<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-XQERXQUO</identifier><date>2008</date><creator>Prassl, Franz Karl</creator><relation>documents/doc/X/URN_NBN_SI_doc-XQERXQUO_001.pdf</relation><relation>documents/doc/X/URN_NBN_SI_doc-XQERXQUO_001.txt</relation><format format_type="issue">1</format><format format_type="volume">4</format><format format_type="type">article</format><format format_type="extent">str. 107-119</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">251263488</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-XQERXQUO</identifier><language>ger</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">interpretacija</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">nevmatska notacija</subject><subject language_type_id="slv">nevme</subject><title>einige Perspektiven zu Fragen der Aufführungspraxis</title><title>Protokolle erklungener Musik?</title><title>St. Galler Neumen</title></Record>