{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-WSWQ8Z7Y/639da8de-5e1b-41b5-ac29-47b001bcbd0a/PDF","dcterms:extent":"149 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-WSWQ8Z7Y/14caafbc-ee4d-4301-bda5-fa2b918aa13e/TEXT","dcterms:extent":"32 KB"}],"edm:TimeSpan":{"@rdf:about":"2007-2025","edm:begin":{"@xml:lang":"en","#text":"2007"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-WSWQ8Z7Y","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-REUWXDY1"},{"@xml:lang":"sl","#text":"Ars et humanitas"}],"dcterms:issued":"2015","dc:creator":"Toporišič, Tomaž","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:9"},{"@xml:lang":"sl","#text":"str. 104-116"}],"dc:identifier":["ISSN:1854-9632","ISSN:2350-4218","URN:URN:NBN:SI:doc-WSWQ8Z7Y"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"Botticelli"},{"@xml:lang":"sl","#text":"Botticelli, Sandro"},{"@xml:lang":"sl","#text":"creolisation"},{"@xml:lang":"sl","#text":"gledališče"},{"@xml:lang":"sl","#text":"kreolizacija"},{"@xml:lang":"sl","#text":"Mediterranean"},{"@xml:lang":"en","#text":"Mediterranean Basin"},{"@xml:lang":"en","#text":"otherness"},{"@xml:lang":"sl","#text":"performing arts"},{"@xml:lang":"sl","#text":"pogled drugega"},{"@xml:lang":"sl","#text":"Sredozemlje"},{"@xml:lang":"en","#text":"theater"},{"@xml:lang":"sl","#text":"uprizoritvene umetnosti"},{"@rdf:resource":"http://www.wikidata.org/entity/Q72499"}],"dcterms:temporal":{"@rdf:resource":"2007-2025"},"dc:title":{"@xml:lang":"sl","#text":"Myth and Creolisation of Cultures and Performing Arts in the Mediterranean|"},"dc:description":[{"@xml:lang":"sl","#text":"Theatre today speaks for a new type of cultural manifoldness, for a broad range of new differences that are developing. Creolisation is the intermingling of two or several formerly discrete traditions or cultures; it is an interweaving of similar and different threads of various colours, deriving from myths shared throughout the Mediterranean basin. Within such an understanding of culture theatre needs to speak out not only against domination but also needs to highlight the importance of marginality, otherness, and local contexts. It should not be hemmed in by literary-minded applications. As Benjamin Lee writes, \"we have reached a time when no values from any single cultural perspective can provide frameworks adequate to understanding the changes affecting all of us\", which entails the decolonisation of cultural practices. We must think globally and act locally, be aware of universal myths, while remaining aware of the local circumstances and myths that surround us. In other words, a fruitful dialectical relation can ensue. In Slovenia, scholars often complain that, aside from specialists, nobody is \"internationally\" interested in local myths or national topics. This is not true: what is necessary is to find an appropriate way to present local or national topics within an international and global setting"},{"@xml:lang":"sl","#text":"Gledališče danes priča o novi vrsti kulturne mnogovrstnosti, o širokem spektru novonastajajočih razlik. Vzporedno pa poteka proces kreolizacije, ki postaja vedno bolj značilen za sodobno kulturo in uprizarjanje ter ga lahko definiramo kot prepletanje dveh ali več prej diskretnih kulturnih tradicij - kot nekakšno prepletanje podobnih, a vendar različnih koloritov, izhajajočih iz mitov, skupnih celotnemu sredozemskemu bazenu. Znotraj takšnega razumevanja kulture mora gledališče spregovoriti ne samo proti dominaciji, ampak tudi o pomenu marginalnosti, drugačnosti in lokalnih kontekstov. Kot zapiše Benjamin Lee, \"živimo v času, ko nobena od vrednot kateregakoli posameznega kulturnega vidika ne more zagotoviti ustreznega okvirja za razumevanje sprememb, ki vplivajo na vse nas\", vključno z dekolonizacijo kulturnih praks. Razmišljati moramo globalno, delovati pa lokalno, zavedati se moramo univerzalnih mitov, hkrati pa tudi lokalnih razmer in mitov, ki nas obkrožajo. V Sloveniji se strokovnjaki pogosto pritožujejo, da se razen specialistov nihče \"mednarodno\" ne zanima za lokalne mite in nacionalne teme. Ta teza preprosto ne zdrži: vsekakor pa je treba najti ustrezen način za predstavitev lokalnih in nacionalnih tem znotraj mednarodnega in globalnega konteksta"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-WSWQ8Z7Y","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-WSWQ8Z7Y"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-WSWQ8Z7Y/639da8de-5e1b-41b5-ac29-47b001bcbd0a/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-WSWQ8Z7Y/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-WSWQ8Z7Y"}}}}