<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-VSD3LSJR</identifier><date>2021</date><creator>Šporčič, Anamarija</creator><relation>documents/doc/V/URN_NBN_SI_doc-VSD3LSJR_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VSD3LSJR_001.txt</relation><format format_type="issue">1</format><format format_type="volume">18</format><format format_type="type">article</format><format format_type="extent">str. 213-215</format><identifier identifier_type="DOI">10.4312/elope.18.1.213-215</identifier><identifier identifier_type="ISSN">1581-8918</identifier><identifier identifier_type="COBISSID">70945027</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VSD3LSJR</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete Univerze v Ljubljani</publisher><source>ELOPE (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">književnost</subject><subject language_type_id="slv">ocene in poročila</subject><subject language_type_id="slv">spol</subject><subject language_type_id="slv">Words, Music and Gender</subject><title>Book review</title><title>Words, Music and Gender (Michelle Gadpaille and Victor Kennedy, eds.)</title></Record>