{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V034Q5IC/2871da22-3a69-4f36-ab6b-78ad536d5ee6/PDF","dcterms:extent":"217 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V034Q5IC/3a174366-b2b6-4237-b67e-c103835e15cb/TEXT","dcterms:extent":"30 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-V034Q5IC","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2020","dc:creator":"Glišić, Miša","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:8"},{"@xml:lang":"sl","#text":"str. 82-97"}],"dc:identifier":["ISSN:1855-4539","COBISSID_HOST:49945347","URN:URN:NBN:SI:doc-V034Q5IC"],"dc:language":"sl","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"},{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"}],"dc:subject":[{"@xml:lang":"en","#text":"enstangement"},{"@xml:lang":"sl","#text":"literarna teorija"},{"@xml:lang":"en","#text":"literary theory"},{"@xml:lang":"en","#text":"modern drama"},{"@xml:lang":"sl","#text":"Peter handke"},{"@xml:lang":"sl","#text":"Peter Szondi"},{"@xml:lang":"sl","#text":"potujitev"},{"@xml:lang":"sl","#text":"sodobna drama"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Še vedno vihar Petra Handkeja z vidika teorije drame|"},"dc:description":[{"@xml:lang":"sl","#text":"In the article, the author tries to illustrate the extent to which Handke's drama Storm Still fits into Peter Szondi's Theory of the Modern Drama. The analysis of textual and contextual features in Storm Still shows that new definitions of the textual understanding of Handke's plays can be produced within the theoretical field of absolute drama, in which the boundary between objective and subjective style is usually broken, in the form of aesthetic excesses of so-called literary transgressions. With post-modern approaches of estrangement, the author goes beyond the concept of absolute drama. Handke's play is strongly based on the question of individual identity that is built between the self and the other in the form of literary transgressions. The latter stem from different forms of estrangement that build up a hybrid potential of the text and stimulate further discussions"},{"@xml:lang":"sl","#text":"Znanstvena razprava poskuša umestiti literarno delo Petra Handkeja Še vedno vihar v teoretični koncept sodobne drame Petra Szondija. V prispevku so na podlagi praktičnih primerov predstavljene teoretične paralele in diference. Iz prispevka je razvidno, da lahko Handkejevo delo delno uvrstimo v omenjeni teoretični okvir. S postmodernimi prvinami potujevanja avtor preseže norme literarnosti in zavrne absolutnost drame. Obstoj Handkejevega dramskega besedila je tesno vezan na identiteto subjekta, ki se konstruira v vmesnem prostoru lastnega ter tujega in dekonstruira v obliki literarnih transgresij. Te izhajajo iz raznih oblik potujitve, ki naposled ustvarijo hibridni potencial besedila in osnovo za nadaljnjo znanstveno razpravo"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-V034Q5IC","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-V034Q5IC"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-V034Q5IC/2871da22-3a69-4f36-ab6b-78ad536d5ee6/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-V034Q5IC/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-V034Q5IC"}}}}