<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-VUHX1Q7G</identifier><date>2019</date><creator>Oblonšek, Cecilija</creator><relation>documents/doc/V/URN_NBN_SI_doc-VUHX1Q7G_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VUHX1Q7G_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">48</format><format format_type="type">article</format><format format_type="extent">str. 64-75</format><identifier identifier_type="COBISSID">10943491</identifier><identifier identifier_type="ISSN">1318-1238</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VUHX1Q7G</identifier><language>slv</language><publisher>Društvo SKAM</publisher><source>Tretji dan (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">bogoslužje</subject><subject language_type_id="slv">cerkvena glasba</subject><subject language_type_id="slv">evharistija</subject><subject language_type_id="slv">krščanstvo</subject><subject language_type_id="slv">liturgična glasba</subject><title>Možnosti umestitve sodobne krščanske glasbe v evharistično slavje</title></Record>