623 KB43 KB197820252017Osojnik, Iztokštevilka:2letnik:40str. 91-107ISSN:0351-1189COBISSID_HOST:64632674URN:URN:NBN:SI:doc-V0CMUUDXslSlovensko društvo za primerjalno književnostPrimerjalna književnostdogodjeekstimnostEreignisextimityfreedomliteratura in etikaliterature and ethicsnezavednopesniška govoricapoetic languagepoetrypoezijapoiesissvobodatechnethe unconsciousSvoboda in nezavedno| nekaj opazk o etiki poiesisa|The ethics of literature is defined by the imperative not to give up the workings of the unconsciousness. Literature is poiesis, creating, becoming, an event of being (Seyn). "The art belongs into the event of being" (Ereignis). On that background it is possible to figure out the incredible importance of the famous saying by Samuel Beckett from Worstward Ho: "Try Again. Fail again. Fail better." (Worstward 81) And with the famous end words of the novel Unnamable: "I don't know, I'll never know: in the silence you don't know. You must go on. I can't go on. I'll go on." (116) Beckett wrestles with the silence, he circles around the silence, which is impossible to catch by words. "The silence is the Real, so far it resists to be symbolized by language, though it is the very it that frames the symbolic before and after." (Chattopadhyaya 51) Lacan coined the neologistic term extimacy to address that inner nature of the Real. The extimacy offers the answer to the hermeneutic question of ethics in literature, of an event (Ereignis) of literature as the generosity (Urbančič, O krizi 11) of being (Seyn), to the question of the unconscious workings of literature not in its aesthetics or morality (neither in its religiosity or the religious jump as Kierkegaard would suggest it), but in its extimity, the silence/abyss of being (Seyn). In a short expose I analyze the poem "Zaupanje" (Trust) by Muanis Sinanovič from his last poetry collection Dvovid (Dual seeing) in the light of the philosophical premises, schematized in the article, and show how the poet the above sketched event does not work out in the view from the outside but from the within as an event in progress, which actualizes the reader herselfEtika literature se kaže v tem: ne popustiti glede nezavednega dela. Literatura je poiesis, ustvarjanje, postajanje. Je dogodje biti. Na tem ozadju je mogoče dojeti težo slavnega izreka Samuela Becketta iz Worstward Ho: "Poskusi znova. Naj ti spodleti znova. Naj spodleti bolje." (81) V romanu Neimenljivi piše še: "Ne vem, nikoli ne vem: V tišini, ki je ne poznaš. Nadaljevati je treba, ne morem nadaljevati, nadaljeval bom." (116) Beckett se spopada z molkom, vrti se okoli tišine besed, tišine, ki je ni mogoče ubesediti. "Ta tišina besede je Realno, kolikor se upira simbolizaciji v jeziku, in vendar je tisto, kar uokvirja simbolno prej in potem. Lacan za notranje izločeno naravo tega Realnega uporabi neologizem ekstimno." (Chattopadhyaya 51) Ekstimno je odgovor na hermenevtično vprašanje o etiki v literaturi, o dogodju literature kot darežljivosti biti (Urbančič, O krizi 11), o nezavednem delu kot meta-etičnem (Badiou) literature ne v njeni estetičnosti niti v njeni moralnosti (niti ne v religioznosti, skoku vere, kakor bi nadaljeval Kierkegaard), ampak v njeni ekstimnosti, v tišini/prepadu biti. V kratkem ekspozeju bom ob analizi pesmi Muanisa Sinanovića "Zaupanje" iz zbirke Dvovid v optiki filozofskih izhodišč v članku na konkretnem literarnem besedilu pokazal, kako pesnik zgoraj skicirani dogodek izpelje ne v pogledu od zunaj, ampak znotraj kot "action in progress", kot dogodek, ki aktualizira samega bralcaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost