<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-VW8U75YZ</identifier><date>2016</date><creator>Bogataj, Matej</creator><relation>documents/doc/V/URN_NBN_SI_doc-VW8U75YZ_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VW8U75YZ_001.txt</relation><format format_type="issue">10</format><format format_type="volume">80</format><format format_type="type">article</format><format format_type="extent">str. 1426-1434</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">4162395</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VW8U75YZ</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="eng">Bassi, Leo: Bob/The best of Bassi</subject><subject language_type_id="slv">gledališke kritike</subject><subject language_type_id="slv">gledališke predstave</subject><subject language_type_id="slv">Jančar, Drago: Disident Arnož in njegovi</subject><subject language_type_id="slv">ocene in poročila</subject><subject language_type_id="slv">Pop Tasić, Nebojša: Zakaj ptiči pojejo</subject><title>Včasih kak bedak kriči</title></Record>