<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-US22ODDS</identifier><date>2011</date><creator>Meers, Philippe</creator><creator>Smets, Kevin</creator><creator>Van Bauwel, Sofie</creator><creator>Vandevelde, Iris</creator><creator>Winkel, Roel Vande</creator><relation>documents/doc/U/URN_NBN_SI_doc-US22ODDS_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-US22ODDS_001.txt</relation><format format_type="volume">18</format><format format_type="issue">3</format><format format_type="type">article</format><format format_type="extent">str. 55-70, 84</format><identifier identifier_type="ISSN">1318-3222</identifier><identifier identifier_type="COBISSID">30760797</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-US22ODDS</identifier><language>eng</language><publisher>Evropski inštitut za komuniciranje in kulturo</publisher><source>Javnost (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Belgija</subject><subject language_type_id="eng">film</subject><subject language_type_id="slv">filmska industrija</subject><subject language_type_id="slv">filmska produkcija</subject><subject language_type_id="eng">imigranti</subject><subject language_type_id="slv">priseljenci</subject><subject language_type_id="slv">sociologija umetnosti</subject><subject language_type_id="slv">sociološki vidik</subject><title>Bollywood and Turkish films in Antwerp (Belgium)</title><title>two case studies on diasporic distribution and exhibition</title></Record>