<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-UUZZFIT6</identifier><date>2010</date><creator>Jin, Dal Yong</creator><relation>documents/doc/U/URN_NBN_SI_doc-UUZZFIT6_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-UUZZFIT6_001.txt</relation><format format_type="issue">1</format><format format_type="volume">17</format><format format_type="type">article</format><format format_type="extent">str. 55-71</format><identifier identifier_type="ISSN">1318-3222</identifier><identifier identifier_type="COBISSID">29407837</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-UUZZFIT6</identifier><language>eng</language><publisher>Evropski inštitut za komuniciranje in kulturo</publisher><source>Javnost (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">film</subject><subject language_type_id="slv">filmska industrija</subject><subject language_type_id="slv">Južna Koreja</subject><subject language_type_id="slv">sociologija kulture</subject><title>Critical interpretation of hybridisation in Korean cinema</title><title>does the local film industry create "the third space"?</title></Record>