3772 KB77 KB196520252020Šter, Katarinaštevilka:2letnik:56str. 153-181ISSN:0580-373XDOI:10.4312/mz.56.2.153-181COBISSID_HOST:44858627URN:URN:NBN:SI:doc-WGBN8MIGenZnanstvena založba Filozofske fakulteteMuzikološki zbornik17. st.CarthusiansFranciscansfrančiškaniglasbena teorijagregorian chantgregorijanski koralkartuzijaniMott, Hermannmusic theoryteoretski traktatitheoretical treatisesA chant treatise in the service of two monastic traditions of the modern era| the case of the Musices Choralis Medulla|The present study discusses a chant theory treatise preserved in the Carthusian compilation manuscript (CZ-Pu I F 17) and based on the Franciscan Hermann Mott's Musices Choralis Medulla (1670). It sheds new light on the background of the Carthusian arrangement and its connection to the Franciscan original by comparing both versions and trying to discover why the Franciscan treatise was chosen as an exemplar, who the author of the Carthusian treatise was, when and where the Carthusian version was written and used, and finally, through a study of its context and the information given in its manuscript source, how it could be transmitted and what it meant for the Carthusian orderPričujoča razprava preučuje traktat o koralni teoriji, ki se je ohranil v kompilativnem kartuzijanskem rokopisu (CZ-Pu I F 17) in je nastal po predlogi dela Musices Choralis Medulla frančiškana Hermanna Motta iz leta 1670. S primerjavo obeh različic članek osvetli okoliščine nastanka kartuzijanske predelave in njen odnos do frančiškanskega izvirnika, ob tem pa poskuša ugotoviti, zakaj je bil za predlogo izbran ravno frančiškanski traktat, kdo je bil avtor kartuzijanske predelave, kdaj in kje je ta nastala in bila v rabi. S preučevanjem kontekstaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta