379 KB0 KB200120252021Krisskaya, Lidiaštevilka:1letnik:23str. 54-61COBISSID:103781635ISSN:1580-688XURN:URN:NBN:SI:doc-Y5C0LI71enAlma Mater Europaea-Institutum Studiorum Humanitatis, Fakulteta za podiplomski humanistični študijMonitor ISHBaletRomeo in Julija (balet)Video umetnostJuliet’s run as seen on screen: reinterpretation of the past through camera lenses|This article analyses Juliet’s famous run from the filmed ballet performance Romeo and Juliet’ 2 and looks at the camera as a subject in history. As the Angel of History3 , the movie camera is an open-eyed witness, looking into the past while having its back turned to the future. But the camera is more than a witness - it is simultaneously the executor of someone else’s will and the narrator of its own story: Članek analizira slavni Julijin tek iz baletne predstave Romeo in Julija, pri tem pa kamero razume kot zgodovinski subjekt. Kot angel zgodovine filmska kamera nastopa kot priča odprtih oči, ki gleda v preteklost, s hrbtom pa je obrnjena v prihodnostTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaInstitutum Studiorum Humanitatis - Fakulteta za podiplomski humanistični študij