2197 KB39 KB197820252019Elbakidze, Makaštevilka:1letnik:42str. 103-117ISSN:0351-1189COBISSID:69719138URN:URN:NBN:SI:doc-YE0O31RLenSlovensko društvo za primerjalno književnostPrimerjalna književnostgruzijska književnostgruzijska literarna vedaknjiževnost in ideologijakrščanstvoNozadze, ViktorRustaveli, Šotasovjetski totalitarizemŠota, Rustaveli: VepkhistqaosaniViktor Nozadze, Rustaveli's The knight in the Panther's Skin, and Soviet ideology|The creative maturity of the Georgian emigre writer and scholar Viktor Nozadze coincided with the period when the newly established communist authorities in Georgia blocked the way for all those that could not adapt to the new political system. During his thirty-year exile in France, Germany, Austria, Argentina, Chile, Brazil, Spain, and finally again France, Nozadze created six monumental volumes devoted to The Knight in the Panther's Skin (Georgian: Vepkhistqaosani) by Shota Rustaveli, reviewing its ideology, worldview, and ethical and aesthetic ideals. Like all Georgians living in emigration, Viktor Nozadze was labeled an "enemy of the people" and, naturally, the totalitarian regime could not permit a place for him among Soviet scholars. In the Soviet Union before Perestroika, the research method for any work in any field was based on Marxist-Leninist philosophy. Viktor Nozadze could not fit into the ideological context governing Georgian research when he created his study of The Knight in the Panther's Skin. Examining the scholarly works at his disposal, Nozadze realized that Rustaveli%s personality, perspective, and artistic-aesthetic thinking were viewed and considered superficially and ideologically by Soviet scholarship. This was especially true regarding Rustaveli's religious beliefs and worldview. Consequently, mentioning and citing Nozadze was banned in the Soviet Union, and his life passed in vain expectation of returning to his native landGruzijski izseljenski pisec in literarni zgodovinar Viktor Nozadze je svojo ustvarjalno zrelost dosegel v času, ko je gruzijska komunistična oblast preprečevala dostop do del avtorjev, ki se niso podredili novemu političnemu sistemu. Med svojo tridesetletno izseljensko potjo v Franciji, Nemčiji, Avstriji, Argentini, Čileju, Braziliji, Španiji in spet v Franciji, je napisal šest obsežnih knjig, posvečenih pesnitvi Šote Rustavelija Vepkhistqaosani (Vitez v tigrovi koži), v katerih je analiziral idejni ter svetovnonazorski svet Rustavelija ter njegove etične in estetske ideale. Kot vse gruzijske izseljence je oblast Nozadzeja označila za "sovražnika ljudstva", prav tako ga ni uvrščala ob bok sovjetskim raziskovalcem. Pred obdobjem perestrojke naj bi bilo sleherno, tudi literarno raziskovanje v Gruziji utemeljeno v marksistično-leninistični filozofiji. Nozadze se zlasti v času, ko je raziskoval Rustavelija, ni želel podrediti tovrstnemu ideološkemu kontekstu. Še več, po študiju virov, ki so mu bili na voljo, je razvil prepričanje, da je sovjetska literarna veda Rustavelijevo osebnost, svetovni nazor in umetniško mišljenje razumela površno in ideološko. To je še posebej razvidno ob vprašanju Rustavelijevega religioznega prepričanja in svetovnega nazora. Posledično so bile omembe ali celo citiranje Nozadzeja v Sovjetski zvezi prepovedane, Nozadze pa se ni nikoli vrnil v GruzijoTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost