<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-VGVBV6LV</identifier><date>2023</date><creator>Olechowska, Elżbieta</creator><creator>Pszczolińska, Marta</creator><relation>documents/doc/V/URN_NBN_SI_doc-VGVBV6LV_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VGVBV6LV_001.txt</relation><format format_type="volume">5</format><format format_type="type">article</format><format format_type="issue">issue 2</format><format format_type="extent">str. 131-147</format><identifier identifier_type="DOI">10.4312/clotho.5.2.131-147</identifier><identifier identifier_type="COBISSID">226329603</identifier><identifier identifier_type="ISSN">2670-6210</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VGVBV6LV</identifier><language>eng</language><publisher publisher_location="Ljubljana">University of Ljubljana Press</publisher><source>Clotho</source><rights>BY-SA</rights><subject language_type_id="slv">antika</subject><subject language_type_id="slv">grška mitologija</subject><subject language_type_id="slv">nordijska mitologija</subject><subject language_type_id="slv">recepcija mitov</subject><subject language_type_id="slv">televizijske serije</subject><title>Neil Gaiman's use of antiquity in television series</title><title>American Gods and Calliope</title></Record>