301 KB50 KB194820251999Mitrović, Marijaštevilka:2letnik:47str. 161-177ISSN:0350-6894COBISSID:10045538URN:URN:NBN:SI:doc-W5JLEWFKslSlavistično društvo SlovenijeSlavistična revijaGradnik, Alojzliterarne študijeslovenska književnostslovenska poezijaDvoglasje v Gradnikovi poeziji|Gradnik lent his voice and he duplicated it, i.e., another person's voice can heard besides the voice of the lyrical subject. The polyphony brought him envialbe reputation among the Slovene lyric poets. Where this polyphony is missing, the "real", aesthetically relevant Gradnik is considerably reduced. the author attemps to develop this hypothesis into a thesis, extending her research particularly into the area of the literary expression itself, which could be called "the syntax of poetry"Gradnik je posojal svoj glas in ga podvajal, tako da je ob glasu lirskega jazalahko slišati še glas nekoga drugega. Večglasje mu he prineslo zavidanja vreden slovens med slovenskimi liriki, Tam, kjer tega večglasja ni, je od "pravega", estetsko pomembnega pesnika Gradnika veliko manj. To skuša avtorica razložiti z razčlembo sintakse poezijeTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije