<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-X0N3NMEM</identifier><date>2020</date><creator>Hoang, Cam-Giang</creator><relation>documents/doc/X/URN_NBN_SI_doc-X0N3NMEM_001.pdf</relation><relation>documents/doc/X/URN_NBN_SI_doc-X0N3NMEM_001.txt</relation><format format_type="volume">8 (24)</format><format format_type="type">article</format><format format_type="issue">issue 2</format><format format_type="extent">str. 135-162</format><identifier identifier_type="COBISSID">107536899</identifier><identifier identifier_type="ISSN">2232-5131</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-X0N3NMEM</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Asian studies</source><rights>BY-SA</rights><subject language_type_id="slv">kitajski filmi</subject><subject language_type_id="slv">konfucianizem</subject><subject language_type_id="slv">konfucijanstvo</subject><subject language_type_id="slv">kraljeve družine (filmski motivi)</subject><subject language_type_id="slv">vietnamski filmi</subject><title>from Confucian cosmology to ecological politics</title><title>Vietnamese and Chinese movies about royalty</title></Record>