<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-VFHR1OG2</identifier><date>2018</date><creator>Krienzer-Radojević, Lidija</creator><relation>documents/doc/V/URN_NBN_SI_doc-VFHR1OG2_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VFHR1OG2_001.txt</relation><format format_type="issue">272</format><format format_type="volume">46</format><format format_type="type">article</format><format format_type="extent">str. 134-139</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">301153280</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VFHR1OG2</identifier><language>slv</language><publisher>Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">država</subject><subject language_type_id="slv">kulturna politika</subject><subject language_type_id="slv">plesna produkcija</subject><subject language_type_id="slv">Slovenija</subject><subject language_type_id="slv">sodobni ples</subject><title>država vs. sodobni ples</title><title>Ljubezen in država</title></Record>