<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-VHISF72U</identifier><date>2013</date><creator>Vukčević, Nebojša</creator><relation>documents/doc/V/URN_NBN_SI_doc-VHISF72U_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VHISF72U_001.txt</relation><format format_type="issue">3</format><format format_type="volume">36</format><format format_type="type">article</format><format format_type="extent">str. 115-132, 237</format><identifier identifier_type="ISSN">0351-1189</identifier><identifier identifier_type="COBISSID">53616482</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VHISF72U</identifier><language>eng</language><publisher>Slovensko društvo za primerjalno književnost</publisher><source>Primerjalna književnost</source><rights>InC</rights><subject language_type_id="slv">irska književnost</subject><subject language_type_id="slv">irsko gledališče</subject><subject language_type_id="slv">nacionalizem</subject><subject language_type_id="slv">narodnostno vprašanje</subject><subject language_type_id="eng">nationalism</subject><subject language_type_id="slv">Yeats, William Butler, 1865-1939</subject><title>Cathleen Ni Houlihan as the point of sacrifice</title><title>William Butler Yeats</title></Record>