<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-Y6QHT6NI</identifier><date>2008</date><creator>Spacal, Alenka</creator><relation>documents/doc/Y/URN_NBN_SI_doc-Y6QHT6NI_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-Y6QHT6NI_001.txt</relation><format format_type="issue">2</format><format format_type="volume">2</format><format format_type="type">article</format><format format_type="extent">str. 120-140</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="COBISSID">514153599</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-Y6QHT6NI</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>InC</rights><subject language_type_id="slv">19./20. st.</subject><subject language_type_id="slv">akti</subject><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">grafično oblikovanje</subject><subject language_type_id="slv">likovna umetnost</subject><subject language_type_id="slv">razlike med spoloma</subject><subject language_type_id="slv">slikarstvo</subject><subject language_type_id="eng">visual arts</subject><subject language_type_id="slv">ženko telo</subject><title>Od golote Ingresove Odaliske do nagote na podobi s plakata Guerrilla girls</title></Record>