<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-XBBC946Z</identifier><date>1992</date><creator>Ravnjak, Vili</creator><relation>documents/doc/X/URN_NBN_SI_doc-XBBC946Z_001.pdf</relation><relation>documents/doc/X/URN_NBN_SI_doc-XBBC946Z_001.txt</relation><relation>http://www.dlib.si/listalnik/URN_NBN_SI_doc-XBBC946Z/index.html</relation><format format_type="issue">11</format><format format_type="volume">28</format><format format_type="extent">28, št. 11 (1992), str. 65-73</format><format format_type="type">article</format><identifier identifier_type="ISSN">0012-2068</identifier><identifier identifier_type="COBISSID">50625280</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-XBBC946Z</identifier><language>slv</language><publisher>Obzorja</publisher><source>Dialogi</source><rights>InC</rights><subject language_type_id="eng">drama</subject><subject language_type_id="slv">dramatika</subject><subject language_type_id="slv">dramaturgija</subject><subject language_type_id="slv">gledališče</subject><subject language_type_id="slv">kaos</subject><subject language_type_id="eng">theater</subject><title>uvod v sinhrono dogodkoslovje</title><title>Teorija kaosa in možnosti dramaturgije</title></Record>