<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-UKPK0CR0</identifier><date>2021</date><creator>Brdnik, Žiga</creator><relation>documents/doc/U/URN_NBN_SI_doc-UKPK0CR0_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-UKPK0CR0_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 58</format><format format_type="extent">str. 35-37</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">73262851</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-UKPK0CR0</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Crazy samurai Musashi</subject><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">filmski festivali</subject><subject language_type_id="slv">Ljubljana</subject><title>Podobe mojstra kot indikator duha časa</title></Record>