<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-Y5C0LI71</identifier><date>2021</date><creator>Krisskaya, Lidia</creator><relation>documents/doc/Y/URN_NBN_SI_doc-Y5C0LI71_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-Y5C0LI71_001.txt</relation><format format_type="issue">1</format><format format_type="volume">23</format><format format_type="type">article</format><format format_type="extent">str. 54-61</format><identifier identifier_type="COBISSID">103781635</identifier><identifier identifier_type="ISSN">1580-688X</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-Y5C0LI71</identifier><language>eng</language><publisher publisher_location="Ljubljana">Alma Mater Europaea-Institutum Studiorum Humanitatis, Fakulteta za podiplomski humanistični študij</publisher><source>Monitor ISH</source><rights>InC</rights><subject language_type_id="slv">Balet</subject><subject language_type_id="slv">Romeo in Julija (balet)</subject><subject language_type_id="slv">Video umetnost</subject><title>Juliet’s run as seen on screen: reinterpretation of the past through camera lenses</title></Record>