<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-XC1VVJLW</identifier><date>2017</date><creator>Šivic, Urša</creator><relation>documents/doc/X/URN_NBN_SI_doc-XC1VVJLW_001.pdf</relation><relation>documents/doc/X/URN_NBN_SI_doc-XC1VVJLW_001.txt</relation><format format_type="issue">3/4</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 43-54</format><identifier identifier_type="ISSN">0351-2908</identifier><identifier identifier_type="COBISSID_HOST">42407469</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-XC1VVJLW</identifier><language>slv</language><publisher>Slovensko etnološko društvo</publisher><source>Glasnik Slovenskega etnološkega društva</source><rights>InC</rights><subject language_type_id="slv">etnomuzikologija</subject><subject language_type_id="eng">folk music</subject><subject language_type_id="slv">glasbena teorija</subject><subject language_type_id="slv">ljudska glasba</subject><subject language_type_id="slv">terminologija</subject><subject language_type_id="eng">terminology</subject><subject language_type_id="slv">večglasje</subject><title>Glasbenoteoretske možnosti petja na tretko</title></Record>