","#text":"V članku obravnavam film Philippa Le Guaya Alceste a bicyclette (2013) z vidika zgodovinske polemike, ki so je sprožili pritiski, da bi med glavnima likoma Molierovega Ljudomrznika – Alcestom in Filintom – izbrali kot med utelešenji dveh radikalno različnih temperamentov in moralnih stališč. Poleg očitnih medbesedilnih navezav na slavno delo iz 17. stoletja ter izjemnega vrednotenja igralske umetnosti – pa tudi vloge, ki jo ima v igralskem poklicu staranje – je film zanimiv tudi zato, ker ne le prikaže, temveč tudi izrecno tematizira spopad med domnevno zastarelostjo klasične komedije in dejstvom, da se v novem kontekstu žanru vendarle posreči obnoviti prvotni subverzivni učinek"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-YIHYS1MM","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-YIHYS1MM"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/c5046568-74a4-48db-b116-666f28d62085/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-YIHYS1MM/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-YIHYS1MM"}}}}