<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-VAFPT9HQ</identifier><date>1993</date><creator>Velikonja, Mitja</creator><relation>documents/doc/V/URN_NBN_SI_doc-VAFPT9HQ_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VAFPT9HQ_001.txt</relation><format format_type="issue">160/161</format><format format_type="volume">21</format><format format_type="type">article</format><format format_type="extent">str. 221-222</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">63872512</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VAFPT9HQ</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="eng">Barthes, Roland: Camera lucida</subject><subject language_type_id="slv">fotografija</subject><subject language_type_id="slv">ocene in poročila</subject><subject language_type_id="eng">photography</subject><subject language_type_id="eng">semiotics</subject><subject language_type_id="slv">semiotika</subject><title>Roland Barthes, Camera lucida: zapisi o fotografiji (La chambre claire: note sur la photographie)</title><title>Studia Humanitatis, ŠKUC, FF; Ljubljana; 1992</title></Record>