<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-V034Q5IC</identifier><date>2020</date><creator>Glišić, Miša</creator><relation>documents/doc/V/URN_NBN_SI_doc-V034Q5IC_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-V034Q5IC_001.txt</relation><format format_type="issue">2</format><format format_type="volume">8</format><format format_type="type">article</format><format format_type="extent">str. 82-97</format><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="COBISSID_HOST">49945347</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-V034Q5IC</identifier><language>slv</language><publisher>Akademija za gledališče, radio, film in televizijo</publisher><publisher>Društvo gledaliških kritikov in teatrologov Slovenije</publisher><publisher>Slovenski gledališki inštitut</publisher><source>Amfiteater (Ljubljana)</source><rights>BY</rights><subject language_type_id="eng">enstangement</subject><subject language_type_id="slv">literarna teorija</subject><subject language_type_id="eng">literary theory</subject><subject language_type_id="eng">modern drama</subject><subject language_type_id="slv">Peter handke</subject><subject language_type_id="slv">Peter Szondi</subject><subject language_type_id="slv">potujitev</subject><subject language_type_id="slv">sodobna drama</subject><title>Še vedno vihar Petra Handkeja z vidika teorije drame</title></Record>