<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-YDWI2NM2</identifier><date>2023</date><creator>Boaro, Eric</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YDWI2NM2_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YDWI2NM2_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 51-69</format><identifier identifier_type="DOI">10.3986/dmd19.2.03</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">185874947</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YDWI2NM2</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">glasbeni ponaredki</subject><subject language_type_id="slv">Italija</subject><subject language_type_id="slv">Neapelj</subject><subject language_type_id="slv">oratoriji</subject><subject language_type_id="slv">Pergolesi, Giovanni Battista</subject><subject language_type_id="slv">rokopisi</subject><title>Profectio Moysis in Aegyptum (1784)</title><title>a "fake" Neapolitan oratorio?</title></Record>