582 KB57 KB194820252015Bjelčevič, Aleksanderštevilka:1letnik:63str. 61-87ISSN:0350-6894COBISSID:57654882URN:URN:NBN:SI:doc-UQ5WP4HBslSlavistično društvo SlovenijeSlavistična revijaKette, Dragotin, 1876-1899kiticaLithuanian MetricametricsmetrikarhymerimaSlovene literatureSlovene poetrySlovene poetsslovenska književnostslovenska poezijaslovenski pesnikistropheverseverzKettejev verz| tradicija, inovacija in rojevanje slovenskega svobodnega verza|To Dragotin Kette, rhythm is an essential element of poetry, therefore he rarely uses free verse (contrary to what the traditional literary history held). At the same time, his metrics is extremely diverse. He took from the traditional poetry and folk song everything that was irregular: the irregular syllabotonics and tonics, the interplay of syllabotonic and tonic verse, and the impure rhyme. He also did numerous innovative experiments with syllabotonics, e.g., unregulated interplay of triple meters, regulated interplay of iambs and trochees, unregulated interplay of double and triple meters, mixing syllabotonics with tonics in lyric poetry (but unlike the 19th-century poets, not in epic poetry)Ketteju je ritem osnovna prvina poezije, zato le redko uporablja prosti verz, kar je v nasprotju z ugotovitvami starejše literarne zgodovine. Obenem je njegov metrum izjemno raznolik. Iz tradicionalne poezije in ljudske pesmi je prevzemal vse, kar je bilo neregularno: neregularno silabotoničnost in toničnost, mešanje silabotoničnega in toničnega verza, nečisto rimo. Prav tako je eksperimentiral s silabotoniko: neurejeno je mešal trozložne metrume, urejeno mešal jambe in troheje v lirski poeziji (a ne v epiki kot pesniki 19. stoletja)TEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije