<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-US22ODDS/f442dd92-9eea-4616-a1b4-a37b1375d50d/PDF"><dcterms:extent>172 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-US22ODDS/d5707b08-0724-48a2-bee1-4fc2917d1cbf/TEXT"><dcterms:extent>54 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1994-2024"><edm:begin xml:lang="en">1994</edm:begin><edm:end xml:lang="en">2024</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-US22ODDS"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TQH6JN7K" /><dcterms:issued>2011</dcterms:issued><dc:creator>Meers, Philippe</dc:creator><dc:creator>Smets, Kevin</dc:creator><dc:creator>Van Bauwel, Sofie</dc:creator><dc:creator>Vandevelde, Iris</dc:creator><dc:creator>Winkel, Roel Vande</dc:creator><dc:format xml:lang="sl">letnik:18</dc:format><dc:format xml:lang="sl">številka:3</dc:format><dc:format xml:lang="sl">str. 55-70, 84</dc:format><dc:identifier>ISSN:1318-3222</dc:identifier><dc:identifier>COBISSID:30760797</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-US22ODDS</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Evropski inštitut za komuniciranje in kulturo</dc:publisher><dcterms:isPartOf xml:lang="sl">Javnost (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">Belgija</dc:subject><dc:subject xml:lang="en">film</dc:subject><dc:subject xml:lang="sl">filmska industrija</dc:subject><dc:subject xml:lang="sl">filmska produkcija</dc:subject><dc:subject xml:lang="en">imigranti</dc:subject><dc:subject xml:lang="sl">priseljenci</dc:subject><dc:subject xml:lang="sl">sociologija umetnosti</dc:subject><dc:subject xml:lang="sl">sociološki vidik</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q932586" /><dcterms:temporal rdf:resource="1994-2024" /><dc:title xml:lang="sl">Bollywood and Turkish films in Antwerp (Belgium)| two case studies on diasporic distribution and exhibition|</dc:title><dc:description xml:lang="sl">This article, a contribution to the thriving scholarship on the engagements between homeland media and diasporic audiences, breaks new ground through a comparative, political economy inspired analysis of two case studies with transnational implications. First we describe the theatrical distribution and exhibition of homeland films towards/by their diasporas, focusing on Indian and Turkish film structures in one location, the Belgian city of Antwerp. Interviews with 45 key players, participant observation and complementary archival research allow us to reconstruct how privately organised film screenings were substituted by commercial initiatives. Further analysis exploring the relations between local exhibitors and transnational distributors evaluates these structures against the background of global media industries' developments in terms of power and transformations, such as increasing competition</dc:description><dc:description xml:lang="sl">Članek prispeva k bogatenju znanja o odnosih med domovinskimi mediji in občinstvi v diaspori na temelju primerjalne političnoekonomske analize dveh študij primerov s transnacionalnimi implikacijami. Avtorji najprej predstavijo filmsko distribucijo in prikazovanje domovinskih filmov v kinematografi h v diasporah, s posebnim ozirom na indijske in turške filmske strukture na enem prostoru, v belgijskem mestu Antwerpen. Intervjuji s 45 ključnimi akterji, raziskovanje z udeležbo in komplementarna raziskovanje arhivov omogočajo rekonstrukcijo procesa, v katerem so zasebno organizirano prikazovanje filmov nadomestile komercialne iniciative. Nadaljnja analiza odnosov med lokalnimi prikazovalci in transnacionalnimi distributerji ocenjuje omenjene strukture z vidika moči in transformacij, kot je npr. vedno večja tekmovalnost, v razvoju globalne medijske industrije</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-US22ODDS"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-US22ODDS" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-US22ODDS/f442dd92-9eea-4616-a1b4-a37b1375d50d/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Evropski inštitut za komuniciranje in kulturo - EURICOM</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-US22ODDS/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-US22ODDS" /></ore:Aggregation></rdf:RDF>