604 KB39 KB197820252020Širca, Alen Albinštevilka:2letnik:43str. 103-118ISSN:0351-1189DOI:10.3986/pkn.v43.i2.05COBISSID:28938243URN:URN:NBN:SI:doc-XADFBRHDslSlovensko društvo za primerjalno književnostPrimerjalna književnostDerrida, Jacquesliterarni vplivineoavantgardaneodločljivostnewyorška šolareligiozni jezikslovenska poezijaŠalamun, TomažNeodločljivost v poeziji Tomaža Šalamuna|The paper is dealing with the poetry of Tomaž Šalamun, and it attempts to evaluate his extremely extensive poetical corpus as a whole. Firstly, it offers a short (imperfect) overview of the some of the more important evaluations of Šalamun's poetry from the viewpoint of Slovenian literary criticism and literary history, and then goes on to analyze his affinity towards religious discourse, which is creatively integrated in his often disjunctive poetical compositions. The main question that arises thereby is the following: are we dealing here with some kind of religious experience or desire for it and thus with the poetry that in last analysis utters "metaphysical" sense, or are we dealing simply with the simulation of religious language and thus with the "poetry of surface" in the neo-avant-garde manner? With the help of the Derridean concept of undecidability, the paper demonstrates that Šalamun's poetry is structured in such a way that is impossible to opt for one or the other option. At the end, the paper emphasizes that Šalamun's poetry has importantly exerted influence also on Serbian poetry from 1970s on. The short analysis of the poem "Šalamun" of Nenad Jovanović offers an incentive to research of this not well studied literary influence of the Slovenian literature on SerbianRazprava se ukvarja s poezijo Tomaža Šalamuna, in sicer skuša ovrednotiti njegov izjemno obsežen pesniški korpus v celoti. Najprej ponuja kratek (nepopoln) pregled pomembnejših kritiških in literarnozgodovinskih ocen Šalamunove poezije, potem pa analizira njegovo afiniteto do religioznega diskurza, ki ga ustvarjalno vpleta v svoje pogosto disjunktivne pesniške kompozicije. Vprašanje, ki se ob tem postavlja, je, ali gre tu v temelju za izrekanje neke religiozne izkušnje oziroma hrepenenja po njej in s tem za poezijo, ki izreka neki "metafizični" smisel, ali pa gre samo za simulacijo religioznega jezika in v tako za "poezijo površine" v neoavantgardnem ključu? Ob pomoči Derridajevega koncepta "neodločljivosti" članek pokaže, da je Šalamunova poezija strukturirana tako, da se je nemogoče tako za eno kot za drugo opcijo. Na koncu članek opozarja na to, da je Šalamun pomembno vplival tudi na srbsko pesniško od sedemdesetih let 20. stoletja naprej. Kratka analiza pesmi "Šalamun" Nenada Jovanovića ponuja spodbudo za ta slabo raziskani literarni vpliv slovenske literaturo na srbskoTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost