<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/c5046568-74a4-48db-b116-666f28d62085/PDF"><dcterms:extent>242 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/373bcf6e-ea71-4cb2-b4f9-e3c1a4d3440a/TEXT"><dcterms:extent>36 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/4283e34a-5845-4727-b9e2-a27a36d938ea/PDF"><dcterms:extent>377 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/bdc93807-989c-4968-b93b-685ed91e6770/TEXT"><dcterms:extent>36 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2015-2025"><edm:begin xml:lang="en">2015</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-YIHYS1MM"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE" /><dcterms:issued>2024</dcterms:issued><dc:creator>Čale Feldman, Lada</dc:creator><dc:contributor>Vojevec, Jaka A.</dc:contributor><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:12</dc:format><dc:format xml:lang="sl">str. 14-26, 28-40</dc:format><dc:identifier>DOI:10.51937/Amfiteater-2024-1/14-40</dc:identifier><dc:identifier>ISSN:1855-4539</dc:identifier><dc:identifier>COBISSID_HOST:200254211</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-YIHYS1MM</dc:identifier><dc:language>en</dc:language><dc:language>sl</dc:language><dc:publisher xml:lang="sl">= University of Ljubljana Press</dc:publisher><dcterms:isPartOf xml:lang="sl">Amfiteater (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="en">acting</dc:subject><dc:subject xml:lang="sl">Alceste a bicyclette</dc:subject><dc:subject xml:lang="sl">gledališče v filmu</dc:subject><dc:subject xml:lang="sl">igralstvo</dc:subject><dc:subject xml:lang="sl">Le Misanthrope</dc:subject><dc:subject xml:lang="sl">Moliere, Jean Baptiste Poquelin</dc:subject><dc:subject xml:lang="sl">slv</dc:subject><dc:subject xml:lang="en">theatre-within-film</dc:subject><dcterms:temporal rdf:resource="2015-2025" /><dc:title xml:lang="sl">Alceste a bicyclette in Molierova melanholična komedija - pomladitev ali pokop| Alceste a bicyclette and Moliere's melanholic comedy| a rejuvenation or a turn off?|</dc:title><dc:description xml:lang="sl">The paper discusses Philippe le Guay’s film Alceste a bicyclette (2013) through the lenses of the historical controversy generated by the pressure to choose between the two main characters of Moliere’s Le Misanthrope – Alceste and Philinte – as incarnations of two radically different temperaments and moral attitudes. Besides its obvious intertextual links to the famous 17th-century piece, as well as its outstanding appreciation of the art of acting – and of the role of ageing in the acting profession – the film is, however, intriguing insofar as it not only produces but also explicitly thematises a clash between the supposed out-datedness of the classical comedy and the fact that placed in the new context, the genre nevertheless manages to reinstate its initial subversive impact</dc:description><dc:description xml:lang="sl">V članku obravnavam film Philippa Le Guaya Alceste a bicyclette (2013) z vidika zgodovinske polemike, ki so je sprožili pritiski, da bi med glavnima likoma Molierovega Ljudomrznika – Alcestom in Filintom – izbrali kot med utelešenji dveh radikalno različnih temperamentov in moralnih stališč. Poleg očitnih medbesedilnih navezav na slavno delo iz 17. stoletja ter izjemnega vrednotenja igralske umetnosti – pa tudi vloge, ki jo ima v igralskem poklicu staranje – je film zanimiv tudi zato, ker ne le prikaže, temveč tudi izrecno tematizira spopad med domnevno zastarelostjo klasične komedije in dejstvom, da se v novem kontekstu žanru vendarle posreči obnoviti prvotni subverzivni učinek</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-YIHYS1MM"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-YIHYS1MM" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-YIHYS1MM/c5046568-74a4-48db-b116-666f28d62085/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovenski gledališki inštitut (SLOGI)</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-YIHYS1MM/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-YIHYS1MM" /></ore:Aggregation></rdf:RDF>