160 KB58 KB197820252025Zelenka, Milošštevilka:2letnik:48str. 143-162ISSN:0351-1189DOI:10.3986/pkn.v48.i2.08COBISSID_HOST:247863299URN:URN:NBN:SI:doc-V3TRA2NUenSlovensko društvo za primerjalno književnostPrimerjalna književnostcomparative literatureJezikoslovjejužnoslovansko ljudsko pesništvoMurko, MatijaPrague linguistic circlePraški lingvistični krožekPrimerjalna književnostSlovenian literary historiansslovenski literarni zgodovinarjiSouth Slavic folk poetrystructural aestheticsstrukturalna estetikaversologyverzologijaWollman, FrankMatija Murko and Structural Aesthetics|At first glance, the connection between the positivist-oriented Murko and structural aesthetics may seem inappropriate and paradoxical. However, his unpublished correspondence with his student, the renowned Czech Slavist and comparatist Frank Wollman (1888–1969), shows the convergence of thematic areas and disciplinary intersections that foreshadowed structural aesthetics. As the editor of Slavia, Murko made it possible for the key figures of Czech structuralism to publish in this journal even before the founding of Slovo a slovesnost (e.g., R. Jakobson, P. Bogatyrev, etc.). At the same time, as the main organizer of the First International Congress of Slavic Philologists in Prague in 1929, he agreed to set up a thematic section in which the theses of the Prague Linguistic Circle were announced. In the first issue of Slavia in 1922–1923, a survey study by Jakobson and Bogatyrev entitled “Slavjanskaja filologija v Rossii za gody 1914–1921” was published. Wollman, who after Murko was to become a candidate for the Chair of South Slavic Languages and Literatures at the Faculty of Arts in Prague, oriented himself towards the study of versology and stylistics, as reflected in his article “Njegošův deseterec” on the evolution of verse forms in the Serbo-Croatian verse (Slavia 1930–31). Murko also encouraged his student to write Slovesnost Slovanů (1928), a pioneering work that focused on the structural history of Slavic literatures as a history of timeless forms and structuresPovezava med pozitivistično usmerjenim Murkom in strukturalno estetiko se na prvi pogled zdi neprimerna in paradoksalna. A njegova neobjavljena kore-spondenca z njegovim učencem, priznanim češkim slavistom in komparativi-stom Frankom Wollmanom (1888–1969), razkriva preplet tematskih podro-čij in disciplinarnih stičišč, ki so anticipirala strukturalno estetiko. Murko je kot urednik Slavie omogočil ključnim osebnostim češkega strukturalizma, da so v tej reviji objavljale še pred ustanovitvijo revije Slovo a slovesnost (npr. R. Jakobson, P. Bogatyrev idr.). Hkrati je kot glavni organizator prvega medna-rodnega slavističnega kongresa v Pragi leta 1929 odobril tematsko sekcijo, v okviru katere so bile predstavljene teze Praškega lingvističnega krožka. V prvi številki revije Slavia (1922–1923) sta Jakobson in Bogatyrev objavila članek »Slavjanskaja filologija v Rossii za gody 1914–1921« (»Slavistika v Rusiji v letih 1914–1921«). Wollman, ki naj bi nasledil Murka na Katedri za južnoslo-vanske jezike in književnosti Filozofske fakultete v Pragi, pa se je raziskovalno usmeril v verzologijo in stilistiko, o čemer priča njegov članek »Njegošův deseterec« (»Njegošev deseterec«) o razvoju verznih oblik v srbohrvaški poeziji (Slavia 1930–1931). Murko je svojega učenca spodbudil tudi k pisanju pio-nirskega dela Slovesnost Slovanů (Književnost Slovanov, 1928), ki se osredotoča na strukturalno zgodovino slovanskih književnosti kot zgodovino brezčasnih oblik in strukturTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost